Features the latest remastering. Includes a Japanese description and lyrics. Frank Minion's one and only recording is a fascinating window into the world of a jazz performer. Quite cynical and sarcastic toward the jaundiced American view of the jazz life, Minion minces no words in stating his case, his reasons why, and his conclusions as to the home country of the music so thoroughly dismissing the music he loves. As this project was done back in the late '50s and early '60s, it reflects a syndrome that unfortunately still exists 50 years later. The CD reissue begins with a five-part suite based on the talking points and songs reflecting the vagaries and perceptions of a fictional big city neighborhood, which just as easily could be the reality of renaissance Harlem, references to Atlanta, or perhaps his native Baltimore.
Unique compilation and 100th release in the catalogue of Sonorama Records - file under: cool, modern, hard bop, modal! Fourteen previously unknown tracks recorded 1959-63 in West-Germany by some of the best European jazz artists of the time, featuring Barney Wilen, Francy Boland, Rolf Kühn, Joki Freund, Attila Zoller, Fats Sadi, Roland Kovac, Rolf Ericson, Michael Naura and countless others. All tunes picked from collectors' archives, carefully mastered for 2LP-Gatefold and Longplay Digipack-CD with new sleeve notes and artist photos by Susanne Schapowalow and Hans Harzheim. Great moments from the most prosperous period in the development of European progressive jazz.
Features 24 bit digital remastering. Comes with a description. The Jazz Makers: Art Ellefson (tenor saxophone), Ronnie Ross (alto and baritone saxophones), Stan Jones (piano), Stan Wasser (bass), Allan Ganley (drums) recorded in New York, September 23, 1959. What ever happened to The Jazz Makers? In 1959, the British jazz quintet The Jazz Makers came second in the British Melody Maker journal reader’s poll small jazz combo section, beating even the Tubby Hayes and Ronnie Scott’s Jazz Couriers. They first established a US presence in 1958, appearing at the Newport Jazz Festival, and subsequently touring on the same bill as Thelonious Monk, where they caught the ear of Atlantic boss Nesuhi Ertegan. He brought them into a New York studio to record this album, The Swinging Sounds of The Jazz Makers, Atlantic 1333. Ronnie Ross went on to receive a Downbeat magazine New Star award.