Tennstedt Mahler

Jean-Claude Casadesus & Orchestre National - Mahler: Symphony No. 2 "Resurrection" (2016) [Official Digital Download]

Jean-Claude Casadesus & Orchestre National - Mahler: Symphony No. 2 "Resurrection" (2016)
FLAC (tracks) 24-bit/48 kHz | Time - 85:19 minutes | 774 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Majestic and profoundly moving, Mahler’s 2nd Symphony (‘Resurrection’) constitutes one of the towering monuments of late-19th-century symphonic music and one of the composer’s most popular works. It was therefore logical that Jean-Claude Casadesus, a living legend of the conductor’s art, chose this work, which has accompanied him for many years, to celebrate the 40th anniversary of his Orchestre National de Lille.
Royal Concertgebouw Orchestra & Daniele Gatti - Mahler: Symphony No. 2 (Live) (2017)

Royal Concertgebouw Orchestra & Daniele Gatti - Mahler: Symphony No. 2 (Live)
EAC Rip | FLAC (tracks)+cue, log, m3u, artwork | 88:11 min | 320 MB
Label: RCO Live – RCO 17003 | Tracks: 05 | Rls.date: 2017
Classical, Orchestral, Choral

The Royal Concertgebouw Orchestra and conductor Daniele Gatti join with the Netherlands Radio Choir and soloists Chen Reiss and Karen Cargill for a vibrant live recording of Mahler's Symphony No. 2 in C Minor "Resurrection”. The history of the world-famous orchestra is interlinked with that of Mahler's own, and the Concertgebouw musicians certainly appear to have an affinity for this music, offering up a rousing and intense interpretation of this well-known symphony with sparkling vocal contributions from Reiss and Cargill.
Janet Baker, Dietrich Fischer-Dieskau, Daniel Barenboim - Mahler: Lieder (2003) (5 CD Box Set)

Janet Baker, Dietrich Fischer-Dieskau, Daniel Barenboim - Mahler: Lieder (2003) (5 CD Box Set)
MP3 320 kbps | 5 CDs, 05:11:29 min | Covers included | 719 mb
Genre: Classical / Label: EMI

This set of CD is EMI's ultra-low-cost boxed series, although the ultra-low prices, but this series there are still many excellent recordings, such as Ke Luotan's Beethoven Symphony Complete Works, Chiclini's Saty Piano works and so on. In this set of Mahler songs, it is worth noting that Teng Shi Te Te Te's "song of the earth", in its symphony is not included. In addition, the Baker Jazz singing "Luke Te song" and Fisher - Di Si test and Barenboim cooperation piano version of "Junior Magic" is also a very good version. But unfortunately did not include Canta "lament the song", but rather repeated the collection of the symphony of Teng Tate's total in the first 2,3,4 contains vocal movement, so it can not be called A song collection.
Gustav Mahler - Symphonies 1-10, Das Lied von der Erde (Box-set) (Gary Bertini) (2005) {EMI}

Gustav Mahler - Symphonies 1-10, Das Lied von der Erde (Box set) (Gary Bertini) (2005)
EAC Rip | FLAC with CUE and log | covers+booklet | 3623 mb | MP3 CBR 320kbps | RAR | 1876 mb
Classical | Label: EMI Classics (0946 340238 2 5)

You will probably be as incredulous as I was to learn that the greatest cycle of Mahler symphonies comes not from any of the usual suspects - Abbado, Bernstein, Chially, Haitink, Kubelik, Rattle, Sinopoli, Solti, Tennstedt - but from the unsung Gary Bertini, who spent the better part of his career as music director of the Cologne Radio Symphony Orchestra. Unlike any of those more publicized sets, each of which includes a misfire or two, Bertini is consistently successful from first to last; his performance of each of these works can stand comparison with the very best available.
Fischer, Budapest Festival Orchestra - Mahler: Symphony No. 5 (2013)

Fischer, Budapest Festival Orchestra - Mahler: Symphony No. 5 (2013)
EAC Rip | Flac (Tracks + cue + log) | 260 MB | MP3 320Kbps CBR | 176 MB | 1 CD | Full Scans
Genre: Classical | Label: Channel Classics | Catalog Number: 34213

After the highly acclaimed recordings of Mahler Symphonies no. 1, 2, 4 and 6 Iván Fischer and his Budapest Festival Orchestra now recorded the Fifth Sympony with its famous Adagietto in F major for strings and harp - one of the most intimate pieces that Mahler ever wrote for the orchestra.
Gustav Mahler - The Complete Works: 150th Anniversary Edition Box Set 16 CD (2010)

