It was pretty clear that Billy Joel had run out of steam by 1993's River of Dreams. He had shown signs of wearing on its predecessor, Storm Front, but his trademark melodic gift disappeared on River of Dreams and his words, even performances, were bone-tired – he even called the last song "The Last Song (No More Words)." So, it was no great surprise that he did not rush to record a follow-up, and when he started murmuring toward the end of the decade that perhaps he wasn't interested in pop music anymore, nobody who paid attention could have been surprised.
Released a year after Martin Scorsese’s controversy-laden film first hit the big screen in 1988, "Passion" tends to be regarded as a work in its own right rather than just being a movie soundtrack. It features additional music than was included in the film; this extra material was the result of Peter Gabriel (ex-Genesis) continuing to record and to resolve "unfinished ideas", hence the later arrival of the record. Built on a foundation of Middle Eastern and North African rhythms and melodies, "Passion" is unsurprisingly Peter’s most spiritual work, no more so than when the alternately ascending voices of Nusrat Fateh Ali Khan, Youssou N’Dour and himself interweave on the title track. Nusrat and Youssou are far from the only notable guests; the cross-continental gathering of musicians also includes Senegalese griot Baaba Maal, jazz drummer Bill Cobham and avant-garde trumpeter Jon Hassell among many others…
Music for the Masses is the sixth studio album by Depeche Mode. It was released by Mute Records on 28 September 1987. The album became the band's highest-charting in the US upon its release, reaching #35 on the Billboard 200. It also contained more hit singles than any of their previous releases. While there was no extremely popular single from the album ("People Are People" from Some Great Reward reached #13 on the Billboard Hot 100), the three singles that were released all made it onto the Hot 100, a feat that hadn't been achieved by any Depeche Mode single after those from Some Great Reward. Moreover, all three singles achieved modest success on the chart.
"…The whole disc is a great success. Recording quality is first rate, with the necessary clarity tempered by warmth and just the right amount of resonance. Excellent notes are by Dr. Christopher Hailey. Recommended, even if you still find Webern hard work." ~musicweb-international
The ensemble London Winds, praised by BBC Music for its 'technical accomplishment, expressive commitment and warmth of timbre', presents in this recording great twentieth-century works for winds. It features music by Hindemith, Nielsen, and Janáček, and, from the next generation, Barber and Ligeti. Although not equally prolific (Kleine Kammermusik is Hindemith's single contribution to that genre while winds are generally more prominence in Nielsen's music), all these composers brought the wind repertoire back to prominence, after a quiet period of more than a century. The music is full of playfulness and European folk colours.