Mozart Rilling

Juliane Banse & Andras Schiff - Songs of Debussy and Mozart (2003) {ECM New Series 1772}

Juliane Banse & András Schiff - Songs of Debussy and Mozart (2003) {ECM New Series 1772}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 193 Mb | MP3 @320 -> 141 Mb
Full Artwork @ 600 dpi (jpg) -> 169 Mb | 5% repair rar
© 2003 ECM Records | ECM New Series 1772
Classical / Chamber Music / Piano / Soprano

First recorded collaboration between one of the leading sopranos of our time, Juliane Banse, and the incomparable pianist András Schiff. The programme is a fascinating combination of two different worlds of 'Liedgesang' - in language as well as musical style and historicity.
Helmut Rilling, Pinchas Zukerman, Bach-Collegium Stuttgart - Mozart - Requiem; Exsultate, jubilate [2009]

Mozart - Requiem K.626; Exsultate, jubilate K.165 (Helmut Rilling, Pinchas Zukerman) [2009]
Classical | Sony 88697529902 | TT: 68.55 | EAC (FLAC, cue, log) | Covers | 304 Mb

Blegen’s technically flawless and musically peerless rendition is a pure celebration of beautiful singing and of the wonder of Mozart’s dazzling masterpiece. The sound is as clear and immediate as if it had been recorded yesterday, and Pinchas Zukerman’s direction is exemplary. … Although Helmut Rilling’s tempos are sometimes too plodding (the opening Introitus, for example), he makes up for it elsewhere–in an emphatic Recordare and smoothly flowing Benedictus. And while the chorus has a somewhat saturated, conglomerate sound, its impact is nevertheless substantial, not only in the fullest, loudest sections, but also in the quieter passages, which come off as more evenly balanced. Soloists, on the other hand, are absolutely clear if perhaps just a bit too up-front, and the orchestra, which fares well overall, gets swallowed in the mix when the entire chorus is singing. Rilling requires keen articulation from his players and singers, which although normally a good thing sometimes (as in the opening of the Confutatis) seems overly deliberate and stifles the music’s natural momentum. However, if you’re looking for a good, basic reading of the traditional edition of the Requiem–and an unrivalled performance of the Exsultate, jubilate –you won’t go wrong with this decently remastered release. (David Vernier)
W.A. Mozart - Mass in C minor, K. 427, "Great" (Robert Levin edition) (2007)

W.A. Mozart - Mass in C minor, K. 427, "Great" (Robert Levin edition) (2007)
EAC Rip | FLAC, IMG+CUE, LOG | 1 CD | Complete Scans | 333 MB
Classical/Sacred | Label: hänssler CLASSIC \ Cat.: 98227 | RS/MU

This is the world premiere recording of Robert D. Levin's critically acclaimed completion of Mozart's "Great" Mass in C minor. Joining in the festivities are the stellar soloists Juliane Banse, Diana Damrau, Lothar Odinius, and Markus Marquardt together with the Stuttgart Bach Collegium, and Gächinger Kantorei Stuttgart under the direction of Helmuth Rilling.
Mozart:  Requiem K. 626 / Auger · Watkinson · Jerusalem · Nimsgern · Bach-Collegium Stuttgart · Rilling (1990)

Mozart: Requiem K. 626 / Auger · Watkinson · Jerusalem · Nimsgern · Bach-Collegium Stuttgart · Rilling (1990)
EAC rip | FLAC, log, cue, no scans | RAR Rec. 3% | 239 MB | hotfile, fileserve
Classical | Label: Sony | Time: 52:46

Although Helmut Rilling's tempos are sometimes too plodding (the opening Introitus, for example), he makes up for it elsewhere–in an emphatic Recordare and smoothly flowing Benedictus. And while the chorus has a somewhat saturated, conglomerate sound, its impact is nevertheless substantial, not only in the fullest, loudest sections, but also in the quieter passages, which come off as more evenly balanced. Soloists, on the other hand, are absolutely clear if perhaps just a bit too up-front, and the orchestra, which fares well overall, gets swallowed in the mix when the entire chorus is singing. Rilling requires keen articulation from his players and singers, which although normally a good thing sometimes (as in the opening of the Confutatis) seems overly deliberate and stifles the music's natural momentum. –David Vernier
Mozart: Requiem / Helmuth Rilling, Stuttgart Bach Collegium, Gachinger Kantorei Stuttgart (2000)

Mozart: Requiem / Helmuth Rilling, Stuttgart Bach Collegium, Gachinger Kantorei Stuttgart (2000)
EAC Rip, FLAC (image), cue, log, covers | RAR rec. 3% | 267 MB | hotfile, filesonic
Classical | Label: Hanssler Classics

In the liner notes to this premiere recording of his completion, Levin says: "The completed version offered in this recording, however, seeks to respect the 200-year-old history of the Requiem . We have tried not to revise as much, but as little as possible and in a manner we fee it faithful to the character, writing, voice leading, design and structure of Mozart's music."

