Anthrax is an American heavy metal band from New York City, formed in 1981 by rhythm guitarist Scott Ian and bassist Dan Lilker. The group was considered one of the leaders of the thrash metal scene during the 1980s and is one of the "Big Four" thrash metal bands with Metallica, Megadeth, and Slayer; Anthrax is the only one of the four from the East Coast. As of April 2017, the band has released 11 studio albums, several other albums, and 26 singles, including collaborating on a single with American hip hop group Public Enemy. According to Nielsen SoundScan, Anthrax sold 2.5 million records in the United States from 1991 to 2004, with worldwide sales of 10 million…
This live performance presented by the King Biscuit Flower Hour is an above average production of Wakeman's best-loved tunes. King Biscuit appropriately keeps the concert full-length, without any splicing, so that the songs are enjoyed exactly as they were during the staging. Wakeman electrifies San Francisco's Winterland Theater with stunning versions of "Lancelot and the Black Night" and "Merlin the Magician," two of this album's finest cuts. Particular attention is given to "The Forest," a track rarely played live from Wakeman, but placed fittingly in the middle of the eight selections here. Recorded in 1975 at the height of progressive rock's glory days, Wakeman's attentiveness and passion can be felt from the opening keyboard surge. His accompanying musicians play a large part as well, with some expert guitar work from Jeffrey Crampton and spectacular vocal execution via Ashley Holt.
Recorded on May 21, 1970, at Detroit's Club Mozambique, this was shelved and remained unreleased until it was retrieved for CD issue in 1995. It's odd that Blue Note decided to sit on it for so long, because it ranks as one of Lonnie's better sets. The band, featuring George Benson on guitar, is relaxed and funky without being in your face about it, and unlike much soul-jazz of the time, most of the material is original, Smith having penned six of the eight numbers. Although the riffs often owe a lot to James Brown, this is definitely at least as much jazz as soul, with Lonnie taking a rare vocal turn on "Peace of Mind."
The Artis Quartet have all the right Viennese qualifications to play Schubert – their playing is graceful and stylish, with genuine warmth of tone and expression. In the A minor Quartet they take their cue from Schubert’s many expression marks – making the accents and crescendos sound absolutely spontaneous; pointers to the underlying emotion.