Gustav Mahler - The Complete Works: 150th Anniversary Edition Box Set 16 CD (2010)
Classical | MP3 CBR 320 kbps | 2,55 Gb | Covers 16 Mb
Label: EMI Classics | Release Year: 2010

It was bound to happen sooner or later: pretty much everything known by Mahler put into one box (16 cd's).EMI and DG–which also drew on the catalogues of Decca and Philips–have each produced complete-edition boxed sets to coincide with the 150th anniversary of Mahler's birth. One set seems like an inexhaustible treasure trove; the other one is more like a mere assemblage of all of Mahler's music.
Gustav Mahler - Symphonie Nr.6 (SWR-Sinfonieorchester, Baden-Baden - Kirill Kondrashin) - 2011

Gustav Mahler - Symphonie Nr.6 (SWR-Sinfonieorchester, Baden-Baden - Kirill Kondrashin) - 2011
Classical | EAC | FLAC, IMG+CUE, LOG | Covers | 1CD, 354 MB
Label: Hanssler | Catalog Number: CD 94.217 | TT: 68'22''

I'm a bit taken aback that Haenssler should label excellent stereo from 1981 as a historical recording. Kondrashin died that year at the age of 67 - the day after his birthday, as it happens. His Mahler recordings took place with his own Moscow Phil., but the present orchestra of Southwest Radio in Baden-Baden and Freiburg was under Michael Gielen, an experienced and exciting Mahler conductor in his own right, so the chemistry must have been good - better, I suspect, than with any Soviet orchestra at the time. Mahler wasn't a regular part of the orchestral tradition there.
Gustav Mahler - Symphonie Nr.1 (NDR-Sinfonieorchester - Kirill Kondrashin) - 2004
Gustav Mahler - Symphonie Nr.1 (NDR-Sinfonieorchester - Kirill Kondrashin)
Classical | EAC | FLAC, IMG+CUE, LOG | Covers | 1CD, 263 MB
Label: EMI | Catalog Number: NDR 10062 | TT: 48'18''

The last recording of Kirill Kondrashin. It was made in the very day of his death. He was invited to replace Klauss Tennstedt, who had refused to conduct in Amsterdam. After only a half-hour rehersal Kondrashin managed to pass his own specific view of the score to the orchestra and the concert had a great success.
Mahler, G: Symphony No. 4 - Mathis; Berliner Philharmoniker; Karajan (reupload)

Gustav Mahler: Symphony No. 4 in G major – Edith Mathis, soprano; Berliner Philharmoniker; Herbert von Karajan
Classical | 1 CD | EAC Rip | 238 MB, 3% recovery | FLAC+LOG+Cue | Complete scans
Publisher: DGG/Universal | Recorded: 1987 | Published: 1990

…Such playing (though if I'm to be hyper-critical I don't care for some of the solo-violin playing), such excellent recording balance and, above all, such conducting, Karajan at his most relaxed and winning, making all the humorous and fantastic points in the score with such affection. - The Gramophone
Richard Wagner - Orchestral Music from the Operas (Klaus Tennstedt) (2005)

Richard Wagner - Orchestral Music from the Operas (Rienzi, Tannhauser, Lohengrin, Die Meistersinger von Nurnberg,
Das Rheingold, Die Walkure, Siegfried, Gotterdammerung) (Klaus Tennstedt) (2005)

Classical | Eac. Flac, Tracks+Cue, Log | Scans | 420.01 MB
Label: EMI | TT: 1:37:12

When these discs were originally released singly in the early '80s, they were not only marvelous recordings of the purely orchestral music from Wagner's operas, they announced the arrival of a marvelous new conductor. At the time, Klaus Tennstedt was known only as the conductor of several astonishingly good recordings of Mahler's symphonies, but his abilities in the standard repertoire were as yet unknown. But with these two discs of recordings with the Berlin Philharmonic, Tennstedt proved that his Mahler was no accident. Indeed, so strong, so central, and so overwhelmingly compelling are his Wagner recordings that his Mahler recordings seem almost accidental. In the disc of excerpts from the Ring operas, Tennstedt is at once immensely dramatic, ecstatically lyrical, and profoundly musical. In the disc of preludes and overtures from Tannhäuser, Rienzi, Lohengrin, and Meistersinger, Tennstedt is at once intensely concentrated, widely expansive, and deeply human. Aided by the super-virtuoso playing of the Berlin Philharmonic and the stupendous impact of EMI's early digital, Tennstedt's Wagner was as fine or finer than any of his contemporaries and nearly in the same league as his predecessors.