Mosaic Basie

Statistical Modeling: A Fresh Approach (Project MOSAIC Books)  eBooks & eLearning

Posted by AlexGolova at Dec. 15, 2017
Statistical Modeling: A Fresh Approach (Project MOSAIC Books)

Statistical Modeling: A Fresh Approach (Project MOSAIC Books) by Daniel Kaplan
English | 11 July 2017 | ASIN: B073WDBJ57 | 433 Pages | AZW3 | 3.44 MB

Count Basie - Li'l Ol' Groovemaker... Basie! (1963)  Music

Posted by gribovar at Dec. 14, 2017
Count Basie - Li'l Ol' Groovemaker... Basie! (1963)

Count Basie - Li'l Ol' Groovemaker… Basie! (1963)
EAC Rip | WavPack (image+.cue+log) - 206 MB | MP3 CBR 320 kbps (LAME 3.93) - 83 MB | Covers - 61 MB
Genre: Jazz, Big Band | RAR 3% Rec. | Label: Verve Records (821 799-2)

Nine tracks of the Basie band in its prime playing music composed and arranged by Quincy Jones - that should be enough to tell you this is a superb album. All nine of the originals are virtually forgotten today but are very well-played by this veteran band. Although Frank Foster was still in the band, Eric Dixon (on tenor and flute) was starting to assert himself as a major solo voice while trumpeter Snooky Young has a few strong spots.
Donald Byrd & Pepper Adams - The Complete Blue Note Studio Sessions (2000) {4CD Box Set Mosaic MD4-194 rec 1959-1962}

Donald Byrd & Pepper Adams - The Complete Blue Note Studio Sessions (2000) {4CD Box Set Mosaic MD4-194 rec 1959-1962}
EAC rip (secure mode) | FLAC (tracks0+CUE+LOG -> 1.74 Gb | MP3 @320 -> 597 Mb
Full Artwork @ 300 dpi (jpg) -> 93 Mb | 5% repair rar
© 1959-62, 2000 Mosaic Records / Blue Note / EMI-Capitol | MD4-194
Jazz / Hard Bop / Trumpet / Saxophone

Centered around the Byrd/Adams Blue Note dates Byrd in Hand, Chant, Royal Flush, The Cat Walk, and Off to the Races, Mosaic's Complete Blue Note Donald Byrd/Pepper Adams Studio Sessions finds the Detroit natives at the top of their game during 1959-1962. Writing and performing some of the most original and tight hard bop around, Byrd and Adams led a variety of combos that featured the likes of Herbie Hancock (his first session), Wynton Kelly, Duke Pearson (who also contributed material), Charlie Rouse, Sam Jones, and Billy Higgins. From distinct covers ("Lover Come Back to Me") to seamlessly complex originals ("Bronze Dance"), Byrd's pure-toned trumpet and Adams' angular baritone unexpectedly make a perfect match. And beyond a wealth of sides that prove the point, the collection also features – in typically thorough and classy Mosaic fashion – some stunning session photos by Blue Note lensman Francis Wolff and an extensive essay by Bob Blumenthal. A hard bop experience of the highest order.

Count Basie - Basie Land (1964) [Reissue 2009] (Repost)  Music

Posted by gribovar at Nov. 17, 2017
Count Basie - Basie Land (1964) [Reissue 2009] (Repost)

Count Basie - Basie Land (1964) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 242 MB | MP3 CBR 320 kbps (LAME 3.93) - 86 MB | Covers (4 MB) included
Genre: Jazz, Big Band | RAR 3% Rec. | Label: Verve Records (0602517995727)

