Zabriskie Point is a soundtrack album to the Michelangelo Antonioni film of the same name. It was originally released in January 1970 and is composed of songs from various artists. A 1997 re-release includes four bonus tracks each from Jerry Garcia and Pink Floyd that were used in the film, but not the original soundtrack. Jim Morrison of the Doors wrote the track "L'America" for the film, but was rejected by Antonioni ("L'America" was later released on the Doors album L.A. Woman). A Rolling Stones track, "You Got the Silver", is featured in the film but not present on this album.
Considered by many reviewers as her masterpiece, 1985's Hounds of Love is no less experimental from a production standpoint. Not only did she produce it herself, but for this album, stung by the huge costs she had run up hiring studio space for The Dreaming, she built a private 48 track studio near her home where she could work at her own pace.
David Gilmour said that Meddle was when it all started to come together. In a sense he was right. It started to bring them out of avante garde compositions. Meddle, is and essential piece in the Floyd cannon, surpassed only by Dark Side oF The Moon.
Since Relics is a compilation and not a regular studio album, it tends to be overlooked when thought of as one of Pink Floyd's better releases. It might not be regarded as a classic psychedelic masterpiece in the manner of The Piper at the Gates of Dawn, and it certainly won't ever achieve the multiple platinum status of Dark Side of the Moon, but it's a pretty good place to start with the band's early catalog. Originally issued in 1971, Relics culls from the band's first five singles (two A-sides and three B-sides, including the non-album pop classics "See Emily Play" and "Arnold Layne") and picks album material that capitalizes on the band's versatility while making it a thoroughly palatable listen. From Piper, you get the goofy childishness of "Bike" and the mesmerizing "Interstellar Overdrive," one of the band's trademark instrumental freak-outs; "The Nile Song," taken from the More soundtrack, is one of the heaviest songs the band recorded. A little bit of everything that made early Pink Floyd can be found here. Without a doubt, the disc is an essential part of the band's discography, not to be disregarded in lieu of its overlap with studio album material. Allmusic.
This Harvest Green Label British pressing has a side one that goes FAR beyond anything you've ever heard for this album.
“She is really the great new voice of Jazz“ this is what Quincy Jones said to Sarah Lancman when she won the Grand Prix of the International Competition of the Montreux Jazz Festival in 2012. 17 gold Records, Music awards, Django d’or, Grand Prix de l’Académie du Jazz Django Reinhardt, no need to introduce the italian pianist Giovanni Mirabassi. They are now accomplices of their new album “Inspiring Love” released since November 18 whose 10 original compositions were recorded in New York, high place of this music…
Both sets of Chopin's etudes can be as fiendishly difficult for the performer as they are mesmerizing for the listener, yet Maurizio Pollini makes them sound as if they pose no problems whatsoever for him in this 1972 recording. Every one of the etudes is played with easy precision, energy, and an entirely enjoyable musicality that demonstrates why Chopin's etudes are no mere exercises and are as suited to the recital hall as to the practice room. The Op. 25 No. 5 Etude in E minor has some tricky finger acrobatics in it, but Pollini brings out a singing melody all the same in the middle section, while adding a bit of dancing animation to the outer sections…