Climax Blues Band had undergone a few changes by the time they cut Sample And Hold in 1983. While Peter Haycock (guitar and vocals) and Colin Cooper (sax and vocals) were still holding the fort, they had sampled a new rhythm section. The latest recruits were George Glover on keyboards, Dave Markee on bass and Henry Spinetti on drums. Together they kept the Climax flag flying. This song-packed ten original LP track CD kicks off with an upbeat and optimistic sounding Friends In High Places , with the vocal harmonies set in place by the old firm of Haycock and Cooper. Peter's guitar solo on this song is especially effective. Although the overall band sound veers towards modern Eighties pop, the guitar and drums, while still rock and strings are brought into play on The End Of The Seven Seas . A fine album with informative CD liner notes that put a much loved British band's career and this album into perspective.
When it comes to following the beat of their own drum, New York’s Psychic Ills have exemplified the phrase since their beginnings in 2003. Initially spawned from electronic-centered home recording experiments, they progressed into all-night full-band exploration in a neighborhood where noise wasn’t a problem. They soon after evolved into a live band seemingly at home within the extended jam, exploring a variety of musical terrain. The early years saw several releases for Social Registry, tons of time on the road, and collaborations with artists as diverse as Gibby Haynes (Butthole Surfers) and Sonic Boom (Spacemen Three/Spectrum). In 2011, their first effort for Sacred Bones, Hazed Dream traded in the synthesizer space-outs and raga rumbles, and delivered a record of sunburned psych pop, awash in warm tones and blues damaged songwriting.