Mozart Ntsc

Isabel Bayrakdarian, Russell Braun, Michael Schade - Mozart: Arie & Duetti (2006)

Isabel Bayrakdarian, Russell Braun, Michael Schade - Mozart: Arie & Duetti (2006)
EAC | FLAC (tracks+.cue, log) | Covers Included | 01:06:47 | 350 MB
Genre: Classical, Vocal | Label: CBC | Catalog: 5239

The choice of repertoire is more or less predictable. There are no lesser known arias, and Gott sei Dank they have been grouped by opera but, within the operas, not in the order of appearance. The ordering of the operas seems haphazard, too. "What an ungrateful nit-picker!" I can hear readers mumble. "Of course they have decided the order to achieve as much variety as possible". But I am not so sure. Why, in that case, start the recital, after the Zauberflöte overture with two arias in a row sung by Russell Braun?
Claudio Abbado, Orchestra Mozart, Giuliano Carmignola - Bach: Brandenburg Concertos 1-6 (2008)

Claudio Abbado, Orchestra Mozart, Giuliano Carmignola - Bach: Brandenburg Concertos 1-6 (2008)
EAC | FLAC | Image (Cue & Log) ~ 493 Mb | Total time: 47:26+44:00 | Scans included
Classical | Label: Deutsche Grammophon | # 00289 477 8908 | Recorded: 2007

Claudio Abbado isn't a name one associates with early music, in light of his impressive career conducting the masterworks of the Romantic and modern eras. Indeed, he didn't conduct any music by J.S. Bach with the Berlin Philharmonic until as late as 1994. Yet when he's leading the talented Orchestra Mozart of Bologna in Bach's Brandenburg Concertos, his ease with the music and his players is obvious, and the performances have almost as much Baroque style as many versions by period ensembles of greater longevity. Abbado led this ensemble in all six Brandenburgs in 2007 at the Teatro Municipale Romolo Valli in Reggio Emilio, and the live performances were recorded by Deutsche Grammophon with close attention to details, as befits chamber music.
Soft Machine - Grides (1970) {CD+DVD5 NTSC Cuneiform Records Rune 230~231 rel 2006}

Soft Machine - Grides (1970) {CD+DVD5 NTSC Cuneiform Records Rune 230~231 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 531 Mb | MP3 @320 -> 186 Mb
DVD5 -> 1.21 Gb | All Regions | NTSC 4:3 | Dolby AC3, 2 ch | ~ 21m | ISO Image
Full Artwork @ 300 dpi (jpg) -> 39 Mb | 5% repair rar
© 1970, 2006 Cuneiform Records | Rune 230/231
Rock / Jazz / Fusion / Progressive Rock / Canterbury Scene

Soft Machine were one of first and one of the greatest jazz/rock bands of all time. Their importance and influence was especially great in Europe, where they influenced several generations of bands, and their influences can still be heard to this day in bands like Jaga Jazzist and beyond. Grides presents the most famous version of the band (Elton Dean, Hugh Hopper, Mike Ratledge, Robert Wyatt) recorded live at the Concertgebouw in Amsterdam on October 25, 1970, in a high-quality, previously unreleased recording, just a few months after the release of Third and at the peak of their popularity.
Karl Bohm, Orchester der Bayerischen Staatsoper - Mozart: Die Entfuhrung aus dem Serail (2005/1980)

Karl Böhm, Orchester der Bayerischen Staatsoper - Mozart: Die Entführung aus dem Serail (2005/1980)
NTSC 4:3 (720x480) VBR | Deutsch (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.48 Gb (DVD9) | 146 min
Classical | Deutsche Grammophon | Sub: Deutsch, English, Francais, Espanol, Chinese

