Nina Herman

Nina Agdal by Bjarke Johansen for Euroman Magazine  Girls

Posted by nrg at Sept. 15, 2017
Nina Agdal by Bjarke Johansen for Euroman Magazine

Nina Agdal - Bjarke Johansen Photoshoot 2013
12 jpg | up to 1248*1890 | 3.0 MB
Danish model

Herman’s Hermits - All The Hits Plus More... (1997)  Music

Posted by popsakov at Sept. 12, 2017
Herman’s Hermits - All The Hits Plus More... (1997)

Herman’s Hermits - All The Hits Plus More… (1997)
EAC Rip | FLAC (Img) + Cue + Log ~ 346 Mb | MP3 CBR320 ~ 132 Mb
Full Scans (PNG, 600 dpi) ~ 105 Mb | RAR 5% Recovery
Pop Rock, British Invasion | Prestige Elite #CDSGP0217

Herman's Hermits were one of those odd 1960's groups that accumulated millions of fans, but precious little respect. Indeed, their status is remarkably similar to that of the Monkees and it's not a coincidence that both groups' music was intended to appeal to younger teenagers. The difference is that as early as 1976, the Monkees began to be considered cool by people who really knew music; it has taken 35 years for Herman's Hermits to begin receiving higher regard for their work. Of course, that lack of respect had no relevance to their success: 20 singles lofted into the Top 40 in England and America between 1964 and 1970, 16 of them in the Top 20, and most of those Top Ten as well. Artistically, they were rated far lower than the Hollies, the Searchers, or Gerry & the Pacemakers, but commercially, the Hermits were only a couple of rungs below the Beatles and the Rolling Stones.

Herman's Hermits - Their Greatest Hits (1987)  Music

Posted by Designol at Aug. 3, 2017
Herman's Hermits - Their Greatest Hits (1987)

Herman's Hermits - Their Greatest Hits (1987)
EAC | FLAC | Image (Cue&Log) ~ 232 Mb | Mp3 (CBR320) ~ 105 Mb | Scans included
British Invision, Merseybeat, Early Pop/Rock | Label: ABKCO | # 42272 | 00:38:41

When all is said and done regarding the most influential power pop bands of the '60s, Herman's Hermits and Tommy James & the Shondells emerge as the clear-cut winners for the same reason: Their music was so diverse and well constructed that it showed the different dimensions of a genre that inspired music smart enough to respect its roots which, in turn, inspired music too hip for its own good – the modern rock movement that was not half as much fun as "the new wave," or as essential as anything found on ABKCO's perennial release of Herman's Hermits' Their Greatest Hits.

Herman Frank - The Devil Rides Out (2016) [Japanese Ed.]  Music

Posted by Andi_Deris at Nov. 15, 2016
Herman Frank - The Devil Rides Out (2016) [Japanese Ed.]

Herman Frank - The Devil Rides Out (2016) [Japanese Ed.]
EAC Rip | FLAC: Image+Cue+Log | 441 Mb | MP3 CBR 320 kbps | 148 Mb | Scans | 50 Mb | Time: 57:55
King Record Co., Ltd. | KICP-1816
Heavy Metal

THE DEVIL RIDES OUT is a power packed with 1970s heavy metal and leaves no stone unturned. If you like classic heavy metal, then you cannot afford to miss out on this album. This album comes straight from the heart of all four musicians that are part of it, and it connects to directly to the listener's heart.
Nina Simone - Four Women: The Nina Simone Philips Recordings (1964-66) {2003 Verve Deluxe 4-CD Set}

Nina Simone - Four Women: The Nina Simone Philips Recordings (1964-66) {2003 Verve Deluxe 4-CD Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.46 Gb | MP3 @320 -> 590 Mb
Full Artwork @ 300 dpi (png) -> 37 Mb | 5% repair rar
© 1964-66, 2003 Philips / Verve / Universal | 440 065 021-2
Jazz / Vocal Jazz / Torch Songs / Soul / Blues / American Popular Song / Standards

Nina Simone recorded seven albums for the Philips label between 1964 and 1966. It was the period in her career in which her reputation was cemented as a world-class artist, and one in which she gained fame for her contributions to the civil rights movement as well. Despite the fact that she recorded great albums both before and after her years with Philips (most notably with RCA), her Philips period is easily her most enigmatic. Among her Philips recordings are her live label debut and six studio recordings featuring wildly varying instrumentation, arrangements, and contents. The box contains all seven LPs on four CDs, and includes one bonus track.
Herman Foster - The One And Only (1984) {2015 Japan Timeless Jazz Master Collection Complete Series}

