This set of recordings from the vaults of the Decca and Philips labels has an advantage over other samplers of the works of Wolfgang Amadeus Mozart in that it gives listeners complete multimovement works, not just a single movement or an excerpt of a movement. On the other hand, because of this, the number of works presented is by necessity much smaller than other compilations. Rest assured, though, that the producers selected the best of the best of Mozart's compositions. The symphonies are represented by No. 40 and No. 41 on the first disc of the set, with Georg Solti conducting the Chamber Orchestra of Europe.
MOZART 111 combines the best of the Austrian master's music with the best of Deutsche Grammophon's Mozart recordings, bringing together a total of 111 works, while retaining, as far as possible, the original album releases with their cover art. There's enough of everything here to stock a shop, as they say, in performances that have stood the test of time and performances that make you sit up and listen to Mozart afresh the perfect way to discover, rediscover and savor the incomparable genius of Wolfgang Amadeus Mozart.
When this staging was presented in 1992, in various theatres, Gardiner decided to be his own director because he didn't trust any available alternative to be faithful to Da Ponte's and Mozart's original. In the circumstances his was a sensible decision because his deeply discerning stage interpretation perfectly seconds his own musically perceptive reading. His keen understanding of what this endlessly fascinating work is about is made plain in his absorbing essay in the booklet.
This 2-CD set presents an unprecedented survey of Mozart’s childhood visit to London in 1764-65. Ian Page conducts his outstanding period-instrument orchestra in a fascinating and wide-ranging programme which includes Mozart’s remarkable first symphony (composed when he was eight years old), along with his two other London symphonies and his first concert aria. The repertoire also explores the music that was being performed in London during Mozart’s stay, including works by J. C. Bach, Thomas Arne, Abel, Pescetti, Perez, George Rush and William Bates, many of which have not previously been recorded, and the large cast of soloists includes eight singers and harpsichordist Steven Devine.