Mortensen Bach

Concerto Copenhagen, Lars Ulrik Mortensen, Soloists - Johann Sebastian Bach: Mass in B minor (2015) 2 CDs

Johann Sebastian Bach - Mass in B minor (2015) 2 CDs
Maria Keohane, Joanne Lunn, Alex Potter, Jan Kobow, Peter Harvey
Concerto Copenhagen, conducted by Lars Ulrik Mortensen

EAC | FLAC | Image (Cue&Log) ~ 511 Mb (incl 5%) | Mp3 (CBR320) ~ 252 Mb (incl 5%) | Scans ~ 84 Mb
Genre: Classical | Label: CPO | # cpo 777 851-2 | Time: 01:43:32

The sound world of Bach’s last great Mass has changed radically in recent decades; one-to-a-part performance practice is, as conductor Lars Ulrik Mortensen puts it, “changing our entire notion of Bach’s acoustic universe”. This bold claim is amply proven in an account of dazzling transparency, dance-like rhythms and utter clarity. Sometimes the balance seems not quite right, for example when organ continuo dominates, but some superb ensemble numbers pit voices against virtuosic instruments so each seems to outdo the other in joyous exuberance. The five soloists complement each other well, and the addition of just five extra singers is all that is needed to explode Bach’s universal vision into life.
Trevor Pinnock, The English Concert - J.S. Bach: Concertos (2001) 5CD Box Set

Trevor Pinnock, The English Concert - J.S. Bach: Concertos (2001) 5CD Box Set
EAC | FLAC | Image (Cue&Log) ~ 1.71 Gb (incl 5%) | Mp3 (CBR320) ~ 711 Mb (incl 5%) | Scans ~ 63 Mb
Genre: Classical | Label: Deutsche Grammophon/Archiv produktion | # 4637252 | Time: 04:56:00

This is a really great five-CD set. You get all of Bach's concertos except the Brandenburgs - which is a shame because Pinnock's Brandenburgs are terrific. Nonetheless, this remains an absolutely cracking collection of some of Bach's most enjoyable music in excellent performances. In the Harpsichord Concertos Pinnock is himself the soloist and shows why he is such a very well-liked and highly regarded musician. The music springs to life under his fingers (and under his direction) and many of these performances set new and enduring standards when first released in the early 1980s. They have informed much subsequent Bach playing and have worn extremely well themselves, sounding as fresh and involving as they did nearly 30 years ago. He is joined by other fine harpsichordists in the concerti for two, three and four harpsichords, (Kenneth Gilbert, Nicholas Kraemer and Lars Ulrich Mortensen) and the Concerto for Four Harpsichords in particular is an absolute joy.
Handel - Partenope (Lars Ulrik Mortensen, Inger Dam-Jensen, Andreas Scholl) [2008]

Handel - Partenope (Lars Ulrik Mortensen, Inger Dam-Jensen, Andreas Scholl) [2008]
NTSC 16:9 (720x480) VBR Auto Pan&Scan | Italiano (LinearPCM, 2 ch) Italiano (DTS, 5 ch) | 4.88 Gb+6.83 Gb (2*DVD9)
Classical | DECCA | Sub: English, Francais, Deutsch, Italiano, Espanol, Dansk | 187 min | +3% Recovery

Partenope wasn't a success upon its premiere in 1730. It doesn't have the drama of Giulio Cesare or Serse or the magic of Alcina or Orlando. But this sophisticated comedy has recently come into its own. Sigiswald Kuijken and La Petite Bande kicked off the revival with a path-breaking audio recording in 1979. Since 1998 it has been a staple of the repertory at the New York City Opera. This wonderful DVD from Copenhagen's Royal Theater will solidify Partenope's modern reputation…
Johann Sebastian Bach - Goldberg Variations - Lars Ulrik Mortensen (1989)

J. S. Bach - Goldberg Variations - Lars Ulrik Mortensen (1989)
Baroque | ape + cue | Easy CD-DA | no log | Covers | 1 CD | 459 MB | RS
Kontrapunkt 32023 | 1989

"His interpretation of appoggiaturas in the Aria is likely to raise a few eyebrows, and not everyone will like the adoption of a chirpy and most unmajestic staccato in the French overture. But I do hope he does not lose the pertness he shows in Var. 27 and the crisp humour of his Var. 22; and the extra embellishments he allows himself on repeats are remembering Koopman's distractingly fussy ornaments on Erato/RCA) neat and natural-sounding." Grammophone, October 1989
Thomas Demenga, Hansheinz Schneeberger, Tabea Zimmermann - Johann Sebastian Bach / Sandor Veress (1993)