G.F.Handel - Der Messias HWV 56 (Rilling)  Music

Posted by Ignazio Favagrossa at Nov. 30, 2008
G.F.Handel - Der Messias HWV 56 (Rilling)

G.F.Handel - Der Messias HWV 56 (Rilling)
1994 | 2 CD | individual FLACs | Front Cover | RAR 555Mb

"Mozart's arrangement of Handel's Messiah dates from early 1789 and was intended for performance at the private concerts of Baron Gottfried van Swieten in Vienna. Messias was first heard at van Swieten's concerts on March 6th, 1789 when Mozart directed the orchestra in his own arrangement of Handel's masterpiece. Listeners encountering Mozart's arrangement for the first time will be by the full-bodied sound of woodwind and brass in the choruses; if momentarily startled by the presence of a horn as opposed to a trumpet in "The trumpet shall sound"… this is a lively performance of Messiah which is certainly worth considering for the solo contributions, above all… you will find much else to enjoy as well".
- Gramophone Magazine
Menahem Pressler - Mozart: Piano Concertos Nos. 23 & 27 (Live) (2017) [Official Digital Download]

Menahem Pressler, Kimbo Ishii & Magdeburg Philharmonic - Mozart: Piano Concertos Nos. 23 & 27 (Live) (2017)
FLAC (tracks) 24-bit/44.1 kHz | Time - 77:51 minutes | 765 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

“…..Pressler has played Mozart’s piano concertos with such frequency that they can be reckoned among the works that have occupied him the most in his life. Fortunately, a wish that Pressler and the musicians of the Magdeburg Philharmonic Orchestra had been having for many years finally came true: in May and December 2016, Pressler performed as a soloist in his home town. In May he performed Mozart’s Piano Concerto in B Flat Major K595, and in December he played the Piano Concerto in A Major K488. On the subject of Mozart, he remarks: “In Mozart there are no ‘empty’ passages.

Juan Diego Flórez - Mozart (2017) [Official Digital Download 24/96]  Vinyl & HR

Posted by SERTiL at Oct. 15, 2017
Juan Diego Flórez - Mozart (2017) [Official Digital Download 24/96]

Juan Diego Flórez - Mozart (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 51:47 minutes | 0.97 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Acclaimed across the globe for the beauty of his voice, the emotional power of his performances, and his extraordinarily dazzling high notes, the Peruvian superstar tenor Juan Diego Flórez has so far in his career focused almost exclusively on the masterpieces of the bel canto repertoire by Rossini, Donizetti and Bellini, and others. Now, in his eagerly awaited debut recording for Sony Classical, he turns his attention to a composer with whose works his talents also have an ideal relationship. “I’ve always wanted to do it, but now is the time. I finally feel I’m ready to convey the expressiveness, the simplicity, the universality – in short, the magic – of Mozart. Mozart’s music is universal, transcendental. Everybody loves his music. You don’t have to understand why you love it, but you just do. That’s his magic."
London Mozart Players, Matthias Bamert - Franz Krommer: Symphonies Op.40 & Op.102 (1994)

Franz Krommer: Symphonies Op.40 & Op.102 (1994)
London Mozart Players; Matthias Bamert, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 268 Mb | Mp3 (CBR320) ~ 172 Mb | Scans included
Genre: Classical | Label: Chandos | # CHAN 9275 | Time: 00:57:39

Franz Krommer (1759-1831) was a prolific and very good composer, whose music is now being resuscitated with great and deserved success. It was difficult to be a composer in Vienna at the same time as Beethoven and Schubert, and most of their contemporaries have not survived the pressure. But Krommer managed to retain his personality and originality, becoming the last official director of chamber music and court composer to the Habsburg court under the conservative Emperor Francis I. The first of the two symphonies was published in 1803. Among its many interesting features is a haunting litde trio in the form of a waltz. The second work is much later, with four horns and three trombones, and is in C minor, but ending in the major. In both works, Krommer's knowledge of, and predilection for, the wind instruments is notable. The two works were well worth recording, especially with such felicitous performances and bright, pleasing recorded sound.
Alicia de Larrocha, Georg Solti - Mozart: Piano Concertos Nos. 24-27 (2010)

Alicia de Larrocha, Georg Solti - Mozart: Piano Concertos Nos. 24-27 (2010)
MP3 (CBR 320 kbps) | Digital Booklet | 02:08:32 | 319 MB
Genre: Classical | Label: Decca

This double-CD budget set brings together two performances by Spanish pianist Alicia de Larrocha, collaborating both times with Georg Solti as conductor. Each disc includes a pair of Mozart piano concertos. The music on the first CD, recorded in 1985, has never been released, because, the booklet asserts, post-production work was needed to clean up the acoustics.