What makes Anna Netrebko more than just the next Russian soprano? Is it her as direct but not as quite so refined technique, her less restrained but much more effective interpretations, and her intensely expressive but always under control tone? Or is it her distinctively non-Russian vibrato – leaner, cleaner, and with a much tighter focus but just as much power? One has to listen to Netrebko's Russian Album and judge for one's self…
Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Essential: A masterpiece of psych-rock music collection.
Vanilla Fudge are a pioneering psychedelic band with a superb lineup and are famous for psyching up well known cover versions. Their debut albums features some of their best and most popular material such as the stunning' You Keep Me Hanging On', 'Eleanor Rigby' and 'She's Not There'.
In 2006, to celebrate the 250th anniversary of the composer's birth, the Salzburg Festival set itself the task of producing all 22 of Mozart's operas, and this recording of highlights from Le nozze di Figaro is a result of a live performance. Nikolaus Harnoncourt's reading of the score is marvelously nuanced; it's clear that the performance reflects a lifetime of living with and performing the opera. His dramatic pace tends toward briskness, which works well in a work as wordy as this. He's especially skillful at bringing out the instrumental colors of the score, particularly of the winds and timpani; he makes the listener especially aware of the inventiveness, cleverness, and subtlety of Mozart's orchestration. The Vienna Philharmonic and Konzertvereinigung Wiener Staatsopernchor perform with finesse, warmth, and sensitivity to the opera's poignancy and humor…
Valery Gergiev directs this Kirov Opera production of Prokofiev’s lyrical comedy. Set in 18th century Seville, Prokofiev’s adaptation of a play by the English playwright Sheridan is an opera buffo par excellence, featuring lovers in disguise, a stern father thwarted, a rich suitor discomfited, venal monks, unreliable servants – and, inevitably, young love triumphant. The cast is led by Anna Netrebko as the beautiful heroine, supported by Larissa Diadkova as her scheming duenna.