This collection of the complete chamber music of Poulenc shows the varying styles that he employed. From the jazzy, bitonal passages of the Sonata for Clarinet and Bassoon and the Sonata for Horn, Trumpet and Trombone which has been described as 'Pergolesi with his wig awry' (Roger Nichols, Grove) to the profound beauty of his last three sonatas for wind. All are extremely accessible. The Nash Ensemble gave a series of concerts of Poulenc's music at the Wigmore Hall earlier this year to great critical acclaim and Hyperion are delighted to be able to present this wonderful collection on this, Poulenc's centenary year.
André Previn was just 16 years old when he recorded the earliest numbers on Previn at Sunset, but he was already a brilliant pianist and a busy arranger at the MGM studios. Most (but not quite all) of the recordings that he made for the Sunset and Monarch labels, among the earliest in his career, are here. A major swing stylist who had not yet been affected by bop, Previn is heard on some unaccompanied solos; in three different trios with such sidemen as guitarists Dave Barbour or Irving Ashby, bassists John Simmons, Eddie Safranski, or Red Callender, and drummer Lee Young; and a couple of jam tunes ("All the Things You Are" and "I Found a New Baby") with a sextet also either Buddy Childers or Howard McGhee on trumpet, altoist Willie Smith, and Vido Musso on tenor. The small group swing performances are quite enjoyable, and the teenage pianist easily keeps up with the other, more famous players.