Otis Rush Live

Buddy Guy & Otis Rush - Live At The Chicago Blues Festival 10 June '88 (2016)

Buddy Guy & Otis Rush - Live At The Chicago Blues Festival 10 June '88 (2016)
Blues | MP3 CBR 320 kbps | 01:11:21 | 167 MB
Label: Klondike Records | Release Year: 2016

Otis Rush and Buddy Guy live at the fifth annual Chicago Blues Festival on June 10th, 1988. Given the Windy City's rich blues legacy, it may be surprising to learn that this was only the fifth occasion on which the hugely influential genre was celebrated on one of its true home turfs. As it was, Chicago's 1988 Blues Festival played host to a dazzling showcase of past and present icons. Like Buddy Guy, the wider neglect of Otis Rush's work would eventually give way to a renaissance and built on that, an entire revival by the mid-1980s. Two pathfinders, as unique and important in their own ways as Waters, Wolf and Walter, would finally receive the critical acclaim they so richly deserved. Professionally re-mastered.

Otis Rush – Live Part One (2003)  Music

Posted by robi62 at April 30, 2013
Otis Rush – Live Part One (2003)

Otis Rush – Live Part One (2003)
Video: NTSC, MPEG-2 at 6 708 Kbps, 720 x 480 (1.333) at 29.970 fps | Audio: AC-3 2ch. at 192 Kbps, AC-3 6ch. at 448 Kbps
Genre: Blues | Label: Blues Express | Copy: Untouched | Release Date: 4 Mar 2003 | Runtime: 44 min. | 3,34 GB (DVD5)

Breaking into the R&B Top Ten his very first time out in 1956 with the startlingly intense slow blues "I Can't Quit You Baby," southpaw guitarist Otis Rush subsequently established himself as one of the premier bluesmen on the Chicago circuit. Rush is often credited with being one of the architects of the West side guitar style, along with Magic Sam and Buddy Guy.
Otis Rush & Friends (featuring Eric Clapton & Luther Allison) - Live At Montreux (1986) [Repost]

Otis Rush & Friends (featuring Eric Clapton & Luther Allison) - Live At Montreux
Genre: Blues | PAL 720x576 4:3 Bitrate 6.7 mbps
Audio: LPCM 2.0, DD 5.1, DTS 5.1 | 4.34 GB (DVD5) | 5% Recovery
Length: 88 min | Uploaded/Bitshare/Freakshare | Links are interchangable
Albert King / Otis Rush - Door To Door (1969) [Chess Legendary Masters Series, Remastered Reissue 1998]

Albert King / Otis Rush - Door To Door (1969)
Chess Legendary Masters Series, Remastered Reissue 1998
EAC | FLAC | Image (Cue&Log) ~ 181 Mb | Mp3 (CBR320) ~ 103 Mb | Scans included | 00:39:26
Electric Blues, Chicago Blues, Soul-Blues | Label: Chess/Universal | # MCD 09322, 329 322-2

Although Albert King is pictured on the front cover and has the lion's share of tracks on this excellent compilation, six of the fourteen tracks come from Rush's shortlived tenure with the label and are some of his very best. Chronologically, these are his next recordings after the Cobra sides and they carry a lot of the emotional wallop of those tracks, albeit with much loftier production values with much of it recorded in early stereo. Oddly enough, some of the material ("All Your Love," "I'm Satisfied [Keep on Loving Me Baby]") were remakes – albeit great ones – of tunes that Cobra had already released as singles! But Rush's performance of "So Many Roads" (featuring one of the greatest slow blues guitar solos of all time) should not be missed at any cost.
Otis Redding - Live At the Whisky a Go Go: The Complete Recordings (2016)

Otis Redding - Live At the Whisky a Go Go: The Complete Recordings (2016)
Soul, RnB | MP3 CBR 320 kbps | 04:47:47 | 677 MB
Label: Decca Records France | Release Year: 2016

Otis Redding says these words just before launching into “Respect” on April 8, 1966, wrapping up the first of seven sets he’d play over the course of three days at Los Angeles’ Whisky A Go Go. A few songs earlier, he first informed the crowd that they were recording the concert with plans of releasing it as an album, playing the newly-written “Good to Me” for the second time in nine songs simply because it was the single and they needed to get it right. For his ’66 stint at the Whisky A Go Go, he was backed by his road band, the Otis Redding Revue a ten-piece group similar to the bands who supported him whenever he toured the south. This is the residency that is captured in its entirety on Stax’s six-disc box Live at the Whisky A Go Go: the Complete Recordings.

