Mambo Sinuendo is a collaboration between Ry Cooder and Buena Vista alum (and formerly of many other groups as well) Manuel Galbán.
This impressive series continues with its incredibly 6-CD sets, this one yielding 100 masterful guitar performances! The heavy emphasis is on classical, from baroque to modern (with two discs devoted to Spanish guitar and another entirely to Rodrigo), but you'll encounter some Beatles along the way, too. Pieces by Bach, Scarlatti, Vivaldi, Satie, Britten, Granados, Falla, Rodrigo, Albeniz, Villa-Lobos and others are played by Andres Segovia, Julian Bream, Eliot Fisk, Manuel Barrueco, Christopher Parkening and more!
Donaldson Toussaint L'Ouverture "Donald" Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter. A sideman for many other jazz musicians of his generation, Byrd was best known as one of the only bebop jazz musicians who successfully pioneered the funk and soul genres while simultaneously remaining a jazz artist.
Initially panned by both the public and the press, Serú girán gradually won the Argentine people and became a historic album and the beginning of Serú Girán, the Argentine Beatles!….
Spanish outfit Asfalto were born in 1972, when rock band Tickets decided that a change of moniker was needed. In the first few years the band experienced a series of line-up changes, but by 1975 a stable version of the band had settled in the shape of José Luis Jiménez (vocals, bass), Julio Castejón (guitar, vocals), Enrique Cajide (drums) and Lele Laína (guitar, vocals). In 1977 they were signed by newly formed Chapa Discos, a sub-label of Spanish label Zafiro, and in 1978 the band made their debut with Asfalto, an effort containing several tracks considered classics by their fans…
A spicy mix of rarities, alternates and previously unissued R&B goodies from South Louisiana and S.E. Texas, where you are never too far from a bayou and some good rockin’ music. This 15th compilation in the “By The Bayou” series takes us back to the R&B sounds you would have heard belting out of a Louisiana juke joint on a steamy night in the 1950s or early 1960s. All of the tracks included were recorded in that party state, although some of the artists were based in Texas, crossing the state line to make music in studios based in Crowley and Lake Charles.