The soundtrack to Woody Allen's 2011 Oscar-nominated romantic comedy Midnight in Paris features a variety of jazz tunes and popular songs that are all generally associated with the film's 1920s Paris setting. While Allen actually transports his movie's main character back to the '20s, most of the music here was recorded by contemporary artists who play in an old-school style. To these ends, we get such roiling and urbane Gypsy jazz tracks as Swing 41's "Je Suis Seul Ce Soir," Original Paris Swing's "Recado," and even several Cole Porter vocal numbers by Conal Fowkes – who appears as Porter in the film. Also featured are jaunty classic jazz cuts like Josephine Baker's conga dance number "La Conga Blicoti" and, of course, Sydney Bechet's "Si Tu Vois Ma Mère," which opens the film. Swooning and romantic in tone with a breezy, swinging jazz vibe throughout, the Midnight in Paris soundtrack is a must-have souvenir for traditional jazz lovers and any fan of the film.
Neil Young has revealed the details of the original soundtrack for Netflix’s forthcoming film Paradox, both of which will be released on March 23.
"American Epic" compilation series is a collection of releases of music associated with the film series "The American Epic", a historical documentaries are a journey back in time to the "Big Bang" of modern popular music.
In the 1920s, as radio took over the pop music business, record companies were forced to leave their studios in major cities in search of new styles and markets. Ranging the mountains, prairies, rural villages, and urban ghettos of America, they discovered a wealth of unexpected talent. The recordings they made of all the ethnic groups of America democratized the nation and gave a voice to everyone. Country singers in the Appalachians, Blues guitarists in the Mississippi Delta, Gospel preachers across the south, Cajun fiddlers in Louisiana, Tejano groups from the Texas Mexico border, Native American drummers in Arizona, and Hawaiian musicians were all recorded. For the first time, a woman picking cotton in Mississippi, a coalminer in Virginia or a tobacco farmer in Tennessee could have their thoughts and feelings heard on records played in living rooms across the country. It was the first time America heard itself.