Moody Bitches

Moody Bitches (Audiobook) (Repost)  eBooks & eLearning

Posted by insetes at July 19, 2015
Moody Bitches (Audiobook) (Repost)

Moody Bitches: The Truth about the Drugs You're Taking, the Sleep You're Missing, the Sex You're Not Having, and What's Really Making (Audiobook) By Julie Holland M.D., read by Cassandra Campbell
Unabridged edition 2015 | 12 hours and 15 mins | ISBN: 1611763622 | MP3 64 kbps (vbr) | 347 MB

Moody Bitches (Audiobook)  eBooks & eLearning

Posted by bookwarrior at April 12, 2015
Moody Bitches (Audiobook)

Moody Bitches: The Truth about the Drugs You're Taking, the Sleep You're Missing, the Sex You're Not Having, and What's Really Making (Audiobook) By Julie Holland M.D., read by Cassandra Campbell
Unabridged edition 2015 | 12 hours and 15 mins | ISBN: 1611763622 | MP3 64 kbps (vbr) | 376 MB
Moody Bitches: The Truth About the Drugs You're Taking, The Sleep You're Missing, The Sex You're Not Having...

Moody Bitches: The Truth About the Drugs You're Taking, The Sleep You're Missing, The Sex You're Not Having, and What's Really Making You Crazy by Julie Holland
2015 | ISBN: 1594205809, 0007554125 | English | 432 pages | EPUB | 0.55 MB

Why We Don't Suck: And How All of Us Need to Stop Being Such Partisan Little Bitches  eBooks & eLearning

Posted by tarantoga at Oct. 31, 2017
Why We Don't Suck: And How All of Us Need to Stop Being Such Partisan Little Bitches

Denis Leary, "Why We Don't Suck: And How All of Us Need to Stop Being Such Partisan Little Bitches"
ISBN: 1524762733 | 2017 | EPUB | 320 pages | 23 MB
Miles Davis - Bitches Brew (1970) {2014, Limited Edition, Remastered, MFSL UDSACD 2-2149} [2x SACD ISO + FLAC 24/88]

Miles Davis - Bitches Brew (1970) {2x SACD, Limited Edition, Remastered}
PS3 Rip | ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Full Scans (JPG, 300 dpi) | 4,01 Gb | 5% Recovery
FLAC (Tracks), 24bit/88,2 kHz (converted with foobar2000) | Full Scans (JPG, 300 dpi) | 1,97 Gb | 5% Recovery
Jazz, Fusion | 00:47:16 + 00:47:05 | © 2014 Mobile Fidelity Sound Lab #UDSACD 2-2149

Bitches Brew is a studio double album by American jazz musician Miles Davis, released on March 30, 1970, on Columbia Records. The album continued his experimentation with electric instruments previously featured on his critically acclaimed In a Silent Way album. With the use of these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of a looser, rock-influenced improvisational style. Bitches Brew was Davis's first gold record; it sold more than half a million copies. Upon release, it received a mixed response, due to the album's unconventional style and experimental sound. Later, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians. The album won a Grammy Award for Best Large Jazz Ensemble Album in 1971.
Miles Davis - Bitches Brew (1970) 2CD, Japanese Blue-Spec CD2, Remastered Reissue 2013

Miles Davis - Bitches Brew (1970) 2CD Remastered Reissue 2013
EAC | FLAC | Tracks (Cue&Log) ~ 735 Mb (incl 5%) | Mp3 (CBR320) ~ 255 Mb (incl 5%) | Scans ~ 204 Mb
Genre: Jazz Fusion, Jazz Rock | Label: Sony | # SICP 30267~8 | Time: 01:46:00

Bitches Brew is a studio double album by Miles Davis, released on March 30, 1970, on Columbia Records. The album continued his experimentation with electric instruments previously featured on his critically acclaimed In a Silent Way album. With the use of these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of a looser, rock-influenced improvisational style. Upon release, it received a mixed response, due to the album's unconventional style and experimental sound. Later, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians. The album won a Grammy Award for Best Large Jazz Ensemble Album in 1971.

