Fables of the Reconstruction was intentionally murky, and Lifes Rich Pageant was constructed as its polar opposite. Teaming with producer Don Gehman, who previously worked with John Mellencamp, R.E.M. developed their most forceful record to date. Where previous records kept the rhythm section in the background, Pageant emphasizes the beat, and the band turns in its hardest rockers to date, including the anthemic "Begin the Begin" and the punky "Just a Touch." But the cleaner production also benefits the ballads and the mid-tempo janglers, particularly since it helps reveal Michael Stipe's growing political obsessions, especially on the environmental anthems "Fall on Me" and "Cuyahoga." The group hasn't entirely left myths behind – witness the Civil War ballad "Swan Swan H" – but the band sound more contemporary both musically and lyrically than they did on either Fables or Murmur, which helps give the record an extra kick. And even with excellent songs like "I Believe," "Flowers of Guatemala," "These Days," and "What if We Give It Away," it's ironic that the most memorable moment comes from the garage rock obscurity "Superman," which is sung with glee by Mike Mills.
Recorded at The Top of the Plaza in Rochester New York on February 6 1973, remains one of the most sought-after and influential shows ever recorded by Buddy. Syndicated by PBS in that year, it was the first time thousands of drummers had been exposed to Buddy in a full length concert setting, and many drummers continue to name this program as a primary influence on their own playing.
When the world’s super rich want to sell their mega-home for record prices or spend millions on a mansion in the sky, over and over again, one woman gets the job done. She’s been called the “Queen of Real Estate” and even “Jaws,” but the wealthiest people on earth call her Dolly.