“One of Böhm's last operatic assignments, he accompanies his fine cast with huge wisdom. Gruberova and Talvela are outstanding. August Everding's production, adventurous for 1980, is now a delight to look at” (BBC Music Magazine). “the performance has a winning glow, with an excellent cast of soloists. Edita Gruberova as Konstanze is at her freshest…[Grist's Blonde] is a charming and characterful assumption, most of all when confronting the powerful Osmin of Martii Tavela” (Penguin Guide).
Nikolaus Harnoncourt, Orchester der Wiener Staatsoper - Mozart: Die Entfuhrung aus dem Serail (2009/1989)

Nikolaus Harnoncourt, Orchester der Wiener Staatsoper - Mozart: Die Entführung aus dem Serail (2009/1989)
NTSC 4:3 (720x480) VBR | Deutsch (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.77 Gb+3.75 Gb (DVD9+DVD5) | 198 min
Classical | Deutsche Grammophon | Sub: Deutsch, English, Francais, Espanol, Chinese

Critical acclaim for this superb co-production of Vienna's Staatsoper, the Wiener Festwochen and Brussels' Théâtre de la Monnaie (Das Opernglas): "Directors Ursel and Karl-Ernst Herrmann, working with Nikolaus Harnoncourt, demonstrate that the 'Entführung' is fully on the level of Mozart's Da Ponte operas and 'Zauberflöte'. In the harmony of staging and music, this is one of the most impressive Mozart performances Vienna has offered in a long time… Breaking with tradition, it seeks to fulfil his intentions as closely as possible."
Arnold Ostmann, Orchestra of the Drottningholm Court Theatre - Mozart: Die Entfuhrung aus dem Serail (2006/1990)

Arnold Östmann, Orchestra of the Drottningholm Court Theatre - Mozart: Die Entführung aus dem Serail (2006/1990)
NTSC 4:3 (720x480) VBR | Deutsch (LinearPCM, 2 ch) | 7.20 Gb (DVD9) | 133 min
Classical | Arthaus Musik | Sub: Italiano, Deutsch, English, Espanol, Francais

Set in the exotic seraglio of the Pasha Selim, the story revolves around the rescue of the lovely Constanze by her lover Belmonte – a tale of love, bravery and forgiveness. In this work, Mozart breaks new ground in introducing dramatically rounded characters with recognisably human feelings and weaknesses. The work influenced and changed the nature of opera throughout Europe. This charming production from Drottningholm does full justice to Mozart’s score. Arnold Östman’s deliberate conducting combined with Carl Friedrich Oberle’s design demonstrates that this really is “an eternal masterpiece of music drama by a youthful, exuberant composer who suddenly found his individual voice and style in the field of opera with this particular work” (Opera now)
Arnold Ostmann, Orchestra of the Drottningholm Court Theatre - Mozart: Die Zauberflote (2006/1989)

Arnold Östmann, Orchestra of the Drottningholm Court Theatre - Mozart: Die Zauberflöte (2007/1989)
NTSC 4:3 (720x480) VBR | Deutsch (LinearPCM, 2 ch) | 7.20 Gb (DVD9) | 161 min
Classical | Arthaus Musik | Sub: Italiano, Deutsch, English, Espanol, Francais

Die Zauberflöte is the artistic and philosophical testament of Wolfgang Amadeus Mozart, who died a few weeks after the work’s première in Vienna. Intertwining music of awesome purity and beauty with the conventions of the singspiel - a popular form of musical comedy – Mozart’s final operatic legacy to the world explores Man’s search for the truth and his confusion between the forces of dark and light and the final utopian resolution of seemingly irreconcilable elements. Because of the opera’s relationship to freemasonry, commentators have identified Tamino with the Emperor Joseph II, Pamina with the Austrian people, Sarastro with Ignaz von Born, Monostatos with the clergy and the Queen of the Night with the Empress Maria Theresa. Whichever level one approaches Die Zauberflöte on, it remains a great work in the spirit of the Enlightenment as well as a delightful fairy-tale. Nothing is so simple as to be absolutely clear-cut. In life, the serious and the comic often intermingle in a way that is disconcerting. In Die Zauberflöte, Mozart succeeds in combining these two elements in a way which has never been surpassed. The light and vibrant presentation of the Scandinavian cast - internationally renowned bass Lászlo Polgár is the only non-Scandinavian soloists – the authentic staging and the lean orchestra sound conducted by the illustrious Arnold Östman makes this performance definitely one of the best Zauberflöte-performances of the 20th century.
Arnold Ostmann, Orchestra of the Drottningholm Court Theatre - Mozart: Idomeneo (2006/1991)

