Produced by Francis Ford Coppola, Hammett is the fictional story about a time in real-life writer Dashiell Hammett's ("The Maltese Falcoln") life. Directed by Wim Wenders, the 1920's era noir mystery contained an equally noir score by veteran composer John Barry. Fresh off of Body Heat and Somewhere in Time, Barry had no problem writing the jazzy score, which contains an interesting combination of slinky jazz numbers and ethnic Chinese cues. Beginning with the "Main Titles", which is performed by a single piano and clarinet, Barry immediately draws the listener in to this dark seductive world. The theme is simple and elegant, yet has an underlying sensuality about it. That sensuality is never fully realized in full orchestral form - except for a small moment in "The Wrap Up / Finale" - but it's still a very enjoyable theme.
Giuseppe Patanè was a leading conductor of the middle years of the 20th century, particularly well known for his work in opera. His father was also a conductor, Franco Patanè (1908-1968), who introduced his son to music. Giuseppe studied piano and conducting at the Conservatorio San Pietro à Majella in Naples. While there, he was chosen at the age of 19 to conduct a performance of La Traviata at the Teatro Mercadante in Naples.
The band known for rejecting several names, which includes "Virgin Killer", this new band finally settled on "Overkill", naming themselves after a Motörhead album…
This is the first EuroArts release in cooperation with the San Francisco Opera, internationally recognized as one of the top opera companies in the world Renée Fleming as “America's most-loved and most-lauded opera singer”(The Times, London) played Lucrezia Borgia with passion and outstanding virtuosity in line with a top-notch cast: Michael Fabiano, Elizabeth DeShong and Vitalij Kowaljow. Fleming plays a femme fatale renowned for her ruthless pursuit of power that reveals poignant vulnerability when she comes face to face with her long-lost son. Led by internationally acclaimed conductor Riccardo Frizza.
Abandoned Luncheonette, Hall & Oates' second album, was the first indication of the duo's talent for sleek, soul-inflected pop/rock. It featured the single "She's Gone," which would become a big hit in 1975 when it was re-released following the success of "Sara Smile."