Otis Redding - Live In London And Paris (2008)  Music

Posted by plonker at March 6, 2016
Otis Redding - Live In London And Paris (2008)

Otis Redding - Live In London And Paris (2008)
Soul | EAC rip | FLAC: IMG+CUE+LOG -> 472 MB | mp3 (VBR V0) -> 149 MB
67:19 min | artwork | 3% recovery | NF,FF,BF | Stax 0888072308923

When the Love Generation (which, truthfully, did no better with that emotion than any other generation) got its first real glimpse of soul giant Otis Redding at the Monterey Pop Festival in 1967 backed by Booker T. & the MG's, a powerhouse band if there ever were one, they saw love with a capital L, because Redding sang love songs like the world was about to end, wringing the emotion out of them like a soulful, urgent hurricane…
Otis Rush - I Can't Quit You Baby: The Cobra Sessions 1956-1958 (2000)

Otis Rush - I Can't Quit You Baby: The Cobra Sessions 1956-1958 (2000)
Blues | MP3 320 kbps CBR | 78 min | 185 MB
Label: P-Vine Records | Rel: 2000

The title says it all. This is the essential Otis Rush, the singles recorded for Eli Toscano's Cobra label between 1956 and 1958. If Rush had never recorded another note, his legendary status would remain intact based solely on these recordings. With backing from players like Willie Dixon and Little Walter, it's Rush's impassioned vocals and stinging guitar lines that make "I Can't Quit You Baby," "All Your Love (I Miss Loving)," and "Double Trouble" the classics they are. In addition to the A- and B-sides of all eight singles released by Cobra, eight alternate takes are included, four more than the Paula edition of this material released in 1991. Along with a slightly better transfer from the original tapes, this is not only one of the best places to start for someone getting interested in the blues, but a vital part of any blues collection. Outstanding.

Otis Rush - Double Trouble: Live Cambridge 1973 (2015)  Music

Posted by Pisulik at July 24, 2015
Otis Rush - Double Trouble: Live Cambridge 1973 (2015)

Otis Rush - Double Trouble: Live Cambridge 1973 (2015)
Blues | MP3 CBR 320 kbps | 00:54:40 | 127 MB
Label: Rockbeat Records | Release Year: 2015

Breaking into the R&B Top Ten his very first time out in 1956 with the startlingly intense slow blues "I Can't Quit You Baby," southpaw guitarist Otis Rush subsequently established himself as one of the premier bluesmen on the Chicago circuit. Rush is often credited with being one of the architects of the West side guitar style, along with Magic Sam and Buddy Guy. It's a nebulous honor, since Rush played clubs on Chicago's South side just as frequently during the sound's late-'50s incubation period.

Frank Marino & Mahogany Rush Live In Canada (01-07-1998)  Music

Posted by KGmB at March 26, 2015
Frank Marino & Mahogany Rush Live In Canada (01-07-1998)

Frank Marino & Mahogany Rush Live In Canada (01-07-1998)
DVD-5 | NTSC | VOB | 4:3 (720x480) | MPEG-2, ~5 Mbps VBR, 29.970 fps | 83:59 min | All Regions | 4.3 GB
English | Color | AC-3, 48 KHz, 384 KBps, stereo | RAR 3 %
Genre: Rock, Hard Rock, Blues Rock, Heavy metal

Confederation Park Ottawan Canada 01.07.1998.

Otis Rush - Screamin' And Cryin' (1974) CD Reissue 1992  Music

Posted by Designol at March 24, 2015
Otis Rush - Screamin' And Cryin' (1974) CD Reissue 1992

Otis Rush - Screamin' And Cryin' (1974) CD Reissue 1992
EAC | FLAC | Image (Cue&Log) ~ 328 Mb (incl 5%) | Mp3 (CBR320) ~ 160 Mb (incl 5%) | Scans included
Genre: Electric Chicago Blues | Label: Evidence | # ECD 26014-2 | Time: 00:51:00

Otis Rush's crunching guitar and vocals were never more emphatic than during the '70s when it seemed that he would actually find the pop attention and mass stardom he deserved. These mid-'70s tracks were originally cut for the Black and Blue label, with Rush playing grinding, relentless riffs and creating waves of sonic brilliance through creatively repeated motifs, jagged notes, and sustained lines and licks, while hollering, screaming, moaning, and wailing. Jimmy Dawkins, an outstanding lead artist in his own right, has also long been one of Chicago's great rhythm artists and shows it by adding plenty of tinkling, crackling figures and lines in the backgrounds. While not as consistently riveting as his live Evidence date, this one is also a valuable Rush document.