There are artists who have the gift of magnifying a work that was thought more or less successful. That is the case here of the young quartet Hermes which we owe a splendid recording of three quartets by Robert Schumann. If the Third has always seemed the most successful, the first two seemed littered writing weaknesses. Nothing like here with the Hermes who offer us a worried Schumann, enthusiastic, romantic, giving this triptych cohesion rarely heard such a level. France has truly become the last twenty years a large string quartet nation, thanks to the combined actions of Pro Quartet and the beautiful teaching of Ysaяe Quartet. A new record provides further evidence. Hermes Quartet is a young training to monitor closely.
"…Die vier jungen Musiker nehmen sich des ersten und dritten Quartetts aus Robert Schumanns op. 41 an, und man kann nur bedauern, dass nicht die kompletteTrias eingespielt wurde – mit solcher Sensibilität wird hier echtes Zusammenspiel verwirklicht, mit solcher Natürlichkeit erschließt sich Schumanns poetische Ausdruckswelt. (…) Immer erscheint beim Quatuor Renoir der Klang wunderbar austariert, auch im forte nie gewaltsam, immer erscheinen die Stimmen sinnvoll aufeinander bezogen, im Dialog feinsinnig korrespondierend. Das Ideal des gemeinsamen Atmens, der Verschmelzung der Individualitäten – hier wird es in schönster Weise verwirklicht.Eine Aufnahme, die das Glück, das Clara Schumann nach der Aufführung der Quartette an ihrem Geburtstag empfand, unschwer nachvollziehbar macht." 10/10 ~klassik-heute
"…The Mozart Piano Quartet provide these works with enthusiastic advocacy and MDG’s sound is a model of clarity and natural balance – just like Bonis’s music” ~Grammophone
"Felix August Bernhard Draeseke was a composer of the "New German School" admiring Liszt and Richard Wagner. He wrote compositions in most forms including eight operas and stage works, four symphonies, and much vocal and chamber music.During his life, and the period shortly following his death, the music of Draeseke was held in high regard, even among his musical opponents. His compositions were performed frequently in Germany by the leading artists of the day, including Hans von Bülow, Arthur Nikisch, Fritz Reiner, and Karl Böhm. However, as von Bülow once remarked to him, he was a "harte Nuß" ("a hard nut to crack") and despite the quality of his works, he would "never be popular among the ordinary"." ~Wikipedia
"These recordings by the Flieder Trio were taped way back in 1990 but the passing of more than two decades has not dimmed the refreshingly spontaneous playing that is coming "straight from the heart", and the spirited and consistently brilliant interpretations are still as alluring as ever before. A generously filled well annotated disc that should fill one of the many gaps in the Boccherini discography. Recommended, even to die-hard periodists." ~ classical.net
…It's intriguing to imagine how a very slow performance would come off, but Schleiermacher's is a fully persuasive version of a piece that could have a number of very different but valid interpretations. MGD's natural, unprocessed sound is, as is typical for the label, immaculate and vivid.