DKV trio's concert in the course of 2012 Autumn Jazz Festival was a night to remember for many reasons. The trio played up to the promise and delivered. The concert itself, a result of a decade - long logistical struggle to bring together the three at one place and time, was also the release date campaign to a 7cds boxset called "Past Present" that would gather a several of the famed DKV performances done near the end / beginning of each year in Chicago and Milwaukee.
In Memoriam. RIP Mr Duval. New Yorker Dominic Duval is one of the finest and most prolific bassists on the contemporary scene, having played and recorded with some of the greatest names in jazz and new music. Duval's continuing tenure with pianist Cecil Taylor's trio has cemented his reputation as one of contemporary music's more important figures. Duval is comfortable and can be seen performing in any number of genres, including modern classical, jazz or music which defies classification.
The story of Simple Acoustic Trio goes back to the beginning of ‘90s. Still being students of the Music High School S.A.Trio. made their debut in 1991. They won the third prize at the Polish jazz contest-Jazz Juniors ’91. In the same year, a sixteen-year old band leader - Marcin Wasilewski won the fourth prize at the International Jazz Pianist festival in Kalisz, Poland. Two years later the band won the first prize at the 7th International Festival of Jazz Bands “Chorus ‘93” during Jazzin’ Sorgues Festival in France. In 1996 the band participated in two jazz competitions. In Getxo, Spain, the band won the first prize and Marcin Wasilewski was chosen the best soloist of the festival. In the same year the band became a prizewinner of the Leverkusen Jazz Festival, and again Marcin Wasilewski was considered the best soloist.
After a long career with much hard work and much beautiful music, Marcus seems to have reached another level. With the help of the clarinet, he is coming into his mature voice, full of confidence and ease. And at the risk of making any kind of statement about the "current state of jazz," it seems that Marcus is part of the happy marriage emerging between the traditionalists and the avant-garde. There are two magnificent streams within this music, and the combination of their strengths is an exciting prospect. For Yes! is a step forward that leaves no one behind, and it's also one of the most thoroughly enjoyable albums in recent memory.
This duo recording with fellow-countryman and drummer Paal Nilssen-Love, was recorded a year ago at Klub Gromka in Ljubljana, Slovenia. Both musicians had already toured before this performance and that can be heard. the interaction is quite fun to listen to, rapid, telepathic even at moments, which is even clearer in an environment where everything is left to in-the-moment decisions.
Following the 2013 release of Betty’s S.F. Blends, Volume One and their third full-length album, 2014′s Phosphorescent Harvest, Chris Robinson Brotherhood are back with an exciting double-LP: Betty’s Blends, Volume Two: Best From the West. Taking cues from Volume One, the CRB once again joined forces with Betty Cantor-Jackson, legendary archivist for the Grateful Dead, and allowed her to curate the new live album.
This three-disc set gathers two King Crimson D.G.M. Collectors' Club releases: Live at Cap D'Agde, 1982 and On Broadway: Live in NYC, 1995, respectively. Oddly, the contents within this boxed set are reversed, with the latter title featured on disc one and two and the former on disc three. On Broadway: Live in NYC, 1995 contains a composite of five shows from the double-trio version of King Crimson at the off-Broadway Longacre Theater in New York City. Enthusiasts will find a whole lot to like about this two-hour-plus performance compilation, thanks in part to the flawless sound quality, which devours the endless stream of bootlegs that quickly flooded the underground market shortly after these shows were played…