After the heavily distorted bass and doomsday church organ of Emerson, Lake & Palmer's debut album, the exhilarating prog rock of epic proportions on Tarkus, and the violent removal of the sacred aura of classical tunes on Pictures at an Exhibition, Trilogy, ELP's fourth album, features the trio settling down in more crowd-pleasing pastures. Actually, the group was gaining in maturity what they lost in raw energy. Every track on this album has been carefully thought, arranged, and performed to perfection, a process that also included some form of sterilization. Greg Lake's acoustic ballad "From the Beginning" put the group on the charts for a second time…
The complete original LP More of the Greatest Piano of Them All (Verve MGV-8347), showcasing the brilliant pianist unaccompanied. This album, which includes original liner notes by André Previn, was part of the marathon sessions jazz producer Norman Granz planned for Tatum, who at that time was seriously ill and neglected by record companies due to stylistic changes in the music industry. He would die on November 5, 1956 at the age of 47. As a bonus, we have added the complete album Still More of the Greatest Piano of Them All (Verve MGV-8360), which includes original liner notes by Teddy Wilson, plus one extra track, all recorded during the same sessions.
Set 1: "A Right Cordial Shocker"- Hammersmith Odeon in London on November 26, 1972. Another batch of cleaned-up bootlegs chronicles some of Emerson, Lake & Palmer's finest shows. This eight-CD box set includes four complete concerts, each taking up two discs. In all, the two-volume Original Bootleg Series is comprised of eight shows covering 15 discs. Listeners should expect a lo-fi experience. The set is priced accordingly, about 45 dollars per volume. To be fair, the sound quality is for the most part decent to good. The first show in this collection was recorded at Hammersmith Odean in London on November 26, 1972. Subtitled "A Right Cordial Shocker," it runs 100 minutes. ELP had returned triumphantly to their home turf after touring the world behind Trilogy.
Set 2: "The Iridescent Concubine" - Louisville Town Hall, Kentucky - Apr. 21st 1972. This set and its companion, the eight-CD volume two, display all the strengths that made Emerson, Lake & Palmer one of the world's most popular bands during the '70s, and the weakness that comes with a trio's attempt to play complicated music. Keith Emerson was a virtuoso keyboard player, Greg Lake supplied a pleasant voice and flair for writing melodic songs, and Carl Palmer played drums as though he would perish if he stopped. But the group lacked the depth of fellow progressive rock bands, such as Yes and King Crimson. Those groups supplied multiple lead instrumentalists – Yes with their guitar/keyboard tandem and Crimson with their venerable guitarist, Robert Fripp, and a series of cohorts who played saxophone, violin, or second guitar.
This isn't quite as frenetic and hard-edged as many of Garrison's previous releases. An Earth-Star Trilogy differs from the rest of his work by having a much more calm atmosphere. Has active sequence elements very common of Ian Boddy and space music of Jonn Serrie.
Unique in the history of Italian progressive music, New Trolls were leaders and were for a time the top band in Italy. In 1973, New Trolls split into two camps, the hard-rocking IBIS and the symphonic-oriented New Trolls Atonic System. They crossed many different permutations of line-up changes, many musical stylings… and great hits, passing through beat, pop ballads, progressive rock works, hard rock, and melodic pop followed groups like Genesis and PFM.