Mozart Maurerische Trauermusik

Mozart - Maurerische Trauermusik K 477, Requiem K 626 (Jordi Savall) [2011]

Mozart - Maurerische Trauermusik K 477, Requiem K 626 (Jordi Savall) [2011]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 247.93 MB
Classical | Label: AliaVox | Catalog Number: AVSA 9880

Mozart was an avowed Freemason, and his connection to the order became integrated with his compositional output. In 1785 he composed the Maurerische Trauermusik (Masonic Funeral Music). It was written in honor of two deceased brethren Franz, Count Esterhazy de Galantha and Georg August, Duke of Mecklenburg-Strelitz. Mozart associated certain musical motifs with Masonic ideas. The rising interval of the major sixth and various rhythmic embodiments of Masonic ritual knocks were among the elements he used as musical symbols. Although the Requiem is not specifically Masonic in nature, there are aspects present including some of these musical motifs. This 1991 recording bears the signature of Jordi Savall s talent as a conductor the intensity of emotion, clarity of structure and the emphasis on singing musical lines. This new multichannel re-mastering sheds new light on a true gem of the back catalog.
Mozart: Maurerische Trauermusik K 477, Requiem K 626 (Jordi Savall) (PS3 SACD rip)

Mozart: Maurerische Trauermusik K 477, Requiem K 626 (Jordi Savall) (PS3 SACD rip)
SACD Image (.ISO) = 2.31 GB | Complete Scans PDF (800 dpi): 76 MB | 5% Recovery
Classical | DST 1bit-2822,4kHz 2.0, 5.1

Mozart was an avowed Freemason, and his connection to the order became integrated with his compositional output. In 1785 he composed the Maurerische Trauermusik (Masonic Funeral Music). It was written in honor of two deceased brethren - Franz, Count Esterhazy de Galantha and Georg August, Duke of Mecklenburg-Strelitz. Mozart associated certain musical motifs with Masonic ideas. The rising interval of the major sixth and various rhythmic embodiments of Masonic ritual knocks were among the elements he used as musical symbols. Although the Requiem is not specifically Masonic in nature, there are aspects present including some of these musical motifs. This 1991 recording bears the signature of Jordi Savall's talent as a conductor - the intensity of emotion, clarity of structure and the emphasis on singing musical lines. This new multichannel re-mastering sheds new light on a true gem of the back catalog.
Le Concert d'Astree, Louis Langree - Mozart: Mass In C Minor (2006)

Le Concert d'Astree, Louis Langree - Mozart: Mass In C Minor (2006)
EAC | FLAC (image+.cue, log) | Covers Included | 54:01 | 278 MB
Genre: Classical, Sacred | Label: Virgin Classics | Catalog: 0946359309

First things first: if you're seeing a picture of this disc on the site of an online retailer, be aware that it contains the Mass in C minor, K. 427, not the "Mass in C," promised by the cover, which would more likely be the "Coronation" Mass in C major, K. 337. It is always a shame when designers are given power of diktat over content editors. The so-called "Great" Mass in C minor is one of Mozart's most ambitious and most problematical works. There was no known immediate stimulus for its composition. Did Mozart begin writing it out of one of his rare religious impulses, on the occasion of his marriage to his bride Constanze? Out of his growing devotion to Freemasonry? Was it his first major exercise in applying the lessons in Bach-style counterpoint he had been receiving at the intellectual salons of the Baron van Swieten in Vienna? Or was it meant as a showpiece for singer Constanze with its killer soprano arias? It was all of these things and none of them, for Mozart never finished the mass.
Mozart - Oratorios, Cantatas, Masonic Music (Peter Schreier) [1991]

Mozart - Oratorios, Cantatas, Masonic Music (Peter Schreier) [1991]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 268 MB
Classical | Label: Elite Classics | Catalog Number: AS-364-A | TT: 61'26

Wolfgang Mozart joined the order of the freemasons at the lodge "Zur Wohltдtigkeit" (Benefaction) in Vienna on December 14, 1784. Mozart and freemasonry seemed an ideal match, and in a little over a year he would achieve the status of "master mason." A small number of works among Mozart's late output was intended directly for use in Masonic lodges, and two major non-Masonic works, the opera Die Zauberflцte (The Magic Flute, K. 620) and the Requiem K. 626, share strong Masonic connections. The best known of Mozart's Masonic compositions is the Maurerische Trauermusik, K. 477 (479a) scored originally for two violins, two violas, clarinet, basset horn, two oboes, two horns, and bass. Mozart later added parts for two additional basset horns and bassoon, resulting in an instrumentation absolutely unique in Mozart's vast output…
- David Lewis

