New Moon’s soundtrack comprises songs that are all original and exclusive to the soundtrack and are performed by various indie rock and alternative rock artists. New Moon director Chris Weitz stated that the soundtrack would feature songs from Radiohead, Muse, and Band of Skulls. Death Cab for Cutie contributes the soundtrack’s lead single, a song written specifically for the film called “Meet Me on the Equinox”, which debuted September 13 during the MTV Video Music Awards. Bassist Nick Harmer says, “We wrote ‘Meet Me On the Equinox’ to reflect the celestial themes and motifs that run throughout the Twilight series and we wanted to capture that desperate feeling of endings and beginnings that so strongly affect the main characters.” The English rock band Muse contributes a remix of their song “I Belong to You”, which appears in its original form on their 2009 album The Resistance. St. Vincent collaborated with Bon Iver’s Justin Vernon to create a song called “Rosyln”. When describing the song, she said, “[Justin] sings in his beautiful falsetto and I’m actually singing very, very low… I think there’s something vampirey and creepy about the two of us singing together.
Fifty years, 11 CDs, 11 Doctors and 389 tracks. This is the release that Doctor Who fans worldwide have been waiting for, assembled after years of research and trawls through dusty archives and libraries. It's a comprehensive overview of the very special music that has accompanied the Doctor over his travels through time and space from William Hartnell in 1963 to present day Matt Smith. From Ron Grainer's iconic theme realised by the BBC Radiophonic Workshop's Delia Derbyshire to Murray Gold's orchestral tapestries, this is a musical saga of monumental proportions. The esteemed collection of composers featured include Tristram Cary, Brian Hodgson, Wilfred Josephs, Dudley Simpson, Geoffrey Burgon, Paddy Kingsland, Roger Limb, Malcolm Clarke, Keff McCulloch, Dominic Glynn, John Debney and many more. The lavish 32 page booklet with the set includes liner notes from Doctor Who composer Mark Ayres on the history of music in the series and details of the episodes.
is a 1975 musical film starring , , , , and . A sequel to the 1968 film , it is a highly fictionalized account of the later life and career of comedienne and her marriage to songwriter and impresario . The screenplay was by and , based on a story by . The primary score was by and . It was directed by .
Great balls of fire! The Towering Inferno (1974) was the biggest success of the Master of Disaster, Irwin Allen, and his last collaboration with the world's most famous film composer, John Williams. Williams had written TV themes and scores for Lost in Space, The Time Tunnel and Land of the Giants, as well as the score for The Poseidon Adventure (1972). The Towering Inferno was both the summa of his work for Allen and a large-scale lead-in for his legendary run on 1970s and early '80s blockbusters for Steven Spielberg and George Lucas. Williams has always had a talent for opening themes and The Towering Inferno features one of his best: the bustling, five-minute "Main Title" accompanies a helicopter flight over San Francisco in soaring, heroic fashion. From there the score encompasses distinct romantic themes—presented symphonically as well as in the "light pop" style of the period—and a wide variety of suspense, chaos and action music as the characters struggle valiantly to stay alive.
Pink Floyd's the Wall is one of the most intriguing and imaginative albums in the history of rock music. Since the studio album's release in 1979, the tour of 1980-81, and the subsequent movie of 1982, the Wall has become synonymous with, if not the very definition of, the term "concept album." Aurally explosive on record, astoundingly complex on stage, and visually explosive on the screen, the Wall traces the life of the fictional protagonist, Pink Floyd, from his boyhood days in post-World-War-II England to his self-imposed isolation as a world-renowned rock star, leading to a climax that is as cathartic as it is destructive.
"Debuted in 1976 as “Keiichi Suzuki with Moonriders” with the album Hinotama Boy (“Fireball Boy”). Moonriders was formed as a band in which all 6 members were also both songwriters and producers. Constantly incorporating new sound and technology, they produce cutting-edge new works. Their various experimental directions during live performance have also had a great influence on others. In 2005, they launched their own label, Moonriders Records, which continues to release new musical works."
The James Bond series of films from EON Productions has had numerous signature tunes over the years, many of which are now considered classic pieces of cinematic music. The best known of these pieces of music is the ubiquitous "James Bond Theme." Many other pieces of instrumental music have also become identified with the series, such as "The 007 Theme", "On Her Majesty's Secret Service" theme, and various songs such as Shirley Bassey's "Goldfinger", "Diamonds Are Forever", and "Moonraker", Duran Duran's "A View To A Kill", Nancy Sinatra's "You Only Live Twice", Paul McCartney's "Live and Let Die"…
With songs unleashed from the soul of Roger Daltrey, Under a Raging Moon is a short voyage into the psyche of an aging rock star who has plenty to reveal. Daltrey's bitterness about growing older while gasping for every last breath of a youth gone by gives this album heart and a certain emotional dimension, coming to a head on the title track. His thunderous but passionate ode to his former friend and drummer Keith Moon is a fervent downpour of frustration that can be truly felt inside every line of the song. A spectacular drum solo from Mark Brzezicki is a modest tribute to the late Moon and adds depth indefinitely. A multitude of drummers appear on the album, musically paying their respects, including Cozy Powell, Roger Taylor, and Stewart Copeland. The guitar slashing "Let Me Down Easy," penned by Bryan Adams, is a perfectly formulated rock song intensified through Daltrey's energy. While this song and all of the others act as outlets for his pent up anger, each one is sung, and sometimes screamed, with genuine passion and heart. Even the slower songs, like "The Pride You Hide," display a moving amount of sincerity. Not every song is a treasure, but all contain a intangible character that only Daltrey can muster. –by Mike DeGagne, allmusic.com