In 1964, Count Basie handed the reins of his band over to composer and arranger Billy Byers, purportedly to modernize his sound to the times. More accurately, Byers energized the band with his bright charts loaded with counterpointed exchanges and interplay, plus a depth and density the Basie band had long since relinquished to other similarly sized groups. With stellar personnel - including Eric Dixon, Frank Foster, Frank Wess, Marshall Royal, Al Aarons, and Don Rader - Byers and Basie stoked the coals of the band with some red hot bop and intricate charts atypical to the laid-back approach that always served the band and its fans well…
Count Basie & His Orchestra - On My Way & Shoutin' Again (1962) [Reissue 2009] (Repost)

Count Basie & His Orchestra - On My Way & Shoutin' Again (1962) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 213 MB | MP3 CBR 320 kbps (LAME 3.93) - 85 MB | Covers (4 MB) included
Genre: Jazz, Big Band | RAR 3% Rec. | Label: Verve Records (0602517909045)

When Count Basie returned to Verve Records in 1962, Neal Hefti was contracted to write the tunes and arrangements, a revival of their partnership from the 1958 Roulette LP Basie Plays Hefti. While none of these selections is as famous as his songs like "Cute," "Little Pony," "Splanky," "Li'l Darlin'," and "Repetition," the substantial originality of this music is hard to deny, not to mention that the expert musicians playing his music bring these tracks fully to life in a livelier fashion than most laid-back Basie studio sessions. In fact, it has the feeling of a concert date that trumps the more clean, controlled environment of a session that was recorded on a three-track reel-to-reel…
Count Basie | Sarah Vaughan - Count Basie & Sarah Vaughan (1996)

Count Basie | Sarah Vaughan - Count Basie & Sarah Vaughan (1996)
EAC | APE (log,image+cue) -> 265 Mb (5% Rec.)
Mp3 CBR320 Kbps -> 116 Mb (5% Rec.) | Scans included
Vocal Jazz, Standards, Swing | Label: Roulette Jazz, CDP 7243 8 37241 2 3 | 0:46:44

Although Count Basie gets top billing, he actually doesn't even appear on this set. Basie's Orchestra and pianist Kirk Stuart are purely in a supporting role behind the magnificent voice of Sarah Vaughan, other than a couple of short spots for trumpeter Joe Newman and Frank Foster's tenor. Sometimes Vaughan sounds overly mannered and seems to give little weight to the words she is singing, but her wide range and impeccable musicianship carry the day. Highlights include "Perdido," "Mean to Me," and "You Go to My Head," and the set is understandably recommended more for Sarah Vaughan fans than Count Basie collectors.
Gerry Mulligan - The Complete Verve Gerry Mulligan Concert Band Sessions 1960-1962 (2003) {4CD Set Mosaic MD4-221}

Gerry Mulligan - The Complete Verve Gerry Mulligan Concert Band Sessions 1960-1962 (2003) {4CD Set Mosaic MD4-221}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.57 Gb | MP3 @320 -> 635 Mb
Full Artwork @ 300 dpi (png) -> 38 Mb | 5% repair rar
© 1960-62, 2003 Mosaic Records / Universal Music / Verve | MD4-221
Jazz / Cool / West Coast Jazz / Progressive Jazz / Moder Big Band / Saxopohone

A killer collection of this unique musical moment from Gerry Mulligan – with material that appeared on the albums Concert Jazz Band, Concert Jazz Band At The Village Vanguard, A Concert In Jazz, Concert Jazz Band On Tour Guest Soloist Zoot Sims, and Gerry Mulligan 63 – plus unissued tracks, too! This four disc-set contains all of the existing Concert Band Sessions from May 1960 to December 1962, and makes available for the first time five previously unreleased performances. Some seven others, whose original tapes are either missing or lost, are notated here for the sake of discography. This was, arguably – after and aside from Mulligan's piano-less quartet with Chet Baker – the most visionary music he ever made. It eclipses his nonet recordings of the 1950s because of the sophisticated charts written by trombonist Bob Brookmeyer, and the writing Mulligan was doing formed the strength of this band – though this is not immediately apparent at the outset of Disc One. The set commences with a version of the band that included six brass, four reeds, Mulligan on baritone (and piano occasionally), bass, and drums.