100 Best Mozart [6 CD]  

Posted by jhawd at Aug. 27, 2009
100 Best Mozart [6 CD]

100 Best Mozart [6 CD]
EMI Classics, 2006 | APE, CUE, Logs | 6 CD's, 1.9 Gb @ Rapidshare
Bamberg Symphony - The First 70 Years: Limited Edition Box Set 17CDs (2016)

Bamberg Symphony - The First 70 Years: Limited Edition Box Set 17CDs (2016)
Classical | MP3 CBR 320 kbps | 2,71 Gb | Covers 50,3 Mb
Label: Deutsche Grammophon | Release Year: 2016

This 17CD Limited Edition Set encompasses the 70-year history of one of Germany’s leading orchestras. Includes no fewer than 5 CDs of world premiere recordings by luminaries such as Kertész, Sinopoli, Blomstedt as well as definitive recordings by all the famous conductors who shaped the orchestra’s distinctive style.
Gottlieb Wallisch, Piatti Quartet - Mozart: Piano Concertos 12, 13, 14 (2013) [Official Digital Download 24/192] REPOST

Gottlieb Wallisch, Piatti Quartet - Mozart: Piano Concertos 12, 13, 14 (2013)
FLAC (tracks) 24-bit/192 kHz | Time - 69:11 minutes | 2,55 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Piatti Quartet's debut recording features master Mozartian Gottlieb Wallisch in a stunning performance of his fellow Austrian's own rarely-heard chamber orchestrations.
Eric Heidsieck - Mozart: Piano Sonatas K. 280, 282, 283, 457 & 545 (2017)

Eric Heidsieck - Mozart: Piano Sonatas K. 280, 282, 283, 457 & 545 (2017)
Classical | MP3 CBR 320 kbps | 01:13:03 | 168 MB
Label: naïve classique | Release Year: 2017

The French pianist, Éric Heidsieck, gave his first recital at the age of 9 in Reims and his first concert with orchestra a year later. In 1954, he finished the class of Marcel Ciampi in the first place; then took his first lessons with Alfred Cortot at l'Ecole Normale de Musique de Paris. Parallel to that, he attended the courses of Wilhelm Kempff on L.v. Beethoven in Positano.

Hilary Hahn - Mozart & Vieuxtemps: Violin Concertos (2015) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 15, 2017
Hilary Hahn - Mozart & Vieuxtemps: Violin Concertos (2015) [TR24][OF]

Hilary Hahn - Mozart & Vieuxtemps: Violin Concertos
Classical | FLAC (tracks) 24-bit/96 kHz | 63:48 min | 1.20 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 09 | Rls.date: 2015

After her last two albums of completely new compositions, “Silfra” and “In 27 Pieces – The Hilary Hahn Encores”, Hilary returns with classic-romantic repertoire. Two-times Grammy Award-winning violinist Hilary Hahn now combines Mozart’s beloved Concerto in A, K 219 – with its fiery “Turkish” episode – with the rich, virtuosic romanticism of Vieuxtemps’ Violin Concerto No. 4.
Mozart - Haffner-Serenade & Serenata Notturna (Sir Charles Mackerras, Prague Chamber Orchestra) [1998]

Mozart - Haffner-Serenade & Serenata Notturna (Sir Charles Mackerras, Prague Chamber Orchestra) [1998]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 286 MB
Classical | Label: Telarc Distribution | Catalog Number: CD-80161 | TT: 01:06;01

The Haffner Serenade in D major was written in 1776 for Marie Elizabeth Haffner's wedding celebration and was commissioned by her brother Sigmund, later the recipient of the Haffner Symphony. Though this composition has elements of Mozart's symphonic style – particularly in its dramatic first and last movements, the grand Menuettos, and the sixth movement Andante – it is cast in eight movements of diverse character and has a casual ambience that belongs to the serenade. The violin solos in the second, third, and fourth movements lend a concertante air to this work, though they have a private quality unlike the bravura displays of the concerto style…