Music of Toru Takemitsu

The Music of Toru Takemitsu (Music in the Twentieth Century)  eBooks & eLearning

Posted by Grev27 at Feb. 1, 2013
The Music of Toru Takemitsu (Music in the Twentieth Century)

Peter Burt, "The Music of Toru Takemitsu (Music in the Twentieth Century)"
English | ISBN: 0521026954, 0521782201 | edition 2001 | PDF | 305 pages | 1.8 MB
Noriko Ogawa - Rain Tree: The Complete Solo Piano Music Of Toru Takemitsu (1996)

Noriko Ogawa - Rain Tree: The Complete Solo Piano Music Of Toru Takemitsu (1996)
EAC | FLAC (log,tracks+cue) -> 135 Mb (5% Rec.) | Scans, Booklet included
Modern Classical | Label: BIS, BIS-CD-805 | 1996 | 00:55:42

Piano music occupies an important place within the oeuvre of Toru Takemitsu (1930-1996). His first publicly performed piece was a work for the piano - Lento in Due Mouimenti - and he would continue to compose for the instrument throughout his career. Hence, we can follow the development of his compositional style through his piano music - tracing, for example, the evolution of his personal harmonic language or his increasing timbral consciousness.
Tokyo Metropolitan SO, Ryusuke Numajiri - Toru Takemitsu: Orchestral Works III: Autumn, etc. (1997)

Toru Takemitsu - Orchestral Works III: Autumn, etc. (1997)
Katsuya Yokoyama, shakuhachi; Kakujo Nakamura, biwa; Hiroshi Koizumi, flute
Tokyo Metropolitan Symphony Orchestra, conducted by Ryusuke Numajiri

EAC | FLAC | Tracks (Cue&Log) ~ 266 Mb (incl 5%) | Mp3 (CBR320) ~ 151 Mb (incl 5%) | Scans included
Genre: Classical, Contemporaty | Label: Denon/Nippon | # CO-18032 | Time: 00:53:40

Performed by various soloists with the Tokyo Metropolitan Symphony Orchestra conducted by Ryusuke Numajiri. Recorded both in analog and digital versions in the Japanese double-CD release. "Twill by Twilight" is a harmonically and timbrally lush work, which often evokes the tone painting breadth of Debussy and the crystalline delicacy of Webern, an outpouring of "pastel coloring…reminders of the transient nature of twilight, before the coming night and after the sunset" (Takemitsu). It is dedicated to "the memory of my dear friend Morton Feldman." Takemitsu described the work's sub-structure as developed "through strictly measured musical units, through what might be called musical principles before a melody is constituted or before a rhythm is formed." This is a very apt metaphor applicable to Morton Feldman's own compositional style. The small and broad cyclicism of the rhythm patterns in Takemitsu's work is however much more hidden – a kind of phased, elastic, non-clockwork repetition with imaginative variations.
Tokyo Metropolitan SO, Yuzo Toyama, Rie Hamada - Toru Takemitsu - Orchestral Works IV: Coral Island, etc. (1998)

Toru Takemitsu - Orchestral Works IV: Coral Island, etc. (1998)
Tokyo Metropolitan Symphony Orchestra; Yuzo Toyama, conductor; Rie Hamada, soprano

EAC | FLAC | Tracks (Cue&Log) ~ 218 Mb (incl 5%) | Mp3 (CBR320) ~ 153 Mb (incl 5%) | Scans included
Genre: Classical | Label: Denon/Nippon Columbia | # CO-18073 | Time: 00:53:26

Performed by the Tokyo Metropolitan Symphony Orchestra and conducted by Yuzo Toyama with soprano Rie Hamada. A beautiful digital recording of several rarely performed works by Takemitsu (the soprano part of the marvelous "Coral Island" is very difficult, for example, and the "Archipelago S" is for an unusual ensemble of instruments). Many of the subtleties of Takemitsu's writing are lost in recording (for example, subtle harmonics behind more foreground material), but the engineers made a good effort here.
Izumi Tateno - Toru Takemitsu: Piano Works (1996) Reissue 2003

Izumi Tateno - Tōru Takemitsu: Piano Works (1996) Reissue 2003
EAC | FLAC | Image (Cue&Log) ~ 175 Mb (incl 5%) | Mp3 (CBR320) ~ 160 Mb (incl 5%) | Scans included
Genre: Classical, Avant-Garde | Label: Warner Classics | # 2564 60624-2 | Time: 00:56:02

This disc contains 11 piano pieces by Toru Takemitsu performed by Izumi Tateno. It was originally released in 1996 on Finlandia, but now appears in reissue in Warner Classics' economy line Apex. Like all of Takemitsu's oeuvre, his piano works (which altogether make up only a single CD) are meditative, intensely focused, and undramatic.
Toru Takemitsu - Complete Works for Solo Piano - Paul Crossley (2009)

