Mozart Masterwork

Berliner Philharmoniker under Karl Böhm - Mozart: Symphonies Nos. 35-41 (2015) [Official Digital Download 24bit/96kHz]

Berliner Philharmoniker under Karl Böhm - Mozart: Symphonies Nos. 35-41 (2015)
FLAC tracks 24bit/96kHz | Digital Booklet | 2.84GB + 5% Recovery
Studio Master, Official Digital Download, Deutsche Grammophon

These performances come from the first ever complete set of the Mozart symphonies, dating from the 1960s, and they still represent 'big orchestra' Mozart at its most congenial. The contrast here between Bohm's sparkling Mozart, both elegant and vigorous, and the much smoother view taken by Karajan with the same orchestra, works almost entirely in Bohm's favour. Interpretatively, these are performances very much of their time, with exposition repeats the exception (as in the first movement of No. 40) and with Minuets taken at what now seem lumbering speeds. Yet slow movements flow easily, and finales bounce along infectiously. Consistently they convey the happy ease of Bohm in Mozart, even if the recording is beefy by today's standards, not as transparent as one now expects in this repertory, whether on modern or period instruments.
Cecilia Bartoli, Andras Schiff ‎- Italian Songs: Beethoven, Mozart, Schubert, Haydn (1993)

Cecilia Bartoli, András Schiff ‎- Italian Songs: Beethoven, Mozart, Schubert, Haydn (1993)
EAC | FLAC | Image (Cue&Log) ~ 266 Mb (incl 5%) | Mp3 (CBR320) ~ 180 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Decca | # 440 297-2 | Time: 01:07:59

This was to be the end of the line for Italian word-setting by Viennese composers: once the confident sentiments that belonged to the poet Metastasio's opera seria felt the chill and threatening wind of Enlightenment and Revolution, their time was up. Even we, for the most part, prefer to remember the German-speaking Beethoven, Schubert and Haydn. So it is good to be reminded of their responses to the Italian muse (usually as part of their craft-learning student work) in this particularly well-cast recital. Central Europe, in the person of Andras Schiff meets Italy, in Cecilia Bartoli, to delightful, often revelatory effect.

Mozart - Don Giovanni (Rene Jacobs) (2008) [Blu-Ray]  Music

Posted by Vilboa at Dec. 4, 2016
Mozart - Don Giovanni (Rene Jacobs) (2008) [Blu-Ray]

Mozart - Don Giovanni (René Jacobs) (2008) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 20743 kbps / 1080i / 29,970 fps | 171 min | 44,8 Gb
Audio1: Italian / DTS-HD Master Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 4336 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 171 min | 9,32 Gb
Audio: Italian / DTS / 6ch / 48.0 KHz / 24 bits
Classical | Harmonia Mundi | Sub: Italian, French, English, German, Spanish

After the success of Così fan tutte and The Marriage of Figaro, René Jacobs' CD recording of this centrepiece of the Mozart/Da Ponte trilogy offered us his reflections on Classical opera and garnered serious acclaim worldwide. Performed at the Innsbruck festival in August 2006 and filmed in Baden-Baden, this production is nourished by his thoughts on Don Giovanni as taboo-breaker but still respects Mozart's intentions as closely as possible.
In the documentary Looking for Don Giovanni, the director Nayo Titzin follows the creation of this production in the search for musical truth.
Fabrizio Meloni - Mozart: Clarinet Concerto - Adagio and Fugue - Clarinet (2016)

Fabrizio Meloni - Mozart: Clarinet Concerto - Adagio and Fugue - Clarinet (2016)
Classical | MP3 CBR 320 kbps | 01:08:25 | 157 MB
Label: Deutsche Grammophon (DG)

Fabrizio Meloni, since 1984, is the First Solo clarinet chair of the Orchestra and the Philharmonica of La Scala Theatre in Milan. He has finished his clarinet studies at Milan’s Conservarory “G. Veri” with summa cum laude and the special mention for his artistic achievement.

VA - Mozart 225: Mozart's Instruments (2016)  Music

Posted by tomashass at Nov. 26, 2016
VA - Mozart 225: Mozart's Instruments (2016)

VA - Mozart 225: Mozart's Instruments (2016)
MP3 320 kbps CBR | 05:00:29 | 695 MB
Genre: Classical | Label: Decca, Deutsche Grammophon

In celebration of Mozart’s 225th anniversary, presented by Decca Classics and Deutsche Grammophon in partnership with the Salzburg Mozarteum Foundation.

