Mozart Piano Concertos Ronald Brautigam

Michael Alexander Willens - Mozart: Piano Concertos Nos. 1-4 "Pasticcio Concertos" (2016)

Michael Alexander Willens - Mozart: Piano Concertos Nos. 1-4 "Pasticcio Concertos"
Classical | WEB FLAC (tracks) & d. booklet | 58:28 min | 249 MB
Label: BIS | Tracks: 12 | Rls.date: 2016

Final disc in Ronald Brautigam's traversal of Mozart's piano concertos. Throughout the ten previous discs in their series of Mozart's complete piano concertos, Ronald Brautigam and Die Kölner Akademie have offered up fresh, sometimes bracing readings of these perennial favourites. 'An ideal mixture of clarity and stylish effervescence' (International Record Review), 'as near as dammit what Mozart's audiences would have heard' (Classic FM Magazine) and 'a completely new, crisp 'Mozart-feel' for the 21st century' (Stereoplay) are just some of the responses from the international music press.

Ronald Brautigam - Mozart: Piano Concertos 5 & 6 (2016)  Music

Posted by tomashass at June 1, 2016
Ronald Brautigam - Mozart: Piano Concertos 5 & 6 (2016)

Ronald Brautigam - Mozart: Piano Concertos 5 & 6 (2016)
MP3 320 kbps CBR | 01:09:23 | 162 MB
Genre: Classical | Label: BIS

On the final stretch of their series of Mozart's piano concertos, Ronald Brautigam, Michael Willens and Die Kölner Akademie are working their way backwards through the composer's catalogue. Here, on the penultimate disc, they have reached the earliest of the original works, composed in 1773 and 1776 respectively. Piano Concerto No. 5, K 175 was to become one of Mozart's most popular piano concertos following his relocation to Vienna in the early 1780s. No doubt the work's majestic scoring, which includes trumpets and timpani, contributed to its appeal.
Hai-Kyung Suh - Mozart: Piano Concertos Nos. 19, 20, 21 & 23 (2016) [Official Digital Download 24/96]

Hai-Kyung Suh - Mozart: Piano Concertos Nos. 19, 20, 21 & 23 (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 119:50 minutes | 2.05 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Hai-Kyung Suh dazzled the international music scene by winning the prestigious Busoni International Competition as a teen-ager. Her New York recital debut at Alice Tully Hall five years later was hailed byThe New York Times as "a propulsive and exciting performance, built block by sonic block with the structual command of a musical architect."
Edwin Fischer - Mozart: Piano Concertos - The Complete Studio Recordings (1933-1947) (3CD Box Set)

Edwin Fischer - Mozart: Piano Concertos - The Complete Studio Recordings (1933-1947) (3CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 671 mb | MP3 CBR 320kbps | 03:41:52 | 511 mb
Classical, Piano | Label: APR / APR 7303

This three-disc set of all of the studio recordings of Mozart's piano concertos and sonatas made by German pianist Edwin Fischer between 1933-1947 may elicit different responses from his fans than from listeners not already persuaded of his greatness.
Maria Joao Pires, Orchestra Mozart; Claudio Abbado - W.A. Mozart: Piano Concertos Nos. 20 & 27 (2012) [Repost]

Wolfgang Amadeus Mozart: Piano Concertos Nos. 20 & 27 (2012)
Maria João Pires, piano; Orchestra Mozart; Claudio Abbado, conductor

EAC | FLAC | Image (Cue&Log) ~ 252 Mb | Mp3 (CBR320) ~ 174 Mb | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 479 0075 GH | Time: 01:00:14

It's a recording that just a few years ago would have been mainstream: a "name" pianist (albeit one much less well known in the U.S. than elsehwere), who has been playing Mozart's piano concertos since childhood, joins forces with a name conductor with whom she has frequently collaborated, leading a modern-instrument orchestra of some 70 players, with the results released on a major international-conglomerate label. Now it's distinctly unusual. But lo, there's value in the old ways. Portuguese-Brazilian pianist Maria-João Pires is a lifelong Mozart specialist, but she still has new things to say in two of Mozart's most popular piano concertos. You can chalk it up to her Buddhist outlook if you like: her readings of the Piano Concerto No. 27 in B flat major, K. 595, and Piano Concerto No. 20 in D minor, K. 466, might be described as detached without being lifeless. Her approach is most startling in the Piano Concerto No. 20, where her no-drama shaping of the material runs sharply counter to type. Sample the piano's entrance in the first movement, where it offers a twisting, tense elaboration of the main theme that is far removed from its source material. Generally pianists use this to raise the tension level, but Pires lets the unusually shaped, chromatic line speak for itself with fine effect.
Daniel Barenboim, Andras Schiff, Sir Georg Solti, English CO - Mozart: Piano Concertos K 242, 365, 466 (1990) Reissue 2006

