This first matchup on records between pianist Oscar Peterson and vibraphonist Milt Jackson was so logical that it is surprising it did not occur five years earlier…
Guitarist Herb Ellis still considers this to be one of his personal favorite recordings. Ellis was reunited with his old boss Oscar Peterson and, with the assistance of Peterson's trio of the period (with bassist Sam Jones and drummer Bobby Durham), the two lead voices often romp on the jam session-flavored set. Most of the chord changes are fairly basic (including three blues and "Seven Come Eleven"), and Peterson was clearly inspired by Ellis' presence (and vice versa).
Despite stints with Orchestras and duos Peterson loved the trio format best. Touring the world in the early Sixties with Ray Brown on Double Bass and Ed Thigpen on Drums the band settled in Chicago for a week long Residency, subsequently recording a four LP set of their performances. The two recordings here are considered the cream of the crop consisting of compositions from right across the 20th century along with two of Peterson's own, masterful creations. Originally released on Verve Records in 1961.
Those who consider themselves Oscar Peterson completists should be aware of The London House Sessions, a generous five-LP set that focuses exclusively on the Peterson Trio's 1961 engagement at Chicago's London House. However, completists are the only ones who would want to invest in this collection; others would be better off with individual LPs of the pianist's London House performances. One such LP is the Verve Master Edition of The Sound of the Trio, which was recorded in July 1961 and contains performances of "Tricotism," "On Green Dolphin Street," and "III Wind…
This outstanding DVD, recorded live at the Funkhaus, Hannover for a TV broadcast, on December 14, 1972, not only gives us the opportunity to listen to Webster, but far more rarely, to see him in performance, exquisitely backed by the Oscar Peterson Trio featuring the late Danish bassist Niels-Henning Orsted Pedersen & Tony Inzalaco, drums.
Webster and Peterson played together many times, and the tenor saxophonist often said that Oscar was his favorite accompanist.
Classical violinist Itzhak Perlman is not a jazz improviser, so this meeting with the Oscar Peterson Quartet is more a loving tribute to the melodies (ten veteran standards plus two Peterson originals) than a strong jazz date. While Perlman sticks closely to the themes, one's attention focuses much more on Peterson, who had suffered a serious stroke a few years earlier and had been inactive ever since. Peterson sounds healthy in his supportive role, and although it is doubtful if he sweat much during this relaxed music, his apparent comeback is great news. Guitarist Herb Ellis has the most rewarding solos, although his spots are short.