Reissue. Comes with new liner notes. Herbie Hancock's lackluster string of electric albums around this period was enhanced by this one shining exception: an incorrigibly eclectic record that flits freely all over the spectrum. Using several different rhythm sections, Herbie Hancock is much more the imaginative hands-on player than at any time since the prime Headhunters period, overdubbing lots of parts from his ever-growing collection of keyboards. He has regained a good deal of his ability to ride in the groove.
Reissue with the latest 2014 DSD remastering. Comes with liner notes. Mongo Santamaria at the height of his Latin Soul years – working on a cool Columbia session titled after an earlier hit, but served up with his new lean sound of the late 60s! The album's got that perfect Santamaria combo from the time – a group that features trumpet and these wonderfully sharp arrangements from the great Marty Sheller – plus very smoking reed work from a young Hubert Laws, wailing away on flute and tenor, and Bobby Capers on alto and baritone – both players who mix jazz and soul instrumental modes, to bring a hell of a lot of feeling to the overall sound of the band – in ways that really get past more familiar use of trumpet or trombone in other Latin combos. The band grooves nicely on original material like "Streak O Lean", "Ricky Tick", "Do It To It", "Fatback", "Coconut Milk", and "Jose Outside" – and they also reprise Mongo's big hit "Watermelon Man".
Herbie Hancock recorded for Columbia between 1972 and 1988. During that period, between the label's American and Japanese divisions, he released 31 albums, both solo and with an astonishing variety of players in an equally breathtaking panorama of styles, from straight-ahead post-bop, to fusion, jazz-funk, disco, R&B, smooth jazz, and even hip-hop. Though Hancock had a celebrated career before signing to Columbia, it was his longest label association; and during his tenure there, he experienced his greatest commercial success and his name was etched permanently into the history of popular music. This box set contains 34 discs – 28 single and three double albums – all housed in handsome individual LP and gatefold sleeves.
A very groovy set from keyboardist Celso Murilo – a 60s album of organ and piano instrumentals with a really cool groove! The record follows in the best tradition of small combo bossa sessions – mixing together a strongly rhythmic approach that includes percussion by the great Rubens Bassini, plus backing on trumpet, flute, and timbales – all set to the pace of Murilo's sweet lines on the keys! The style's more expansive than 60s work by Walter Wanderley or Ed Lincoln – more open to influences from American Latin music, in addition to the core samba and bossa sounds that inform the work. The whole thing's great – a driving, lively little set that's a delight throughout!
Maria Szymanowska Piano Duo is formed by two pianist associated with the Academy of Music in Łódź. The guiding thought of the joint activity adopted by the artists is to promote Polish music and works of less known composers, whose pieces are gradually being forgotten. Polish music, to which the present CD including four hands piano music is dedicated, occupies a special place in their output.