Paul Lewis performed all the Beethoven piano sonatas on tour in the USA and Europe between the 2005 and 2007 seasons, in parallel with his complete recording of the cycle for Harmonia Mundi. His interpretation of the Lizst sonata was distinguished by the prestigious Edison Award, while his recording of the complete Beethoven sonatas received two Gramophone Awards in 2008 (Recording of the year and Best Instrumental Recording).
From Wikipedia: Annie Fischer (July 5, 1914 - April 10, 1995) was Hungarian, a child prodigy who quickly established an international reputation. She only played in the US for one or two seasons, so we know her work mainly from her relatively few recordings, but those who heard her in concert speak in glowing terms of the spontaneity, power, and beauty of her performances, of her passionate musicality, and of the intensity of her communication with her audiences.
10 CD box set celebrating the work of the German Beethoven-pianist of international renown, Wilhelm Backhaus. It contains all of his concert recordings, the most popular sonatas and waltz-variations.
Now many of the world’s most serious and significant pianists (Schnabel, Serkin, Brendel, Goode, etc.) have devoted a great deal of thoughtful study to the Beethoven sonatas; in general, performance of this music represents a level of erudition and deep contemplation probably unequaled by the works of any other mainstream composer. Serious pianists study every aspect of these works in minute detail; virtually everything is taken into account except those instruments which inspired Beethoven, and which he had in mind when he composed.
Maurizio Pollini’s Beethoven Sonatas cycle has reached completion after nearly 40 years. We celebrate this major event with a handsome 8-CD capbox that provides a fitting testimonial to a great artistic partnership between pianist and record label. The final recordings in the cycle (opp. 31 & 49) are being released simultaneously as a single CD.
The recording is clean and conducive to the careful listening which Korstick consistently commands. (…) The pianist has declared his aim is to attain an "ideal", a distillation of Beethoven's piano writing. Perhaps a Platonic "essence" even. If this, rather than something personal, fluid, malleable and potentially as fallible as it is valid appeals to you, then you should investigate the cycle on Oehms. (…) For here is – if not a granite monolith – a commentary on what stone and a chisel can achieve.
Handel's solo sonatas exist in versions for various wind instruments as well as for violin, in some cases differing in their respective keys and number of movements. Many were reworked in later printed editions so that they would be playable on the transverse flute, an instrument that was becoming ever more popular in England at that time. This release of the complete wind sonatas takes into account the different versions of the pieces. The soloists are proven experts in their field: flutist Barthold Kuijken, recorder player Peter Van Heyghen and oboist Marcel Ponseele.
The Hungarian pianist has won a number of piano competitions in Hungary and abroad, including first prize in the 1973 Hungarian Piano Concours and first prize in the chamber music category at the Sydney International Piano Competition in 1977. He has recorded for Naxos all the piano concertos and sonatas of Mozart.