"Tokyo at the beginning of the 21st century, its inhabitants and artists. An observation and diagnosis of the modern Japanese metropolis: the singularity of unusual creative individuals is merely a response to the majority Japanese society. Even this can appear as an eccentric work of art. So where do the borders lie? A psychologist talks about the autistic way of life burgeoning in the dense population of the country. A noise musician speaks of her inspiration from sado-masochistic bondage as an art form. A programmer specialising in computer games assures us: I can distinguish our world and “the other side”!
Mathias Ruegg dirige un orchestre à la longévité étonnante : 25 ans. Le « Vienna Art » a vu défiler tous les solistes européens de ces deux dernières décennies. Cette aventure est le fruit d’un long travail collectif, privilégiant les rencontres et les découvertes. Les différents programmes de l’orchestre sont autant de façons d’honorer la grande histoire du jazz. Une fois encore, le Vienna Art prend un « risque artistique » et propose, avec ce double album, une vision gémellaire et ludique de ce glorieux passé. Pas moins de 80 compositions, thèmes et arrangements sont proposés dans un ordre dispersé.
Bruce Brubaker artistic skill and understanding of this music is beyond reproach and will thrill any fan of the collected composers work on this CD. The sound quality is outstanding as well. Bruce Brubaker has recorded two CDs on the Arabesque label in a continuing series exploring modern American piano music. The most recent, Inner Cities, was released in September 2003, and includes Brubaker's transcription of Pat Nixon's aria from Adams's opera, Nixon in China. The previous CD, Glass Cage , with pieces by Glass and Cage, was named one of the ten best releases of 2000 by The New Yorker magazine.
Anyone interested in stunning violin artistry should buy this amazing disc straightaway. It’s one of the best things I’ve heard in a long time. I hadn’t come across Tianwa Yang’s Sarasate series for Naxos before but I will certainly search out the other discs as a matter of some urgency. Her playing is simply extraordinary - no wonder she’s been described as “A Pride of China”. This isn’t one of those flashy, hollow, 20-notes-a-second recitals that quite frankly drive me to distraction.