Herman Foster - The One And Only (1984) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 260 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 600 dpi (png) -> 179 Mb | 5% repair rar
© 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6309
Jazz / Bop / Soul Jazz / Piano

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. The one and only Herman Foster, indeed – a pianist who only cut a handful of records, but always managed to leave his mark! You might know Foster from his wonderful work with Lou Donaldson in the early 60s Blue Note years, or his bluesy albums as a leader for Columbia around the same time – but here, the pianist has this lyrical flow that's really amazing – and quite a change from his style of the early years! As before, Foster really knows how to do a lot with a little – make each note count, and in this way that's mighty powerful, even on the few mellow moments – and he gets some strong accompaniment from the full, round bass of Jeff Fuller, and the drums of Victor Jones. Titles include "Monsterbeach Blues", "Softly As In A Morning Sunrise", "The Shadow Of Your Smile", and "You'd Be So Nice To Come Home To".

Jazz Casual - Woody Herman Band 1962-1963 (2006)  Music

Posted by robi62 at Oct. 30, 2014
Jazz Casual - Woody Herman Band 1962-1963 (2006)

Jazz Casual - Woody Herman Band 1962-1963 (2006)
Video: PAL, MPEG-2, 720 x 576 (1.333) at 25.000 fps | Audio: MPEG Audio 2 channels at 224 Kbps, 48.0 KHz
Genre: Jazz | Label: Idem Home Video | Copy: Untouched | Release Date: 4 Dec 2006 | Runtime: 60 min. | 1,95 GB (DVD5)

A fine swing clarinetist, an altoist whose sound was influenced by Johnny Hodges, a good soprano saxophonist, and a spirited blues vocalist, Woody Herman's greatest significance to jazz was as the leader of a long line of big bands. He always encouraged young talent and, more than practically any bandleader from the swing era, kept his repertoire quite modern.
Nina Simone - Dejavu Retro Gold Collection [2CD-Deluxe Edition] (2004)

Nina Simone - Dejavu Retro Gold Collection [2CD-Deluxe Edition] (2004)
Jazz | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 552 MB. & 286 MB.
500dpi. Complete Scans (JPG) - 44 MB. | WinRar, 3% recovery
Audio CD (2004) | Label: Recording Arts | Catalog# R2CD42-52 | 56:51 min. + 64:29 min.

This collection of 25 tracks recorded by legendary blues singer Nina Simone includes some of her best material including "Black Is The Color Of My True Love's Hair." UK compilation featuring 25 tracks from the late jazz-soul diva. Includes 20 page booklet with rare photographs.
Nina Hagen Band - Nina Hagen Band (CBS 83136) (GER 1978) (Vinyl 24-96 & 16-44.1)

Nina Hagen Band - Nina Hagen Band
(CBS 83136) (GER 1978) (Vinyl 24-96 & 16-44.1)

1978 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 874 MB | 16Bit/44.1kHz: 287 MB

Hagen formed the Nina Hagen Band in West Berlin's Kreuzberg district. In 1978 they released their self-titled debut album, which included the single "TV-Glotzer" (a cover of "White Punks on Dope" by The Tubes, though with entirely different German lyrics), and Auf'm Bahnhof Zoo, about West Berlin's then-notorious Berlin Zoologischer Garten station. The album also included a version of "Rangehn" (approximately, "Go On"), a song she had previously recorded in East Germany, but with different music.

Nina Simone - Black Gold (1970) {2004 Japan Cardboard Sleeve}  Music

Posted by shamanicus at Sept. 20, 2017
Nina Simone - Black Gold (1970) {2004 Japan Cardboard Sleeve}

Nina Simone - Black Gold (1970) {2004 Japan Cardboard Sleeve}
EAC Rip | FLAC (tracks+.cue, log) | Artwork (600dpi, png) | 301 mb | MP3 CBR 320kbps | RAR | 133 mb
Jazz, Soul Jazz | Label: RCA / BVCJ-37373 / carboard sleeve

In the midst of the Civil Rights Movement where spirits may not have been high, Nina Simone walked onto the stage and used her raspy voice to send a message. That message is there's always tomorrow and the future is bright. It's a live album that features Simone singing some of her biggest songs as well as other songs that she was fond of at the time. It also features a lot of dialogue from Simone on issues facing black Americans at the time.