In Italy, the gambler and professor of poetry Daniele Dominici arrives in the seaside town of Rimini and is hired to teach for four months in the Liceu replacing another teacher. His relationship with his mate Monica is in crisis and he spends most of the time with his new acquaintances and gamblers Giorgio Mosca, Marcello and Gerardo Pavani. In classroom, he meets the gorgeous nineteen years old mysterious student Vanina Abati, who is Gerardo's girlfriend, and he feels a great attraction for her. They meet and know each other outside class, and they fall in love for each other. Their relationship leads to a tragic end.
A woman, pushed by her son and poverty, agrees to see his brother in law, a wealthy man who has loved her all his life and proposes to her. A strange kind of comedy, mostly deadpan but also full of a kind of melancholia that recalls a car crash. The blandness of the script makes Avati’s feel relatively forgettable, but the film is still worth seeing especially for the performances by Antonio Albanese, Neri Marcoré and a surprising turn by TV personality and opera singer Katia Ricciarelli, as well as some delightful references to a romantic turn of the twentieth century rural Italy.
One hundred years after a nuclear war has devastated the planet, society has been reborn into two factions; the underground society and the scavangers above in the wastelands. A group of scavangers on bikes come across a town infested with flesh eating rats, and soon the gore is spilling everywhere.
Gianni is a middle-aged man living in Rome with his imposing and demanding elderly mother. His only outlet from her and the increasing debt into which they are sinking, are the increasingly frequent quiet sessions at the local tavern. As an Oriental saying goes, 'Moments of crisis are moments of opportunities'. These appear during the celebration of the holiday of Ferragosto on 15 August. That's when everybody leaves town to have fun.
Born in Milan in 1911 into a family of musicians, Nino Rota was first a student of Orefice and Pizzetti. Then, still a child, he moved to Rome where he completed his studies at the Conservatory of Santa Cecilia in 1929 with Alfredo Casella. In the meantime, he had become an 'enfant prodige', famous both as a composer and as an orchestra conductor. His first oratorio, L'infanzia di San Giovanni Battista, was performed in Milan and Paris as early as 1923 and his lyrical comedy, Il Principe Porcaro, was composed in 1926.