Blue Blud achieve to combine the big hair metal sound of the 80’s with some more melodic AOR stuff. Some really catchy and anthemic songs are clearly showing that this band could be huge back then. So if you are lookin’ for some big sing-a-long choruses with great guitar work and great performances then this is the album you are looking for…
Each year the magical setting of the gardens of the Castle of Versailles (one of the most visited sites in France and, indeed, Europe) are the setting for a fairy-tale fountain display. Devised during the reign of Louis XIV, this impressive spectacle set to music reflected the power and the majesty of the King himself. This year, the musical programme has been entrusted to Jordi Savall, who has selected some of the finest treasures from the Alia Vox catalogue. This is a landmark album, a unique selection performed by the leading specialists in the repertoire, those same artists who popularised this music and contributed to the success that it enjoys today.
In the semi-darkness within a grotto beneath the church of Santo Rosario in Cadiz, the bishop pronounced one of the seven Last Words of Christ, then, during the ensuing silence, the orchestra played… Commissioned from Haydn in 1786, these seven mystical sonatas, with their sombre melody, take their inspiration from the rhythm of each of the seven Words. Preceded by a noble Prelude and followed by an impressive Terremoto (Earthquake), there have been various versions (piano, string quartet, vocal), but here they are presented in the original version and with all the glowing colours of the Concert des Nations.
Loving performances caught in lovely sound, so what's not to love? Not, as it turns out, much, but not, regrettably, nothing at all. Jordi Savall, the gambist cum conductor who directs Le Concert Des Nations, is a genial, even affectionate leader who in these four light works of Mozart grants his players a considerable amount of interpretive freedom. Le Concert Des Nations, Savall's all-purpose classical and pre-classical chamber orchestra, responds with funny, even frothy, playing is as technically assured as it is brilliantly colorful. Alia Vox, Savall's label for everything he records from El Sabio to Monteverdi, catches the performances in a warm, natural, and deep acoustic of amazing vividness.