Features all the songs from the album. Piano/vocal arrangements with chord symbols. Includes Pigs On The Wing (One), Dogs,Pigs (Three Different Ones), Sheep, and Pigs On The Wing (Two) and more.
The fifteen ‘miniatures’ of this modestly-titled recording include new music vignettes, composed and improvised, by Italian pianist Glauco Venier. This is Venier’s first solo album for ECM, following three albums with Norma Winstone and Klaus Gesing. Miniatures is a quiet and thoughtful disc, in which solo piano is augmented by subtle, discreet percussion. In addition to his primary instrument, Glauco plays gongs, cymbals and bells, the lightly-struck metals creating an attractive ambience, at times like wind-chimes in the breeze. Miniatures was recorded at Lugano’s RSI studio and produced by Manfred Eicher.
“Beethoven’s five sonatas for piano and cello show in a nutshell the same evolution that the 32 piano sonatas show. You have this wonderful young lion Beethoven in the opus 5 sonatas, you have the opus 69, the A major, which stands in the middle of his life, and then you have these wonderful two works, opus 102, which are at the gates of the late style, the last phase. And these are in a way experimental works, but fully crystallized.”
American Midwest-born composer Easley Blackwood achieved international attention through his work in microtonality, but sustained his reputation through two periods of more conservative composition. His experiments in use of a 19-note, evenly tempered scale remain significant, even after his settling on a musical language that pre-dates the twentieth century. His four decades at the University of Chicago afforded him a base from which he was able to refine his structural ideas and train another generation of American composers. Blackwood also achieved acclaim as a pianist in both his own works and those of his contemporaries…….From Allmusic
After having won the Gramophone Award in 2014 for his recording of Prokofiev’s five piano concertos, exclusive Chandos artist Jean-Efflam Bavouzet here explores the complete works for piano and orchestra of another Russian composer of the twentieth century: Igor Stravinsky. Bartók’s Piano Concerto No. 2, Ravel’s Piano Concerto for the left hand, and Stravinsky’s Concerto for Piano and Wind Orchestra make good company. First, Bavouzet considers them ‘the greatest concertos of the twentieth century.
A new album from the Gramophone Award-winning team of Steven Osborne, the BBC Scottish Symphony Orchestra and Ilan Volkov. Here they present Stravinsky’s complete music for piano and orchestra as a rare complete set, plus the Concerto in D for string orchestra. The taut rhythmic brilliance of this music is perfectly suited to the particular artistry of these performers. Volkov’s mastery of Stravinsky’s neo-classical idiom is clear from the ecstatic critical response to his recordings of many of the composer’s orchestral works.