The volcano rumbles and erupts with deafening thunder into sky-high fountains of fire: With their debut album Salvation By Fire the Finnish metal band Burning Point set free a measure of energy that is usually found in the most spectacular of Mother Nature's free shows. The four musicians cleverly combine kick-down guitar riffs with memorable vocals, culminating in exciting choruses which grab the listener from the first note onwards. Warning: Heavy metal is being forged using the highest of volcanic heat.
Finnish power metallers BURNING POINT are an active part of the European Metal scene since the late 90’s. Led by mastermind Pete Ahonen, the band has released five studio albums since then, all to critical acclaim. In 2014, Ahonen (who was responsible for vocals and guitars) asked former Battle Beast singer Nitte Valo to join the band as new vocalist. As Nitte loved Burning Point’s music ever since, she agreed and is now a steady member of the band. Now the first album with Nitte has been recorded: simply titled “Burning Point”, the CD includes five brand new songs and six BURNING POINT classics in re-recorded versions.
Claudio Abbado was an Italian conductor. One of the most celebrated and respected conductors of the 20th century, particularly in the music of Gustav Mahler, he served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera, founder and director of Lucerne Festival Orchestra, music director of European Union Youth Orchestra and principal conductor of the Berlin Philharmonic orchestra.
Philip Glass’ Concerto Fantasy for Two Timpanists and Orchestra, composed in 2000 and transcribed for wind ensemble by Mark Lortz in 2004, is a significant addition to the repertoire of large-scale works for timpani. The work is rhythmically galvanizing, sonically alluring, and features virtuoso cadenzas for both soloists. Symphony No 4 ‘In the Shadow of No Towers’ is Mohammed Fairouz’s first major work for wind ensemble, and its inspiration is the provocative comic book by Art Spiegelman, written shortly after the terrorist attacks on September 11, 2001. Spiegelman himself has commented: “I’m moved by [this] scary, somber, and seriously silly symphony…I’m honored that the composer found an echo in my work that allowed him to strike a responsive chord and express his own complex responses to post 9/11 America. He emerges from the rubble with a very tony piece of high-brow cartoon music.”
If what you want is a crackerjack coupling of Tchaikovsky's Violin Concerto and his First Piano Concerto, this disc is the one to get. With the ardently noble 1971 Nathan Milstein recording of the Violin Concerto with Claudio Abbado conducting the Vienna Philharmonic joined to the recklessly passionate 1973 Martha Argerich recording of the Piano Concerto with Charles Dutoit conducting the Royal Philharmonic, both performances are easily as good as the very best ever recorded.