A rare and unusual chapter in mid 60s Blue Note – the debut of tenorist Tyrone Washington, an up-and-coming talent from the hip New Jersey scene of the time! Washington's name may not have lasted long in the jazz annals, but at this important point in his career, he's working with a young Woody Shaw – also part of the Jersey scene – and together, the pair really make the album cook – stretching out with a soulful, spiritual sound that really points the way towards the indie scene of the 70s! Shaw's voice is a big part of the record, but Tyrone's still definitely in command – blowing his tenor with these quick flurries of notes that are somewhere in the Coltrane school, yet arguably moving already past him too – kind of a post-Coltrane vibe in the year before the great one passed away.
From his emergence in the mid-Eighties to the present, pianist Cyrus Chestnut has declared himself a committed stylist completely infatuated with his instrument and the art he’s sworn allegiance to, jazz. Chestnut has consistently shown himself an improviser of rare ingenuity and grace, yet what most distinguishes him from other gifted pianists of our era may be the sheer pleasure that radiates from all that he plays. While the characteristic cheer that Chestnut displays on "Natural Essence" can be attributed to his undiminished vigor and attentiveness, the presence of his notable cohorts also contributes to the leader’s focus. With the dynamic Lenny White on drums and the redoubtable Buster Williams on bass Cyrus & company breathe new life and vitality into that most venerable of jazz ensemble formats, the piano trio.
As with his previous effort, 2015's A Million Colors in Your Mind, pianist Cyrus Chestnut's second Highnote release, 2016's Natural Essence, finds him communing with two veteran artists for a deeply heartfelt and swinging session. Whereas last time Chestnut was joined by bassist David Williams and drummer Victor Lewis, here he has conscripted the talents of bassist Buster Williams and drummer Lenny White. Both Williams and White are industry icons with decades of playing experience and credits with such luminaries as Herbie Hancock, Freddie Hubbard, Art Blakey, Woody Shaw, Tony Williams, McCoy Tyner, and many others.
Cyrus Chestnut covers a wide range of hymns, carols and spirituals on this outstanding solo piano CD. A very dramatic "Holy, Holy, Holy" would inspire any congregation, while the rich voicings in "We Three Kings" are subtle yet moving. "Sometimes I Feel Like a Motherless Child" is the most compelling track, with a thought-provoking arrangement that makes great use of space.