Mozart’s unfinished Zaide is considered a slightly older, less memorable brother to the composer’s Die Entfuhrung aus dem Serail [The Abduction from the Seraglio.]. Zaide is a rescue opera, with a plot based on Voltaire’s “Zaire.” The exiled Christian Gomatz is visited by the Muslim harem slave Zaide, the sultan’s favorite concubine. Zaide falls in love with the enslaved Gomatz, rescues him, and together they flee with the aid of the overseer, Allazim. Zaide chooses spirited freedom over financial security, and invokes the Sultan’s wrath.
MOZART 111 combines the best of the Austrian master's music with the best of Deutsche Grammophon's Mozart recordings, bringing together a total of 111 works, while retaining, as far as possible, the original album releases with their cover art. There's enough of everything here to stock a shop, as they say, in performances that have stood the test of time and performances that make you sit up and listen to Mozart afresh the perfect way to discover, rediscover and savor the incomparable genius of Wolfgang Amadeus Mozart.
The glamorous young French coloratura stunned everyone at the EMI Gala at Glyndebourne in 1997 with a dazzling rendition of Cunegonde’s ‘Glitter and be gay’ from Bernstein’s Candide: it was an unexpected choice but Dessay delivered it with such wit, needle-point precision and sheer insouciance that she won all hearts. Why she has yet to appear in either a Glyndebourne or Covent Garden production – though debuts are planned in both theatres for 2002 – is one of the great mysteries of British operatic life, for Dessay, as her EMI album of French operatic arias (5/97) amply demonstrated, is an acclaimed star in Vienna, Salzburg, the New York Met and, of course, the French capital, where she is something close to a cult figure.
Anyone who enjoys Mozart opera should hear this disc. Yet quite a few people who'd probably love it to death if they listened are going to pass it by. Why? Well, look at the selections - it's not exactly a 'greatest hits' selection in the truly popular sense. Lucio Silla, Il re pastore, Mitridate, Zaïde - hardly front rank Mozart operas in the public consciousness; with Die Entführung we're getting closer - and suddenly you spot track 2, Pamina's gorgeous lament to lost love from The Magic Flute: 'Ach, ich fühl's' - anyone who hears Sandrine Piau singing this famous number will want to experience the rest of the recording no matter what.
This disc of Mozart's opera arias manages to capture the perfection of Kathleen Battle's first disc of Mozart concert arias conducted under Previn. We are accorded the opportunity and privilege to hear Ms. Battle essay characters that she never did in the opera house, Constanze, Cherubino, and the Countess among them. In "Porgi amor," the CD's opening track, she negotiates the long passages of the Countess' aria with seeming ease. Hers is a smaller voice than we are used to hearing in the role but this is unimportant as her vocal acting is superb, bringing the heartache housed in the libretto fully to life…By M. Bish
Classical music is one of the greatest joys in life. Opera on the other hand, is often too melodramatic to stomach. But there is nothing more enchanting than an Aria. On this 2 CD set, Emma Kirkby sings in sweet exultation. Her voice expresses power and agility yet a limpid tranquility. Clarity is the greatest achievement of any musician. With the aid of precision accompaniment on period instruments, shameless perfection is delivered. She soothes the soul longing for beauty. Her marvelous Soprano is rendered on 25 tracks in this eclectic ensemble. If you are a champion of Handel or a devotee of Mozart, you should not hesitate to purchase this CD. Emma Kirkby will have you beaming with delight and pining for more. Surely it will be one of the brightest of your collection.