Mozart Requiem Walter Bruno

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem (2017)

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion)
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 45:55 min | 225 MB
Label: harmonia mundi | Tracks: 15 | Rls.date: 2017

1791: a busy year for Mozart who, when he received a commission for a Requiem, was already working on Die Zauberflöte and had a deadline to deliver La clemenza di Tito. Everyone knows what happened next: the commission postponed, exhaustion and death, a work left unfinished and which, after several composers were approached, was finally completed by Süssmayr. This version gradually became established as the closest to Mozart’s intentions, but is not free of faulty part-writing and orchestration.
René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem (2017) [Official Digital Download 24/96]

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion) (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 45:55 minutes | 806 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

1791: a busy year for Mozart who, when he received a commission for a Requiem, was already working on Die Zauberflöte and had a deadline to deliver La clemenza di Tito. Everyone knows what happened next: the commission postponed, exhaustion and death, a work left unfinished and which, after several composers were approached, was finally completed by Süssmayr. This version gradually became established as the closest to Mozart’s intentions, but is not free of faulty part-writing and orchestration.
Herbert von Karajan, James Levine, Rafael Kubelik - Mozart: Requiem, Great Mass in C minor, Missa brevis in C major (1998)

Herbert von Karajan, James Levine, Rafael Kubelik - Mozart: Requiem, Great Mass in C minor, Missa brevis in C major (1998)
EAC | FLAC | Image (Cue & Log) ~ 568 Mb | Total time: 53:02+74:17 | Scans included
Classical | Label: Deutsche Grammophon | # 459 409-2 | Recorded: 1973, 1975, 1989

Two great recordings of two of the greatest choral works. Karajan and Levin swoops the standards of tempi, phrasing and intens music making. Karajan's finest recording of the Requiem. Levin sets the bar a milestone higher. Remastering of the Requiem is confidentional good. Sound quality of K327 is superb.
Wolfgang Amadeus Mozart - Requiem (Salzburg Festival) 2017 [HDTV 720p]

Wolfgang Amadeus Mozart - Requiem (Salzburg Festival) 2017 [HDTV 720p]
AVC, 1280x720p (16:9), 11.2 mbps, 50 fps | AC3 448 kbps, 6 ch | 00:56:17 | 5.1 GB
Classical, Vocal / Choral | 3sat HD live | HDTV->TS

Live July 23, 2017, at Salzburg Festival (Salzburger Festspiele), conducted by Teodor Currentzis.
Wiener Philharmoniker, Karl Bohm - Mozart: Requiem, K.626 (1971/2012) [Official Digital Download 24/192]

Wiener Philharmoniker, Karl Bohm - Mozart: Requiem, K.626 (1971/2012)
FLAC (tracks) 24-bit/192 kHz | Time - 64:25 minutes | 2.34 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Karl Böhm's 1971 Deutsche Grammophon recording of Mozart's Requiem has long been regarded as the best, deepest, truest, and most Austrian recording of the work. With the Wiener Staatsopernchor and the Wiener Philharmoniker, plus soloists Edith Mathis, Julia Hamari, Wieslaw Ochman, and Karl Ridderbusch, Böhm created a fuliginously sorrowful, luminously consoling, and numinously blessed performance of Mozart's final masterpiece and Deutsche Grammophon has wisely kept the performance almost continuously in print since its release.
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002

Wolfgang Amadeus Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002
Anna Tomowa-Sintow (soprano), Agnes Baltsa (contralto), Werner Krenn (tenor), José van Dam (bass)
Wiener Singverein, Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
Recording: Berlin, 9/1975

EAC | APE | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
Classical, Choral | Label: Deutsche Grammophon | # 471 639-2 | Time: 00:53:12

Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid.
Dunedin Consort - Mozart: Requiem - Reconstruction of 1st performance (2014) [24-192]

Dunedin Consort - Mozart: Requiem - Reconstruction of 1st performance (2014)
FLAC (tracks) 24bit/192 kHz | Time - 61:39 minutes | 2,41 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

This GRAMMY-nominated recording provides the opportunity to re-imagine what this work may have sounded like at its very first performance and won Dunedin Consort its second Gramophone Award. The recording is the first not only to use this new edition, but also to present the work using forces close in style and scale to those at the first performances.
Mozart - Requiem in D minor, K. 626 (Daniel Barenboim, Orchestre et Choeurs de l'Opera de Paris) [1985]

Mozart - Requiem in D minor, K. 626 (Daniel Barenboim, Orchestre et Choeurs de l'Opera de Paris;
Kathleen Battle, Ann Murray, David Rendall, Matti Salminen) [1985]

EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 238 MB
Classical | Label: EMI Classics | Catalog Number: CDC 7 47342 2 | TT: 55:39

Thank you Kathleen Battle for making another masterful recording.Mozart's requiem is an excellent work,and this particular version is well recorded too.I just wish mozart wrote more music for the soprano to sing in his requiem.I must say that Verdi's requiem is the greatest ever composed,but thus far of all the requiems i've listened to,mozart's requiem must come in second.Mozart,you go boy!!Kathleen,you go girl!!!! Ps,requiems should be listened to especially on rainy evenings & nights with some introspective thoughts.Perhaps,mozart is now composing an anti-requiem for the afterlife..
Academy Of St. Martin-In-The-Fields, Neville Marriner - Mozart: Requiem etc. (2CD) (1994)

Academy Of St. Martin-In-The-Fields, Neville Marriner - Mozart: Requiem, Krönungsmesse / Coronation Mass, Exsultate, Jubilate Litany K195 (2CD) (1994)
EAC Rip | FLAC with CUE and log | scans | 558 mb
MP3 CBR 320kbps | RAR | 282 mb
Genre: classical

The Academy Of St. Martin-In-The-Fields, conducted by Neville Marriner, offer Mozart: Requiem, Krönungsmesse / Coronation Mass, Exsultate, Jubilate Litany K195. This was released by London Records in 1994 and is a reissue/remaster of works released in 1967, 1972, and 1977.
Nikolaus Harnoncourt, Concientus Musicus Wien, Arnold Schoenberg Chor - Mozart: Requiem in D minor, K.626 (2004) (Repost)

Nikolaus Harnoncourt, Concientus Musicus Wien, Arnold Schoenberg Chor - Mozart: Requiem in D minor, K.626 (2004)
EAC | FLAC (image+.cue, log) | Covers Included | 50:21 | 228 MB
Genre: Classical, Sacred, Choral | Label: Deutsche Harmonia Mundi | Catalog: B00022UO9I

Beethoven called Mozart's Requiem "wild and terrible", and that's what we get in Harnoncourt's new recording. Ominous dread hangs from every note of the dark opening measures, the Rex tremendae and Confutatis are driven with terrifying strength, and the supplications of the Lacrimosa, with their weeping stabbings of the orchestra, are freighted with emotional power. The Tuba mirum duet of bass soloist and trombone has a beauty almost never achieved in other readings. Nor does Harnoncourt overstep the stylistic boundaries of this classical-era work; rather, the intensity is heightened for being in the idiom of its time.