Arnold Östmann, Orchestra of the Drottningholm Court Theatre - Mozart: Idomeneo (2006/1991)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 7.02 Gb (DVD9) | 143 min
Classical | Arthaus Musik | Sub: Italiano, Deutsch, English, Espanol, Francais

Idomeneo, King of Crete, has been away from home during the long years of the Trojan War. Idamante, his son, now regent of the island, waits for his return, heralded by the arrival of Trojan prisoners in Crete. One of these prisoners is Ilia, daughter of the murdered King Priam of Troy. Idamante has fallen in love with Ilia, but is loved by Electra, daughter of the Greek King, Agamemnon, who is taken refuge in Crete. The Drottningholm Court Theatre is a tiny and exquisite rococo theatre, the only surviving eighteenth-century theatre in Europe in perfectly-preserved working order. The Swedish conductor and musicologist Arnold Östman became the theatre’s director in 1981 and introduced an orchestra of original instruments playing an authentic style to complement the unique atmosphere of his surroundings and he has steadily built up a worldwide reputation for his authentic interpretation of Mozart. This revised revival of the acclaimed 1986 Drottningholm production by Michael Hampe conducted by Arnold Östman, was staged during the Mozart Bicentenary year. Combining both tragedy and comedy with drama, Idomeneo boasts a series of superbly expressive pieces which Einstein described as “one of those works that even a genius of the highest rank, like Mozart, could write only once in his life.”
Arnold Ostmann, Orchestra of the Drottningholm Court Theatre - Mozart: La Finta Giardiniera (2006/1988)

Arnold Östmann, Orchestra of the Drottningholm Court Theatre - Mozart: La Finta Giardiniera (2006/1988)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 7.35 Gb (DVD9) | 150 min
Classical | Arthaus Musik | Sub: Italiano, Deutsch, English, Espanol, Francais

Mozart’s charming opera tells the story of a Countess who disguises herself as a gardener in order to find and forgive her lover, who thinks he has killed her in a quarrel. The score is one of real musical delights with uncommonly rich and full orchestration and prominent parts for wind in particular. Arnold Östman conducts this Göran Järvefelt production in which the countes is played by Britt-Marie Aruhn.
Arnold Ostmann, Orchestra of the Drottningholm Court Theatre - Mozart: La clemenza di Tito (2006/1987)

Arnold Östmann, Orchestra of the Drottningholm Court Theatre - Mozart: La clemenza di Tito (2006/1987)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 7.15 Gb (DVD9) | 128 min
Classical | Arthaus Musik | Sub: Italiano, Deutsch, English, Espanol, Francais

Premiered not very successfully, in Prague on September 6th 1791, La Clemenza di Tito had turned into a considerable triumph within a month and was the first Mozart opera to be heard in London in 1806. The opera celebrates one man’s wisdom and regal benevolence and his struggle to maintain clemency no matter what the provocation. Vitellia, daughter of the deposed Emperor, believes the title of Empress to be hers by right of birth. Despite her love for Tito she seeks revenge when he plans to marry another. A dreadful conspiracy begins to unfold where passion overrides loyalty, and integrity is tested to the extreme. For his last opera, written for the coronation of Leopold II as King of Bohemia in 1791, Mozart used a formal opera seria libretto, but at its heart are intimate scenes of intense emotional conflicts.