Nick Cohen Whats Left

VA - I'm Your Fan: The Songs of Leonard Cohen By... (1991) [Re-Up]

VA - I'm Your Fan: The Songs of Leonard Cohen By… (1991)
EAC | FLAC | Image (Cue&Log) ~ 492 Mb (incl 5%) | Mp3 (CBR320) ~ 212 Mb (incl 5%) | Scans included
Tribute, Rock, Alternative Rock, Folk Rock | Label: Columbia/Oscar | # COL 469032 2 | 01:15:53

RIP Mr. Leonard Cohen, 1934-2016

An incoherent tribute to Leonard Cohen, I'm Your Fan contains some fine versions of some of his best songs, but too often these renditions are half-hearted. Of particular interest are R.E.M.'s "First We'll Take Manhattan" and The Pixies' "I Can't Forget".
Avishai Cohen - Cross My Palm With Silver (2017) [Official Digital Download 24/88]

Avishai Cohen - Cross My Palm With Silver (2017)
FLAC (tracks) 24-bit/88,2 kHz | Time - 38:48 minutes | 730 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Trumpeter Avishai Cohen follows his impressionistic, critically-lauded ECM debut with Cross My Palm With Silver, five pieces that put the focus on the ensemble, on teamwork, with a quartet of the highest calibre. The adroit, almost telepathic interplay among the musicians allows Cohen to soar; his "dream team" of pianist Yonathan Avishai, double bassist Barak Mori and drummer Nasheet Waits share his sense for daring improvisation and his feeling for structure.

Leonard Cohen - I'm Your Man (1988)  Music

Posted by popsakov at May 22, 2017
Leonard Cohen - I'm Your Man (1988)

Leonard Cohen - I'm Your Man (1988)
EAC Rip | FLAC (Img) + Cue + Log ~ 261 Mb | MP3 CBR320 ~ 111 Mb
Scans Included (JPG, 300 dpi + PDF) | RAR 5% Recovery
Columbia #460642 2 / COL 460642 2 / CBS 460642 2 / 01-460642-10 / 02-460642-10
Folk / Rock

A stunningly sophisticated leap into modern musical textures, I'm Your Man re-establishes Leonard Cohen's mastery. Against a backdrop of keyboards and propulsive rhythms, Cohen surveys the global landscape with a precise, unflinching eye: the opening "First We Take Manhattan" is an ominous fantasy of commercial success bundled in crypto-fascist imagery, while the remarkable "Everybody Knows" is a cynical catalog of the land mines littering the surface of love in the age of AIDS.
Avishai Cohen - Cross My Palm With Silver (2017) {ECM 2548} [Proper]

Avishai Cohen - Cross My Palm With Silver (2017) {ECM 2548}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 600dpi | 280MB + 5% Recovery
MP3 CBR 320 Kbps | 176MB + 5% Recovery
Genre: Jazz, Post-Bop, Fusion

A year after his impressionistic, critically-lauded ECM debut Into The Silence, trumpeter Avishai Cohen s Cross My Palm With Silver introduces a program of new pieces which put the focus on the ensemble, on teamwork, with a quartet of the highest caliber. The adroit, almost telepathic interplay among the musicians allows Avishai Cohen to soar, making it clear why he is one of the most talked-about jazz musicians on the contemporary scene. All of these people together are my dream team , says the charismatic trumpeter of fellow players Yonathan Avishai, Barak Mori and Nasheet Waits, who share his sense for daring improvisation and his feeling for structure. I feel we're in a perfect place with the balance. It's open and there s so much room for the improvisation to take the music any place we can.

Leonard Cohen - The Future (1992)  Music

Posted by popsakov at May 12, 2017
Leonard Cohen - The Future (1992)

Leonard Cohen - The Future (1992)
EAC Rip | FLAC (Img) + Cue + Log ~ 390 Mb | MP3 CBR320 ~ 156 Mb
Scans Included (JPG, 300 dpi + PDF) | RAR 5% Recovery
Folk Rock, Soft Rock | Columbia #472498 2 / COL 472498 2 / 02-472498-10

Leonard Cohen's deeply personal first LPs came out at a time when many of his peers were issuing furious, counterculture-inspired rants; he clearly had little interest in sticking with the pack at the time. So it makes a certain kind of contrary sense that Cohen would put out an offbeat, topical collection two-and-a-half decades later. The Future is an odd duck of an album; it's also brave, funny, and fascinating. "Give me back the Berlin Wall/ Give me Stalin and St. Paul", Cohen petitions sardonically in the title track, adding, "I've seen the future, brother: it is murder"…

Nick Cave & The Bad Seeds - Dig, Lazarus, Dig!!! (2008) [Re-Up]  Music

Posted by Designol at April 26, 2017
Nick Cave & The Bad Seeds - Dig, Lazarus, Dig!!! (2008) [Re-Up]