Jonah Jones - At The Embers (1956) {Mosaic MCD-1017 rel 2008}  Music

Posted by ruskaval at Nov. 7, 2017
Jonah Jones - At The Embers (1956) {Mosaic MCD-1017 rel 2008}

Jonah Jones - At The Embers (1956) {Mosaic MCD-1017 rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 175 Mb | MP3 @320 -> 110 Mb
Full Artwork @ 300 dpi (png) -> 17 Mb | 5% repair rar
© 1956, 2008 Mosaic Records / Sony BMG Music | MCD-1017 | Mosaic Singles Series
Jazz / Classic Jazz / Swing / Trumpet

In 1956, Jonah Jones started to become an unlikely commercial success. A veteran swing trumpeter not known to the general public despite being an exciting player, Jones caught on playing frequently muted solos with a quartet at the Embers in New York. His music often featured a shuffle rhythm and mixed Dixieland, swing and show tunes. This first recording by the quartet (also including pianist George Rhodes, bassist John Browne and drummer Harold Austin) was popular, although it would soon be dwarfed by Jones' successes for Capitol. Highlights of the date, which was also released by Groove and Victor, include "It's All Right With Me," "All of You," "High Society" and "At Sundown."
Bud Shank - The Pacific Jazz Bud Shank Studio Sessions (1998) {5CD Box Set Mosaic MD5-180 rec 1956-1961}

Bud Shank - The Pacific Jazz Bud Shank Studio Sessions (1998) {5CD Box Set Mosaic MD5-180 rec 1956-1961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.78 Gb | MP3 @320 -> 696 Mb
Full Artwork @ 600 dpi (jpg) -> 144 Mb | 5% repair rar
© 1956-61, 1998 Pacific Jazz / Mosaic Records / Blue Note / EMI-Capitol | MD5-180 | 20-bit Super Bit Mapping
Jazz / Cool / West Coast Jazz / Hard Bop / Saxophone

When one thinks of altoist/flutist Bud Shank's recordings of the 1950s, it is normally of his work with Stan Kenton's orchestra or collaborations with Laurindo Almeida or Bob Cooper. However, Shank led a superior quartet from 1956-1958 that also included pianist Claude Williamson, bassist Don Prell, and either Chuck Flores or Jimmy Pratt on drums. This typically magnificent five-CD limited-edition box set from Mosaic has the quartet's four albums (including a set that was recorded in Johannesburg, South Africa), a selection by Shank with a sextet that includes vibraphonist Larry Bunker, and three slightly later sets.
Sonny Stitt - The Complete Roost Sonny Stitt Studio Sessions (1952-65) {9CD Box Set Mosaic MD9-208 rel 2001}

Sonny Stitt - The Complete Roost Sonny Stitt Studio Sessions (1952-65) {9CD Box Set Mosaic MD9-208 rel 2001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.05 Gb | MP3 @320 -> 1.37 Gb
Full Artwork @ 300 dpi (jpg) -> 110 Mb | 5% repair rar
© 1952-65, 2001 Mosaic Records / Capitol / EMI | MD9-208 | 24-bit remaster
Jazz / Bop / Saxophone

Under the watchful eye of famed producer Michael Cuscuna, this nine-CD set serves as a compilation of Stitt's 1950s and 1960s Roost LPs. This release also features a 28-page booklet consisting of comprehensively annotated liners. Moreover, the record label does its best to convey the artistic element via a series of black-and-white photos of Stitt and his sidemen amid anecdotes by many of the late saxophonist's affiliates. Interestingly enough, seven of the original LPs did not list personnel. In some instances, guesses were made, although most of these tracks are well-documented, thanks to the producer's diligence and painstaking research. Artists such as drummer Roy Haynes, bassist/composer Charles Mingus, and pianist Harold Maber represent but a few of Stitt's accompanists.