John Tavener was the perfect choice as the composer to create the musical score for the film CHILDREN OF MEN. Much of the music used throughout the film (songs like 'Ruby Tuesday' etc) are well enough known that they don't require re-recording in this memoir of a deeply moving film. But it is the opportunity to listen without the visuals to the music Tavener created 'that brings an even deeper appreciation for his accomplishment. In addition to Tavener's own compositions this CD includes the Dietrich Fischer-Dieskau rendering of Mahler's 'Nun Will Die Sonn' So Hell Aufgeh'n' from the 'Kindertotenlieder' (a more apt song cycle could not be imagined for this childless film) as well as Krzysztof Penderecki's 'Threnody For The Victims Of Hiroshima' as conducted by the composer and Handel's excerpt from 'Alexander's Feast' ('War, he sung, is toil and trouble').
Film director Alfonso Cuarón's dystopian science fiction thriller Children of Men is about a near future in which human fertility has nearly ceased, and to represent a setting that is familiar yet disturbing, the compilers of this various-artists soundtrack (there is also an album of the score) have chosen some rock and pop songs by well-known artists dating back to the '60s, some of them, however, presented in versions not so well known. Everybody knows the heavy metal band Deep Purple, but the band's initial American hit, a cover of Joe South's "Hush," doesn't sound much like its more successful "Smoke on the Water" phase. The Beatles' "Tomorrow Never Knows" and the Rolling Stones' "Ruby Tuesday" are iconic '60s songs, but they are here performed by Junior Parker and heavily accented Italian singer Franco Battiato, respectively. John Lennon's "Bring on the Lucie (Freeda Peeple)," a song featured on his 1973 album Mind Games, is not one of his more celebrated numbers, despite its anthemic appeal; the version heard here is a rehearsal take that first appeared on the Lennon Anthology box set in 1998. There are also rap and reggae toasting tracks, and some electronic music, adding to the sense of dislocation called for in the film.
The Limited Deluxe Edition features 23 songs (an additional 7 songs) including all the original songs performed in the film by Jeff Bridges and Colin Farrell, "The Weary Kind" performed by Ryan Bingham (the theme song heard in the film's trailer and closing credits) and music featured in the film by Waylon Jennings, Lucinda Williams, Buck Owens, Sam Phillips and many more. It is packaged with a 12 page booklet featuring liner notes, lyrics and photographs. The soundtrack was co-produced by 10-time Grammy Award winner T Bone Burnett. Burnett, who co-produced the soundtrack with guitarist/songwriter Stephen Bruton. Synopsis Four-time Academy Award® nominee JEFF BRIDGES stars as the richly comic, semi-tragic romantic anti-hero Bad Blake, a broken-down, hard-living country music singer who's had way too many marriages, far too many years on the road and one too many drinks way too many times.
Produced, arranged, and composed by Eric Serra, the soundtrack to director Luc Besson's smash movie La Femme Nikita was the third collaboration between the pair, following Subway and The Big Blue. Many of the soundtrack's nearly two dozen cuts are brief (less than a minute and a half) and, therefore, offer little outside of the context of the film (although the simple, piano-based "The Last Time I Kiss You" is an exception). Like the film, the music from it is highly stylized, but it lacks the film's heart and is, instead, a mostly cold, bloodless collection of synthesizer noodlings and generic guitar riffs (with the odd saxophone). Some of the better moments include the introductory "Rico's Gang Suicide," the hypnotic swagger of "NPOKMOP," the metallic surf guitar of "Let's Welcome Victor," and the genuinely moving "We Will Miss You".
A movie as appealing and savory as the heaping piles of dinosaur sh*t that pass for its sight gags, 1980's Caveman ranks among the worst bombs Hollywood ever produced. Though a vehicle for Ringo Starr, the erstwhile Beatle did not record the film's soundtrack, with that, uh, "honor" going to the great screen composer Lalo Schifrin. Somehow Schifrin manages to rise above it all – especially given the circumstances, his Caveman score ain't half bad: though its epic sweep would have been far better suited for a movie worth watching, this is the kind of melodramatic score harking back to Hollywood's golden era, complete with eruptions of brass and strings. And in keeping with the prehistoric plot, there's even a tribal energy to the percussion – sounds silly, but it works.
Stanley Kubrick made his own musical choices for his films, many of them existing pieces that were forever redefined by their use. (Remember "Thus Spake Zarathustra" in 2001: A Space Odyssey?) For his final work, Eyes Wide Shut, he employed composer Jocelyn Pook to compose some evocative string-filled music (including one track, "Masked Ball," eerily featuring backwards vocals), but his score also included works by Liszt and Shostakovich, syrupy versions of "When I Fall in Love," "If I Had You," and "Strangers in the Night," a jazzy rendition of "Blame It on My Youth" by Brad Mehldau, Chris Isaak's cross between John Lee Hooker and Roy Orbison on his 1995 song "Baby Did a Bad, Bad Thing," and, opening and closing the disc, a simple but intense solo piano piece by Gyogy Ligeti, whose work also had been used in 2001 and another Kubrick film, The Shining. The result was an eclectic soundtrack album that primarily was of interest to fans of the film who were in need of an aural souvenir.
Brother Bear: An Original Walt Disney Records Soundtrack is the soundtrack to Disney's 2003 animated feature Brother Bear. It contains the film's music composed by Mark Mancina and Phil Collins, as well as songs written by Collins, and performed by Tina Turner, The Blind Boys of Alabama, Oren Waters, The Bulgarian Women's Choir, and even Collins himself. Much of the soundtrack in the film consists of the songs performed by Collins as a montage, much like what was done with the earlier Disney soundtrack to film Tarzan, but not entirely. The album was released on October 21, 2003 by Walt Disney Records.