A landmark bit of indie funk from the 70s – one of the few records cut by Detroit keyboardist Eddie Russ, and easily the best! The album features Russ going to town on electric piano – working with a hip combo called The Mixed Bag, which features some wicked work on flute and soprano sax by Larry Nozero – and a vibe that's a lot more laidback than standard funk, or even more mainstream jazz funk too – a sweet open groove that's mighty nice all the way through! The album's really a showcase for Nozero and Russ' solos – trading back and forth effortlessly over long tunes that roll along in a sweet electric-tinged groove – long vamping rhythms that really seem to drive both players onto new heights.
In 1972, at the height of David Bowie's newly ignited fame, former label Pye unlocked the vault and produced an EP, the aptly subtitled "For the Collector – Early David Bowie," reprising four of the six songs Bowie recorded during 1965-1966. Since that time, those four (plus their two companions) have established themselves among the most frequently revisited songs in his entire catalog, reissued so frequently, and in so many different formats, that there truly cannot be a single Bowie fan left out there who doesn't own them at least three times over.
The relationship between this EP and King Crimson's Power to Believe (2003) long-player mirrors that of the six-track Vrooom (1994) sampler and subsequent full-length release Thrak (1994). The music perfectly contrasts the primarily instrumental and live Level Five (2001) EP by honing in on the latest lyrical contributions from Adrian Belew (guitar/vocals). The disc begins with "Bude," the first in a series of short spoken verses incorporating an electronically manipulated and harmonized Belew. The result is similar to the voice box effect used by Peter Frampton on "Do You Feel Like We Do?."