Nick Cave & The Bad Seeds - Dig, Lazarus, Dig!!! (2008)
EAC | FLAC | Tracks (Cue&Log) ~ 372 Mb | Mp3 (CBR320) ~ 122 Mb | Scans ~ 125 Mb | 00:53:40
Alternative Rock, Experimental Rock | Label: Mute | # LCDSTUMM277, 5099951830526

Dig, Lazarus, Dig!!! is the fourteenth studio album by Australian alternative rock band Nick Cave and the Bad Seeds. The album was recorded in June and July 2007 at The State of the Ark Studios in Richmond, London and mixed by Nick Launay at British Grove Studios in Chiswick, and was released on 3 March 2008.It would also be the last album to feature founding member Mick Harvey, who left the Bad Seeds in 2009, and the second without founding member Blixa Bargeld. Dig features the same personnel as the Abattoir Blues/The Lyre of Orpheus double album. It is also the first to be released since the Bad Seeds side project Grinderman released their eponymous album. In several interviews Cave has stated that this album would "sound like Grinderman", implying a garage rock sound. In line with this rough-and-ready approach, the album was recorded in about five days, an uncommonly short period for a full-length album.
Iestyn Davies, Arcangelo, Jonathan Cohen - Johann Sebastian Bach: Cantatas Nos 54, 82 & 170 (2017)

Johann Sebastian Bach: Cantatas Nos 54, 82 & 170 (2017)
Iestyn Davies, countertenor; Arcangelo; Jonathan Cohen, conductor

EAC | FLAC | Image (Cue&Log) ~ 341 Mb | Mp3 (CBR320) ~ 154 Mb | Artwork included
Genre: Classical, Vocal | Label: Hyperion | # CDA68111 | Time: 01:04:51

Gramophone Magazine Editor's Choice - January 2017. Ich habe genug is a timeless, transcendental masterpiece: a profound expression of Christian faith at the very end of life. It demands artistry of a special order, and Iestyn Davies now joins the likes of Dietrich Fischer-Dieskau and Lorraine Hunt Lieberson in the work’s distinguished discography. The couplings are equally ravishing performances of two other great solo cantatas, while the two orchestral sinfonias which complete the album will prove refreshingly familiar.
Nick Cave & The Bad Seeds: One More Time With Feeling (2016) 2 Disc Set

Nick Cave & The Bad Seeds: One More Time With Feeling (2016) 2 Disc Set
A Film by Andrew Dominik

DVD9 + DVD5 | VIDEO_TS | NTSC, 16:9 (720x480) VBR | 01:52:32 + 00:10:21 | 5.3 Gb
Audio: (Disc 1) English AC3 5.1 @ 448 Kbps; (Disc 2) AC3 2.0 @ 192 Kbps | Subs: French, Spanish
Genre: Documentary, Music (Experimental Rock)

This music documentary weaves together performances from Nick Cave and the Bad Seeds' 2016 album Skeleton Tree with candid footage of Cave opening up about the death of his 15-year-old son. Directed by Andrew Dominik (Chopper, The Assassination of Jesse James by the Coward Robert Ford).

Leonard Cohen: I'm Your Man (2005)  Video

Posted by Tutorial at Feb. 24, 2017
Leonard Cohen: I'm Your Man (2005)

Leonard Cohen: I'm Your Man (2005)
WEB-DL | 1280 x 718 | .MKV/AVC @ 4165 Kbps | 1h 43mn | 3.19 GB
Audio: English AAC 155 Kbps, 2 channels | Subs: English
Genre: Documentary, Biography, Music

A documentary on the legendary singer-songwriter, with performances by those musicians he has influenced.
Tamsin Waley-Cohen - Soli: Bartok, Benjamin, Penderecki, Carter, Kurtag (2015)

Tamsin Waley-Cohen - Soli: Bartók, Benjamin, Penderecki, Carter, Kurtág (2015)
EAC | FLAC | Image (Cue&Log) ~ 378 Mb (incl 5%) | Mp3 (CBR320) ~ 185 Mb (incl 5%) | Scans included
Genre: Classical | Label: Signum Classics | # SIGCD416 | Time: 01:16:31

On Soli, Tamsin Waley-Cohen's 2015 release on Signum Classics, the violinist explores modernist repertoire composed between 1944 and 2005. Because these solo violin pieces by Béla Bartók, George Benjamin, Krzysztof Penderecki, Elliott Carter, and György Kurtág are challenging for both the player and the listener, one should approach this CD with some awareness that they reflect different phases of the avant-garde movement that dominated music in the last half of the 20th century. In quieter selections where the moods are primarily brooding or lyrical, Waley-Cohen produces a vibrant tone and smooth phrasing that make her playing easy to appreciate, even when the music isn't recognizably tonal. However, in louder, dissonant passages, notably in sections of the Bartók Sonata, Benjamin's Canon for Sally, Carter's Remembering Aaron, and Kurtág's Anziksz Kellerannanak, the close microphone placement makes her bowing sound overly resinous and scratchy, which can be hard to enjoy. Even so, few violinists dare approach this bracing material, and Waley-Cohen is to be commended for devoting a whole album to such cutting-edge pieces solely on her terms, without making compromises.