Toru Takemitsu - Complete Works for Solo Piano - Paul Crossley (2009)
EAC RIP | APE + CUE + LOG | COVER + BOOK | RAR FILES (3% recovery) | 138 Mb
Classical | CRD 3526
Hughes de Courson - O'Stravaganza: Fantasy on Vivaldi and the Celtic music of Ireland (2001)

Hughes de Courson - O'Stravaganza: Fantasy on Vivaldi and the Celtic music of Ireland (2001)
EAC | FLAC | Tracks (Cue&Log) ~ 377 Mb (incl 5%) | Mp3 (CBR320) ~ 156 Mb (incl 5%) | Scans included
Celtic Fusion, Classical Crossover | Label: Virgin Classics | # VC 545494-2 | Time: 00:42:24

This is not such a bizarre cross-over as one might imagine for in the 18th century the great Irish musician Turlough O’Carolan, a blind harpist, met the Italian musician Geminiani in Dublin, and through him encountered the music of, yes, guess who, Antonio Vivaldi. So here we have a case of substituting Irish instruments for baroque ones, using baroque instruments to accompany Irish themes, by creating dialogues between Celtic and baroque instruments, or by letting all the musicians improvise. One moment we appear to be listening to a ‘straight’ baroque concerto, then all of a sudden the conventional string continuo/ripieno of the baroque ensemble (Le Orfanelle della Pieta) gives way to celtic musicians playing a jig or reel on anything from a Irish bouzouki to a fiddle. The baroque group consists of three each of first and second violins, one viola, two cellos, a bass and harpsichord while the Irish musicians play Irish fiddle, an Irish flute (like a baroque flute), tin and low whistles, Uileann pipes, Irish bouzouki, mandolins, bodhran, bones, and the Celtic harp (played here with metal strings to resemble its harpsichord counterpart in the other group).

Rashad Becker - Traditional Music Of Notional Species Vol II (2016)  Music

Posted by vItOrrEs2009 at Dec. 3, 2016
Rashad Becker - Traditional Music Of Notional Species Vol II (2016)

Rashad Becker - Traditional Music Of Notional Species Vol II (2016)
Electronic | MP3 320 kbps CBR | 34 min | 80 MB
Label: PAN | Rel: 2016

Traditional Music of Notional Species Vol. II pays a return visit to the otherworldly noumenal ecosystem inside Rashad Becker's head, relaying indecipherable messages in something resembling an expressive language of psychoacoustic, cuneiform glyphs. No Rosetta Stone is required to comprehend these deeply abstract auditory tableaus; all you need is an open mind and functioning set of lugs for reception, whilst whatever counts for your sense of consciousness will fill in the gaps, and that’s where the “fun” starts.
YES, London Philharmonic Orchestra, London CGC, English CO - Symphonic Music of YES (1993)

YES - Symphonic Music of YES (1993)
London Philharmonic Orchestra; London Community Gospel Choir; English Chamber Orchestra
Steve Howe, David Palmer, Jon Anderson, Tim Harries, Bill Bruford

EAC | FLAC | Image (Cue&Log) ~ 350 Mb (incl 5%) | Mp3 (CBR320) ~ 175 Mb (incl 5%) | Scans included
Symphonic Rock, Progressive Rock, Crossover | Label: BMG/RCA | # 09026 61938 2 | Time: 00:55:00

Symphonic Music of Yes is a 1993 album by London Philharmonic Orchestra, covering songs of the progressive rock band Yes, with the English Chamber Orchestra and the London Community Gospel Choir. The arrangements were by Dee Palmer (then David Palmer). Playing on the album were Yes guitarist Steve Howe and Yes drummer Bill Bruford. Some tracks also featured Yes vocalist Jon Anderson and featured the ABWH additional keyboardist Julian Colbeck.
Shin-Ichi Fukuda - Japanese Guitar Music, Vol. 1: Toru Takemitsu: Complete Original Solo Guitar Works (2014)

Shin-Ichi Fukuda - Toru Takemitsu: Complete Original Solo Guitar Works;
Leo Brouwer - 2 Homages to Toru Takemitsu (2014)

EAC | FLAC | Image (Cue&Log) ~ 178 Mb (incl 5%) | Mp3 (CBR320) ~ 153 Mb (incl 5%) | Scans included
Genre: Classical | Label: Naxos | # 8.573153 | Time: 01:02:17

Toru Takemitsu is widely regarded as the greatest Japanese composer of the 20th century. After the appearance of Folios in 1974 he was acknowledged as a formidable master of writing for the guitar, bringing to the instrument a sensibility and imaginative flair which have seldom been equalled. In the Woods was his final composition. Shin-ichi Fukada and Leo Brouwer were both close friends of Takemitsu, and this programme includes Brouwer’s two heartfelt homages in his memory.