Stan Getz was such a consistent performer and had such a beautiful tone that nearly all of his recordings are well worth getting. The two radio appearances heard on this 1997 CD are even on a higher level than normal. Joined by pianist Kenny Barron, either Ray Drummond or Yashuito Mori on bass, and drummer Ben Riley, Getz is heard at the peak of his powers on a pair of obscurities (Kenny Barron's "Feijada" and Gigi Gryce's "Stan's Blues") and six numbers (including "Voyage," "Blood Count" and "Warm Valley") that he recorded numerous times. To hear Getz adding even more beauty to Mal Waldron's already gorgeous "Soul Eyes" is a memorable experience.
The Best of Nat King Cole is part of EMI-Capitol Special Markets' Ten Best Series, where they selected ten hits from a popular artist on their roster. For the budget-minded, it's a nice collection of Nat King Cole's best-known hits, like "Unforgettable," "Ramblin' Rose," "Mona Lisa," "Walkin' My Baby Back Home" and "(I Love You) For Sentimental Reasons." It certainly won't please either jazz purists or Cole collectors, but the budget-conscious looking for an affordable (albeit skimpy) sampler of well-known Cole should turn here.
The Third Rail are best remembered today because their closest brush with hit-single status, 1967's "Run Run Run," appeared on Lenny Kaye's pioneering original Nuggets compilation in 1972. But while that album was the shot that kicked off the great garage rock revival, the Third Rail's music was a far better example of the glorious products of the pop music factory that was the Brill Building rather than teenage rock & roll run wild and free. Group founder Artie Resnick was a seasoned pro in the music biz, having written "Under the Boardwalk" and "Good Lovin'," and vocalist and co-writer Joey Levine was a teenaged pop prodigy who (like Resnick) would later become a major player in Buddah Records' mighty bubblegum empire a few years down the line. But in 1967, Levine was just a bit too clever for his own good, which is a big part of the pleasure of the Third Rail's sole album, ID Music.
The Best That I Could Do is an appropriately self-deprecating title for John Mellencamp's greatest-hits collection, considering that the heartland rocker never seemed too convinced of his own worth. Of course, he had to struggle to get any respect after he was saddled with the stage name Johnny Cougar early in his career, but this 14-track collection proves that he was one of the best, unabashed straight-ahead rockers of the '80s. The 14 tracks here actually turn out to be a little too short to contain all of his great singles – songs like "Rain on the Scarecrow," "Rumbleseat," "Pop Singer," "Again Tonight," and "What If I Came Knocking"…