The String Quartet No. 1 in D major, Opus 11, was Pyotr Ilyich Tchaikovsky's first completed string quartet of three string quartets, published during his lifetime. (An earlier attempt had been abandoned after the first movement had been completed.) Composed in February 1871, it was premiered in Moscow on 16/28 March 1871 by four members of the Russian Musical Society: Ferdinand Laub and Ludvig Minkus, violins; Pryanishnikov, viola; and Wilhelm Fitzenhagen, cello.
The life of Peter Ilyich Tchaikovsky (1840–1893) exhibits as close a link as you will find anywhere between an artist's inner world and the outward products of that artist's creative activity. As a man, Tchaikovsky was defined by and indivisible from his music, which became an outlet for all the shifting moods of his turbulent soul. As Professor Robert Greenberg says, "If Tchaikovsky felt it, it found a way into his music."
Swan Lake was the first of Tchaikovsky's three great ballets– works which added a new level of depth and sophistication to what had been a purely superficial art form. Today the music is so well-known and popular that it's impossible to comprehend the difficulties the composer experienced at early performances. Audiences found the music "too symphonic," and the dancers were put off by the prominence given to the orchestra which, they felt, distracted ballet fans from the action on stage. Of course, all of these supposed "defects" are precisely what we admire about the music today, and this elegant but exciting performance reveals the music in all of its glory.
This 2010 recording of Tchaikovsky's eternally popular Swan Lake ballet, with Mikhail Pletnev and the Russian National Orchestra might be ideal for dancing, but it is less ideal purely as a listening experience.
A generous and unusual pairing of two romantic concertos in the best recordings by "King David", playing his Stradivarius Comte de Fontana, fully animated by Gennady Rozhdestvensky, a modern conductor knowing perfectly the deep Baltic souls.
If what you want is a crackerjack coupling of Tchaikovsky's Violin Concerto and his First Piano Concerto, this disc is the one to get. With the ardently noble 1971 Nathan Milstein recording of the Violin Concerto with Claudio Abbado conducting the Vienna Philharmonic joined to the recklessly passionate 1973 Martha Argerich recording of the Piano Concerto with Charles Dutoit conducting the Royal Philharmonic, both performances are easily as good as the very best ever recorded.