Russian soprano Olga Peretyatko is the latest in a group of young performers championed by the revived Sony Classical label. She's got personality to spare, and, from the looks of the pictures, charisma, too. Arabesque seems to be an album designed to showcase her suitability for a wide variety of roles; the program runs from Mozart forward through the 19th century and includes the Italian, French, and German languages (not that you get any of the texts in the CD booklet).
May 17th sees Erik Satie's 150th anniversary and ECHO-Klassik Award winning pianist Olga Scheps presents the only new studio recording of his most beautiful piano solo works for the Satie celebrations 2016. Erik Satie is among the most popular composers worldwide, his most famous piano pieces such as „Gymnopédie No. 1” or “Je te veux” are instantly recognisable, having be used constantly in motion picture soundtracks and TV ads. As a special Bonus Olga Scheps recorded “Gentle Threat” by Chilly Gonzales, whom she frequently works together with on stage. Olga Scheps was born in Moscow in 1986, the daughter of two pianists, and discovered the instrument for herself at the age of four. She began studying the piano more intensively after her family moved to Germany in 1992. At an early age she had already developed her own unique style of keyboard playing, which combines intense emotiveness and powerful expressivity with extraordinary pianistic technique.
My verdict is: I, Olga Hepnarová, the victim of your bestiality, sentence you to death penalty. Those were famous words of 22-year-old mass murder Olga Hepnarová, who in 1973 drove a truck into a group of innocent people in Prague.
This tutorial consists of two books that offer exercises to practice key grammar topics. Calculated on the students' levels A1-B2.
This CD contains an excellent selection of songs from the Russian 5. I was atrracted immediately by the Borodin songs which open this CD, and was suprise to find that the quality of the songs are just as good for the less well known Balakirev and Cui. And maybe because of their lack of formal music training, they tend to excel in this short genre. Borodina does justice to all the songs. Her voice is dark and seductive and her interpretation tends to understate (when comparing to Gorchakova), which is perfectly fine.