Miles Davis - Bitches Brew (1970) [2CD] {1999 Columbia Remaster}  Music

Posted by ruskaval at Dec. 15, 2009
Miles Davis - Bitches Brew (1970) [2CD] {1999 Columbia Remaster}

Miles Davis - Bitches Brew (1970) [2CD] {1999 Columbia Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 725 Mb | MP3 @320 -> 238 Mb
Full Artwork @ 300 dpi (png) -> 78 Mb
© 1999 Sony Music / Columbia / Legacy | C2K 65774
Jazz / Fusion / Jazz Rock


Miles Davis - Bitches Brew (1970) [2CD] {1999 Columbia Remaster}

Thought by many to be the most revolutionary album in jazz history, having virtually created the genre known as jazz-rock fusion (for better or worse) and being the jazz album to most influence rock and funk musicians, Bitches Brew is, by its very nature, mercurial. The original double LP included only six cuts and featured up to 12 musicians at any given time, most of whom would go on to be high-level players in their own right: Joe Zawinul, Wayne Shorter, Airto, John McLaughlin, Chick Corea, Jack DeJohnette, Dave Holland, Don Alias, Benny Maupin, Larry Young, Lenny White, and others. Originally thought to be a series of long jams locked into grooves around one or two keyboard, bass, or guitar figures, Bitches Brew is anything but. Producer Teo Macero had as much to do with the end product on Bitches Brew as Davis. Macero and Davis assembled, from splice to splice, section to section, much of the music recorded over three days in August 1969.
James Moody - The Chronological James Moody 1951-1954 (2006) [Classics 1410]

James Moody - The Chronological James Moody 1951-1954 (2006)
EAC | FLAC | Tracks (Cue&Log) ~ 328 Mb | Mp3 (CBR320) ~ 166 Mb | Scans included
Bop, Hard Bop, Saxophone Jazz | Label: Classics | # 1410 | Time: 01:10:53

Back in New York after three years spent gigging and recording in Europe, a mature and rejuvenated James Moody resumed the endless North American scuffle to get by as a contemporary jazz musician. Volume five in the Classics James Moody chronology presents 16 rare Mercury recordings made between October 1951 and June 1953, followed by eight Prestige titles from January and April, 1954. The first four tracks feature baritone saxophonist Cecil Payne; high points include the rowdy, bristling "Moody's Home" and "Wiggle Waggle," an R&B rocker that sounds like something right up out of the King record catalog. Beginning with the material recorded on May 21, 1952, Moody is heard leading a group largely composed of players who, like him, had worked in Dizzy Gillespie's big band. Two of these individuals – trumpeter Dave Burns and baritone saxophonist Numa "Pee Wee" Moore – show up regularly in the front line of Moody's excellent recording ensembles between 1952 and 1955.

The Moody Blues - Sur La Mer (1988)  Music

Posted by v3122 at Dec. 5, 2017
The Moody Blues - Sur La Mer (1988)

The Moody Blues - Sur La Mer (1988)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Polydor, 835 756-2 | ~ 323 or 123 Mb | Scans(jpg) -> 96 Mb
Progressive Rock / Synthpop

Sur la Mer is the thirteenth album released by The Moody Blues, released in 1988. It features the hit single "I Know You're Out There Somewhere", a sequel to their 1986 hit "Your Wildest Dreams". Much of the music on this album would fit in the "synthpop" genre, though it does bear more rock and acoustic influences than its predecessor…

The Moody Blues - The Present (1983)  Music

Posted by v3122 at Dec. 3, 2017
The Moody Blues - The Present (1983)

The Moody Blues - The Present (1983)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2008 | Threshold, 531 278-9 | ~ 395 or 128 Mb | Scans(jpg) -> 185 Mb
Progressive Rock | Remastered

ELO fans who found in Long Distance Voyager a new Discovery can be excused for thinking there's no Time like The Present. Just as ELO's follow-up to the sweeping Discovery seemed tame by comparison, so The Present failed to match the grandiose arrangements of the Moodies' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice." The Present seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old…