Piano j

(Arte) Lukáš Vondráček interprète le concerto pour piano n°3 de Beethoven (2016)

(Arte) Lukáš Vondráček interprète le concerto pour piano n°3 de Beethoven (2016)
Webrip | 1h55min | 1280 x 720 | 25.000 fps | MKV | AVC [email protected] @ 2438 Kbps | AAC @ 125 Kbps | 795 MB
Genre : Classical music

Le lauréat 2016 du concours Reine-Élisabeth a acquis instantanément les faveurs du jury et du public. Ce Tchèque, qui s'est produit au Carnegie Hall à 16 ans, a déjà joué avec les plus grands chefs : Vladimir Ashkenazy, Christoph Eschenbach, Paavo Järvi… Inventivité, expressivité et technicité sont les maîtres mots pour ce soliste qui met ici tout son talent au service du Concerto pour piano n° 3 de Beethoven, le seul que le compositeur ait écrit en mode mineur.
Essays for Piano: Original Compositions for Intermediate Contemporary-classical Piano (Repost)

J. R. Marc Lauzon, "Essays for Piano: Original Compositions for Intermediate Contemporary-classical Piano"
2001 | pages: 23 | ISBN: 1412051177 | EPUB | 2,1 mb

M.J. O'Shea - Il milionario del piano di sopra  eBooks & eLearning

Posted by Proghunter at Jan. 2, 2016
M.J. O'Shea - Il milionario del piano di sopra

M.J. O'Shea - Il milionario del piano di sopra
Italian | 2016 | ASIN: B019SK5J5I | PDF | 245 pages | 3.4 MB
Brahms, J.: Piano Concerto No. 1 in D Minor - Arthur Rubinstein; Chicago SO; Fritz Reiner (re-upload)

Johannes Brahms: Concerto for Piano and Orchestra No. 1 in D minor Op. 15 –
Arthur Rubinstein, piano; Chicago Symphony Orchestra, Fritz Reiner, conductor

1 CD | EAC Rip | 239 Mb | FLAC+LOG+Cue | Complete scans
Classical | Publisher: Sony Classical/ BMG | Recorded: 1954| Published: 2005 | Catalog Number 82876 66378 2

Brahms, J.: Piano Concerto No. 1 in D Minor - Arthur Rubinstein; Chicago SO; Fritz Reiner (re-upload)

Rubinstein's heartfelt affinity and mastery of Brahms' burly piano writing is never in doubt, although the pianist's remake 10 years later with Erich Leinsdorf and the Boston Symphony benefits from his greater introspection and expressive simplicity in the first movement's lyrical second theme and the entirety of the slow movement. All told, the volatile Rubinstein/Reiner Brahmsian chemistry holds its own after more than half a century. –Jed Distler, Classicstoday.com
Suzuki Violin School Volume 2 Violin Part (Revised Edition)

Suzuki Violin School Volume 2 Violin Part (Revised Edition) by Dr. Shinichi Suzuki
English | Oct 15, 2007 | ISBN: 0739048120 | 40 Pages | PDF | 6 MB

Revised in 2007. Contents are: Study Points for Volume 2 * Chorus from Judas Maccabaeus (G.F. Handel) * Musette, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (J.S. Bach) * Hunters' Chorus from 3rd Act of the opera Der Freischutz (C.M. von Weber) * Long, Long Ago (T.H. Bayly) * Waltz, Op. 39, No. 15 for Piano (J. Brahms) * Bourrée from Sonata in F Major for Oboe, HHA IV/18, No. 8 (G.F. Handel) * The Two Grenadiers, Die beiden Grenadier, Op. 49, No. 1 for Voice and Piano (R. Schumann) * Theme from Witches' Dance (N. Paganini) * Gavotte from Mignon (A. Thomas) * Gavotte (J.B. Lully) * Minuet in G, Wo0 10, No. 2 (L. van Beethoven) * Minuet from Sei Quintetti per Archi No. 11, Op. 11, No. 5 in E Major (L. Boccherini).
The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, C.1760–1850

The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, C.1760–1850 by Derek Carew
English | Dec 31, 2007 | ISBN: 0754663116 | 328 Pages | PDF | 6 MB

Intended as a supplement to "The Mechanical Muse: the Piano, Piano Music and Pianism c.1760-1850", this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by "The Mechanical Muse". There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach.
J. S. Bach - 10 Pieces Transcribed For Piano by Wilhelm Kempff

J. S. Bach - 10 Pieces Transcribed For Piano by Wilhelm Kempff
English | 2002 | ISBN: 0793557267 | 40 Pages | PDF | 2 MB
Essays for Piano: Original Compositions for Intermediate Contemporary-classical Piano

J. R. Marc Lauzon, "Essays for Piano: Original Compositions for Intermediate Contemporary-classical Piano"
English | ISBN: 1412051177 | edition 2005 | EPUB | 36 pages | 2.1 MB
J.S. Bach – Sonatas for Viola and Piano BWV 1027-1029/Chorale preludes [2011] (PS3 SACD rip)

J.S. Bach – Sonatas for Viola and Piano BWV 1027-1029/Chorale preludes [2011] (PS3 SACD rip)
SACD ISO Image = 2.86 GB | Stereo FLAC = 875 MB | MCH FLAC = 2.42 GB | Scans PDF (800 dpi): 15 MB | 5% Recovery
Classical | Label: MDG | Catalog Number: MDG 903 1660-6 | DST 1bit-2822,4kHz 2.0, 5.1

Though the cello and especially the violin were the beneficiaries of numerous solo works by the pen of J.S. Bach, the instrument we know today simply as the viola (but in Bach’s time would have been the viola da braccio) was not fortunate enough to receive original, solo compositions. Instead, violists were bestowed with the lead role in the great Sixth Brandenburg Concerto. This MDG album headlines the Bach sonatas for viola and piano, this is a bit misleading.

J.S.Bach - Organ Mass - Amadeus Webersinke  Vinyl & HR

Posted by pmarkov at Oct. 6, 2010
J.S.Bach - Organ Mass - Amadeus Webersinke

J.S.Bach - Organ Mass - Amadeus Webersinke
2LP conversion | FLAC (88.2kHz 24bit)/APE (44.1kHz 16bit) + CUE | No LOG | Cover | 1.4Gb/363.2Mb | 1:22:45 | Melodiya | RS/MU

(1 November 1920, Jägersdorf, Broumov, Czechoslovakia - 15 May 2005, Dresden) was a German pianist and organist. He studied from 1938 to 1940 at the Institut für Kirchenmusik in Leipzig with Karl Straube, Johann Nepomuk David, and Otto Weinreich. He was a lecturer from 1946 and a professor from 1953 for piano at the Felix Mendelssohn College of Music and Theatre. Until 1953 he worked mainly as an organist, and then after only as a pianist. Amadeus Webersinke was particularly devoted to Bach's organ and piano works and also gave concerts on the clavichord. He recorded Max Reger's Piano Concerto. 1966, he assumed a professorship at the Hochschule für Musik Carl Maria von Weber Dresden. His grave is located in the Maria am Wasser cemetery in Dresden-Hosterwitz.
from Wikipedia