Polonaise No.6

Danielle Sellers - Behind the Scenes No.6  Girls

Posted by nrg at Jan. 13, 2018
Danielle Sellers - Behind the Scenes No.6

Danielle Sellers - May Contain Girl Video January 9, 2018
MP4 | 1920*1080 | AVC@5062 Kbps | AAC@256 Kbps | 7m | 298 MB
British glamour model
Estonian Festival Orchestra & Paavo Järvi - Shostakovich: Symphony No. 6 & Sinfonietta (2018)

Estonian Festival Orchestra & Paavo Järvi - Shostakovich: Symphony No. 6 & Sinfonietta (2018)
Classical | WEB FLAC (tracks) & d. booklet | 236 MB
Label: Alpha | Tracks: 08 | Time: 56:22 min

The Järvi family is a pillar of Estonian musical life. Paavo is now director of the Pärnu Festival, held in August each year, which brings together the finest Estonian musicians, joined by the cream of European orchestras: members of the Deutsche Kammerphilharmonie, the Berliner Philharmoniker, the Orchestre de Paris etc. Paavo Järvi (recently appointed music director of one of the world’s leading formations, the Tonhalle Orchester Zürich) frequents all these instrumentalists regularly, and now works alongside them, ‘unpretentiously, in a warm, collegial manner’ for a series of highly convivial concerts on the shores of the Baltic: ‘magical and incredibly appealing’, says Die Welt.
Estonian Festival Orchestra & Paavo Järvi - Shostakovich: Symphony No. 6 & Sinfonietta (2018) [Official Digital Download 24/96]

Estonian Festival Orchestra & Paavo Järvi - Shostakovich: Symphony No. 6 & Sinfonietta (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 56:22 minutes | 924 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The Järvi family is a pillar of Estonian musical life. Paavo is now director of the Pärnu Festival, held in August each year, which brings together the finest Estonian musicians, joined by the cream of European orchestras: members of the Deutsche Kammerphilharmonie, the Berliner Philharmoniker, the Orchestre de Paris etc. Paavo Järvi (recently appointed music director of one of the world’s leading formations, the Tonhalle Orchester Zürich) frequents all these instrumentalists regularly, and now works alongside them, ‘unpretentiously, in a warm, collegial manner’ for a series of highly convivial concerts on the shores of the Baltic: ‘magical and incredibly appealing’, says Die Welt.
Mariss Jansons - Varèse: Amériques - Stravinsky: Symphony of Psalms - Shostakovich: Symphony No. 6 (Live) (2018)

Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra, Mariss Jansons - Varèse: Amériques - Stravinsky: Symphony of Psalms - Shostakovich: Symphony No. 6 (Live) (2018)
Classical, Choral | WEB FLAC (tracks) & d. booklet | 325 MB
Label: BR-Klassik | Tracks: 07 | Time: 80:29 min

A pairing often touted as the world's finest conductor with the greatest orchestra, this release sees Mariss Janson interpreting a variety of 20th-century works with the Royal Concertgebouw Orchestra. Varèse's Amériques was his first composition in the United States, marking a brand new direction for the French composer's career, while Shostakovich's Sixth Symphony is one of his most well-loved pieces for its exhilarating crescendo from slow introspection to full-blooded Gallup.
Luzerner Sinfonieorchester & James Gaffigan - Dvořák: Symphony No. 6. American Suite, Op. 98b (2014) [24/96]

Luzerner Sinfonieorchester & James Gaffigan - Dvořák: Symphony No. 6. American Suite, Op. 98b (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 67:46 minutes | 1.25 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

"The Americans expect great things of me,’ Dvorák wrote in November 1892 to his friend Josef Hlávka, ‘and the main thing, so they say, is to show them the way to the promised land and kingdom of a new and independent art, in short, to create a national music."

Küche & Architektur - No.6 2017  Magazines

Posted by Puslik at Dec. 29, 2017
Küche & Architektur - No.6 2017

Küche & Architektur - No.6 2017
German | 84 pages | PDF | 19 MB
Marko Ylonen, Helsinki Philharmonic orchestra, Max Pommer - Rautavaara: Symphony No.6 'Vincentiana', Cello concerto (1994)

Marko Ylonen, Helsinki Philharmonic orchestra, Max Pommer - Rautavaara: Symphony No.6 'Vincentiana', Cello concerto (1994)
EAC | APE (image+.cue, log) | Covers Included | 59:34 | 231 MB
Genre: Classical | Label: Ondine | Catalog: ODE819-2

Both pieces on htis CD are capable of making a lasting impression on the listener with their energy and power of expression, much like the art of van Gogh, who served as the inspiration for the opera Vincent from which Rautavaara derived his 6th Symphony. As one might expect of music based on the life and works of this artist, the Vincentiana Symphony is colorful, expressive, and in some passages, tempestuous and tormented.
London Philharmonic Orchestra, Klaus Tennstedt - Mahler: Symphony No.6 (2009)

London Philharmonic Orchestra, Klaus Tennstedt - Mahler: Symphony No.6 (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 01:23:51 | 468 MB
Genre: Classical | Label: LPO | Catalog: 3

By nature shy and retiring, Klaus Tennstedt was a reluctant celebrity, and his international career in the last quarter of the twentieth century must have seemed utterly incredible to him. Yet as introverted and introspective as Tennstedt was, it doesn't seem at all obvious in this 1983 concert recording of Gustav Mahler's Symphony No. 6 in A minor, "Tragic," for this is one of the conductor's most extroverted, aggressive, and potent performances.

Sabine Jemeljanova - Behind the Scenes No.6  Girls

Posted by nrg at Dec. 12, 2017
Sabine Jemeljanova - Behind the Scenes No.6

Sabine Jemeljanova - May Containe Girl December 12, 2017
MP4 | 1920*1080 | AVC@5013 Kbps | AAC@256 Kbps | 5m | 204 MB
Latvian glamour model
Hermann Scherchen - Wagner: Siegfried-Idyll, Tchaikovsky: Symphonie No. 6 (1995)

Hermann Scherchen - Wagner: Siegfried-Idyll, Tchaikovsky: Symphonie No. 6 (1995)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 01:05:51 | 325 MB
Genre: Classical | Label: Tahra | Catalog: 112

Scherchen was one of the leading conductors in the middle part of the twentieth century, especially valued for his pioneering performances of the contemporary music of his time. He was essentially self-taught as a musician and became a violist in the Blüthner Orchestra and the Berlin Philharmonic when he was 16. In 1911 he was an assistant to Arnold Schoenberg in the preparation of Pierrot Lunaire for performance.