THE BYRDS “BYRDS” (’73 REUNION)
The announcement of the reunion album featuring all five original Byrds raised expectations to the point where whatever emerged was almost bound to be an anticlimax. (Imagine the effect of the Beatles reforming around the same time, if you will.) Despite a general thumbs-down from the critics, fan loyalty and eager anticipation made the new long-player highly successful at the record store: in the States, the biggest-selling new-material Byrds album since Turn, Turn, Turn. Subsequent reviews expressed varying degrees of disappointment, but recent re-evaluation with almost forty years of hindsight portrays the project as fascinating historically and not without merit artistically. Interest in it has never waned and it’s been re-released on CD no fewer than four times. The Wikipedia article on it is almost a book.
Excellent addition to any prog-rock music collection
ELP returned from an extended hiatus in 1977, sweetly oblivious to the fact that progressive rock was on the decline. Many bought the double-elpee set just the same (temporarily forgetting the substantial investment that Welcome Back was) to find that “Works Volume 1” was in fact three sides of solo music fused together with a token “band” side at the end. No doubt it’s this sort of tinkering with the affection of fans that resulted in the backlash against the band in later years.