Reggae is a wonderful sound and groove guaranteed to make you feel good. Latest & Greatest Reggae Party brings you the newest and greatest sun-drenched reggae hits to heat up your party Caribbean style! We have selected the biggest reggae stars of the genre on one amazing collection for the very first time.
This is undoubtedly the equivalent of Gilberto Gil "Unplugged" – Gil, his acoustic guitar, and a nonelectric five-piece band recorded live in a studio – and it is a thoroughly musical triumph as Gil mesmerizes his attentive audience for some 74 minutes. He starts out with the nearly pure reggae of "A Novidade," but before long, he establishes himself in a mostly consistent, loping set of intimate grooves thoroughly rooted in Brazil. Gil had a hand in writing all of this tuneful material except Anastacia Dominguinhos' "Tenho Sede," Caetano Veloso's "Sampa," and a left-field choice, Stevie Wonder's "The Secret Life of Plants," which lends itself very well to Gil's bossa nova approach and proenvironmental position. It is not a complete live portrait of Gil, though; the astounding quickness and flexibility of his voice is fully vented only toward the end of the concert. The later Quanta Live album will give you a wider panorama of Gil's range.
42 track album featuring Jimmy Cliff, Aswad, UB40, Ziggy Maley, Desmond Dekker, Ken Booth & More.
Culled from Johnson's albums for Mango recorded between 1978-1984, this is a distillation of work by the dub poet and the man who has perhaps been England's greatest contributor to reggae. While the great "Reggae Fi Peach" doesn't make it on here, and nor, even more surprisingly, does his excoriating immigrant tale "Inglan Is a Bitch," there are still plenty of gems in the album's 40 minutes, like "Independant Intavenshan" and "Sonny's Lettah (Anti-Sus Poem)," which might still stand as his best-ever track. Working in a sing-speak Jamaican patois, Johnson never pulls his punches, and why should he? He's seen plenty and experienced plenty at the hands of the English. The country might be his home, but that doesn't mean he can't see its myriad faults. The combination of Johnson's words and delivery with Dennis Bovell's production and leadership of the dub band is an almighty one-two punch, always going for the knockout blow, and the very best British reggae has had to offer: political, powerful, and penetrating.