A fairly sleepy ECM date, this outing matches Jan Garbarek on tenor, soprano and alto with guitarist Bill Connors, John Taylor (doubling on organ and piano) and drummer Jack DeJohnette for lengthy explorations of four of his originals. With such titles as "Reflections," "Entering" and "Passing," it is not surprising that the music has plenty of space, is introspective, and often emphasizes long tones.
Usually regarded as the Belgian Zao, Cos develops an European type of chamber-rock, built on onomatopeic vocals or sung in French or German. The band displays beautiful themes interwined with complex orchestrated rhythms. Its music evokes the Canterbury School (Caravan, Hatfield And The North), the anguished and dark music of King Crimson or Quiet Sun and Terje Rypdal's atmospheric jazz-rock. Pascale Son uses her high-pitched voice, able to perform the most incredible modulations, and this allows her to become one of the best singers in that style. The leader Daniel Schell is a guitarist extraordinaire, and proves to develop ideas as original as Robert Fripp's…
Essential: a masterpiece of Jazz-Fusion music
One of the most elegant and smooth jazz albums I ever heard
Oregon jazz band from USA, created a very unique album in my opinion with a lots of unusual instruments for this kind of music, like Sitar, Tabla, Flugelhorn and Oboe and give a new dimension to the jazz music.
The Kick Inside is the debut studio album by English singer-songwriter and musician Kate Bush. It was released on 17 February 1978 and contains her UK number one hit, "Wuthering Heights". The album peaked at number three on the UK Albums Chart and has been certified Platinum by the British Phonographic Industry. The production included efforts by several progressive rock veterans, including Duncan Mackay, Ian Bairnson, David Paton, Andrew Powell, and Stuart Elliott of The Alan Parsons Project, and David Gilmour of Pink Floyd.
2010's mammoth, highly collectible and very limited, 19-disc Sandy Denny box set was truly a thing to behold, presenting the entirety of her career from studio to stage to front porch. It was a completist's dream, but it came with an exceptionally high price tag, which makes the appearance of 2011's Notes and the Words: A Collection of Demos and Rarities a real gift for fans, especially those who already own the complete studio recordings, whether solo or with Fotheringay, Strawbs, or Fairport Convention. The handsome, limited-edition four-disc box skims the cream from the top of the myriad rarities, BBC sessions, demos, and outtakes that made the previous collection so remarkable (an intimate bedroom recording of Jackson C. Frank's "Blues Run the Game"; an early demo of Like an Old Fashioned Waltz's "Carnival" with previously unheard melodies and lyrics; a blistering alternate studio take of a Dave Swarbrick-less "Sailor's Life," and alternate versions of Fairport classics like "Matty Groves," "Come All Ye," and "Fotheringay"), resulting in a wonderful window into one of English folk music's most magnificent voices.