Wolfgang Amadeus Mozart: Concerto for Two Pianos in E-flat, K. 365;
Concerto for Three Pianos in F, K. 242; Piano Concerto No. 20 in D minor, K466
Sir Georg Solti, piano & conducted; English Chamber Orchestra
Daniel Barenboim, piano; András Schiff, piano

EAC | FLAC | Image (Cue&Log) ~ 300 Mb | Mp3 (CBR320) ~ 195 Mb | Scans included
Genre: Classical | Label: Decca/Universal | # 476 2451 | Time: 01:18:16

Involving, as it does, three master musicians and a fine chamber orchestra this was never likely to be be other than rewarding. It may not correspond with the ways of playing Mozart at the beginning of the twenty-first century which are fashionable at the beginning of the twenty-first century, but it has virtues – such as high intelligence, sympathy, certainty of purpose, grace, alertness of interplay – which transcend questions of performance practice. Looking at the names of the pianists above, we might be surprised by the presence of Sir Georg Solti, so used are we to thinking of him as a conductor. But the young Solti appeared in public as a pianist from the age of twelve and went on to study piano in Budapest, with Dohnányi and Bartok.

Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)  Music

Posted by tirexiss at Nov. 12, 2017
Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)

Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 01:04:50 | 290 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 477 9849

Central to Hélène Grimaud's first live album for Deutsche Grammophon is the significance she finds in the slow movement of the Piano Concerto No. 23 in A major, K. 488, of Wolfgang Amadeus Mozart. This movement is a touchstone for her, insofar as she regards it as the most sublime music, "where you find the real Mozart." She has also stated, "Even if this movement were all we had, that would be enough." Because of the emphasis Grimaud places on this poignant Adagio in F sharp minor, listeners may be tempted to cut to the chase and skip the other tracks to hear her interpretation.
Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}

Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 250 Mb | MP3 @320 -> 145 Mb
Full Artwork @ 300 dpi (png) -> 71 Mb | 5% repair rar
© 2014 Deutsche Grammophon | 00289 479 1033
Classical / Viennese School / Concerto / Piano

The first new release for ten years from Martha Argerich and Claudio Abbado is their first ever album of concertos by Mozart. The legendary pianist and conductor add the sublime music of Mozart to their unrivaled, multi award-winning DG discography of concertos by Tchaikovsky, Chopin, Ravel, Prokofiev, Beethoven and Liszt. Both concertos were recorded with Claudio Abbado s Orchestra Mozart, at concert performances at the 2013 Lucerne Festival that had critics searching for new superlatives. The album contrasts two very different works. Written in D minor, the key of the Queen Of the Night and the opening of Mozart s Requiem, the darkly dramatic No.20, K.466 has a stormy, operatic temperament that looks forward eighteen months to the premiere of Don Giovanni. With its majestic and radiant opening and a march famously reminiscent of the Marseillaise, No.25 in C major, K.503 is the culmination of the twelve transcendent concertos Mozart wrote in Vienna between 1784 and 1786. This release is Martha Argerich s first recording of solo concertos by Mozart on Deutsche Grammophon.
Ronald Brautigam, Die Kolner Akademie - Mozart: Piano Concertos Nos. 18 & 22 (2014)

Wolfgang Amadeus Mozart - Piano Concertos Nos. 18 in B flat major & 22 in E flat major (2014)
Ronald Brautigam, fortepiano; Die Kölner Akademie; Michael Alexander Willens, conductor

EAC | FLAC | Image (Cue&Log) ~ 263 Mb (incl 5%) | Mp3 (CBR320) ~ 147 Mb (incl 5%) | Scans included
Genre: Classical | Label: BIS | # BIS-SACD-2044 | Time: 01:00:03

The sixth disc in this highly acclaimed series combine two works in which Mozart's powers as an orchestrator come to the fore. Concerto No. 18 in B flat major, K 456, is sometimes referred to as one of the composers military concertos on the basis of the march-like main theme of the first movement. But more striking is the variety of ways that Mozart employs the various groups of instruments: strings, wind instruments and, of course, the piano. This aspect certainly didn't pass unnoticed by a listener as initiated as Mozart's father Leopold: in a letter to his daughter Nannerl he described how his enjoyment of the orchestral interplay had brought tears to his eyes.
W.A.Mozart: Piano Concertos Nos. 20 & 27 / Ronald Brautigam (2013) [Official Digital Download 24bit/96kHz]

W.A.Mozart: Piano Concertos Nos. 20 & 27 / Ronald Brautigam (2013)
FLAC (tracks) 24 bit/96 kHz | Time - 53:34 minutes | 953 MB
Official Digital Download - Source: eClassical.com | Digital Booklet