Johann Sebastian Bach: Suite No. 1 in G BWV 1007
Sándor Veress: Sonata for violin; Sonata for violoncello; Trio per Archi
Thomas Demenga, cello; Hansheinz Schneeberger, violin; Tabea Zimmermann, viola

EAC | FLAC | Tracks (Cue&Log) ~ 262 Mb | Mp3 (CBR320) ~ 156 Mb | Scans included
Genre: Classical | Label: ECM | # ECM New Series 1477, 437 440-2 | 01:04:14

This disc continues Thomas Demenga's project of juxtaposing Bach cello suites with contemporary compositions—by Elliott Carter (12/90), Heinz Holliger, and now Sandor Veress, whose music we can hear growing out of, and away from, its neo-classical roots in Bach's polyphony.

Alexei Lubimov and Carl Philipp Emanuel Bach - Tangere (2017)  Music

Posted by shamanicus at Oct. 18, 2017
Alexei Lubimov and Carl Philipp Emanuel Bach - Tangere (2017)

Alexei Lubimov and Carl Philipp Emanuel Bach - Tangere (2017)
WEB FLAC (tracks) | Artwork: d.booklet, front cover | 319 mb | MP3 CBR 320kbps | RAR | 165 mb
Classical, Keyboard | Label: ECM Records - ECM 2112

Are you ready for extreme 18th century keyboard? The typically sparse packaging graphics of this ECM release may indicate only to German speakers what's contained inside: a "Tangentenflügel" is a tangent piano, a rare keyboard instrument of Mozart's time that used hammers, striking the strings at a tangent, but no dampers. The sound combines qualities of a clavichord (its nearest relative, but the tangent piano is louder), a fortepiano, and a harpsichord.
Alexei Lubimov - Carl Philipp Emanuel Bach: Tangere (2017) [Official Digital Download]

Alexei Lubimov - Carl Philipp Emanuel Bach: Tangere (2017)
FLAC (tracks) 24-bit/44,1 kHz | Artwork: d.booklet, front cover | RAR | 660 Mb
Classical, Keyboard | Label: ECM Records - ECM 2112

Are you ready for extreme 18th century keyboard? The typically sparse packaging graphics of this ECM release may indicate only to German speakers what's contained inside: a "Tangentenflügel" is a tangent piano, a rare keyboard instrument of Mozart's time that used hammers, striking the strings at a tangent, but no dampers. The sound combines qualities of a clavichord (its nearest relative, but the tangent piano is louder), a fortepiano, and a harpsichord.
Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner - Bach: Magnificat in E-Flat Major & Missa in F Major (2017)

Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner - Bach: Magnificat in E-Flat Major & Missa in F Major
Classical, Choral, Vocal | WEB FLAC (tracks) & d. booklet | 73:39 min | 330 MB
Label: SDG | Tracks: 27 | Rls.date: 2017

The Monteverdi Choir and English Baroque Soloists celebrate Christmas with a mixed programme of J.S. Bach’s sacred choral works. As we approach the 500th Anniversary of the Lutheran Church, these works transport listeners to 18th-century Leipzig for a traditional Christmas celebration. The programme moves from the intimacy of “Süßer Trost” to the vast celebration of joy that is Bach's Magnificat. The Bach at Christmas project is dedicated to the memory of philanthropist and patron of the Monteverdi choir, Sir Ralph Kohn. The concerts from which these recordings were taken took place at the Alte Oper, Frankfurt, in December of 2016.
Alexander Sevastian - J.S. Bach: Famous Works (Arranged for Accordion) (2017)

Alexander Sevastian - J.S. Bach: Famous Works (Arranged for Accordion)
Classical | WEB FLAC (tracks) & d. booklet | 52:12 min | 337 MB
Label: Analekta | Tracks: 09 | Rls.date: 2017

With its transcriptions for accordion of several J. S. Bach masterpieces, this CD gives listeners an opportunity to rediscover and enjoy the music of this great Baroque composer from a new perspective.
Yulianna Avdeeva - Johann Sebastian Bach (2017) [Official Digital Download 24/96]

Yulianna Avdeeva - Johann Sebastian Bach (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 64:14 minutes | 1.00 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Pianist Yulianna Avdeeva performs three keyboard masterpieces representing three important stages in Bach's creative life. In them, dance rhythms, extravagant improvisations and lyrical beauty combine to showcase the composer's genius.