Sir Georg Solti - Mozart The Operas: Box Set 15CDs (2012)  Music

Posted by Discograf_man at Nov. 25, 2016
Sir Georg Solti - Mozart The Operas: Box Set 15CDs (2012)

Sir Georg Solti - Mozart The Operas: Box Set 15CDs (2012)
Classical | MP3 CBR 320 kbps | 2,05 Gb | Scans 45 Mb
Label: Decca | Release Year: 2012

October 21, 2012 marks Sir Georg Solti's centenary and Decca is celebrating this with several important reissues.
Sir Georg was an exclusive Decca artist for 50 years.
In 1947 he signed his first contract with Decca - as a pianist and that same year he made his first record as a conductor (with the Zurich Tonhalle in Beethovens Egmont Overture). His last public concerts took place just a few weeks before his death in 1997 and were with the Zurich Tonhalle.
Alina Ibragimova & Cédric Tiberghien - Mozart: Violin Sonatas K301, K304, K379, K481 (2016) [TR24][OF]

Alina Ibragimova & Cédric Tiberghien - Mozart: Violin Sonatas K301, K304, K379, K481
Classical | FLAC (tracks) 24-bit/96 kHz | 103:46 min | 1.71 GB | Digital booklet
Label: Hyperion (CDA68091) | Tracks: 17 | Rls.date: 2016

Mozart's violin sonatas span his entire careerthe early ones are billed as piano sonatas with optional violin accompanimentand they develop over the years into the rst triumphs of the modern genre. Alina Ibragimova and Cédric Tiberghien have been enthralling audiences worldwide with these works, and now the rst instalment is available as a highly desirable 2-for-1 album.
Ingrid Jacoby & Sir Neville Marriner - Mozart: Piano Concertos (2016) [TR24][OF]

Ingrid Jacoby & Sir Neville Marriner - Mozart: Piano Concertos
Classical | FLAC (tracks) 24-bit/96 kHz | 69:29 min | 1.43 GB | Front Cover
Label: ICA Classics | Tracks: 09 | Rls.date: 2016

Elegance and energy characterise this account of K453, Ingrid Jacoby especially attractive to listen to in her fluid and dynamic playing, crispy phrased and also affectionate without losing the Concerto s bigger picture, and most attentively accompanied by the Academy of St Martin in the Fields and Sir Neville Marriner. Separating such lively music-making (the playful and ultimately witty Finale brings a smile), the soulful slow movement is particularly eloquent with some very expressive contributions from woodwind soloists, and Jacoby digs deep into the music's potential.

VA - Mozart 225: Fragments & Discoveries (2016)  Music

Posted by tomashass at Nov. 22, 2016
VA - Mozart 225: Fragments & Discoveries (2016)

VA - Mozart 225: Fragments & Discoveries (2016)
MP3 320 kbps CBR | 01:07:54 | 163 MB
Genre: Classical | Label: Decca, Deutsche Grammophon

In celebration of Mozart’s 225th anniversary, presented by Decca Classics and Deutsche Grammophon in partnership with the Salzburg Mozarteum Foundation.
Le Concert d'Astree, Louis Langree - Mozart: Mass In C Minor (2006)

Le Concert d'Astree, Louis Langree - Mozart: Mass In C Minor (2006)
EAC | FLAC (image+.cue, log) | Covers Included | 54:01 | 278 MB
Genre: Classical, Sacred | Label: Virgin Classics | Catalog: 0946359309

First things first: if you're seeing a picture of this disc on the site of an online retailer, be aware that it contains the Mass in C minor, K. 427, not the "Mass in C," promised by the cover, which would more likely be the "Coronation" Mass in C major, K. 337. It is always a shame when designers are given power of diktat over content editors. The so-called "Great" Mass in C minor is one of Mozart's most ambitious and most problematical works. There was no known immediate stimulus for its composition. Did Mozart begin writing it out of one of his rare religious impulses, on the occasion of his marriage to his bride Constanze? Out of his growing devotion to Freemasonry? Was it his first major exercise in applying the lessons in Bach-style counterpoint he had been receiving at the intellectual salons of the Baron van Swieten in Vienna? Or was it meant as a showpiece for singer Constanze with its killer soprano arias? It was all of these things and none of them, for Mozart never finished the mass.