Homecoming. It is hardly surprising that several jazz compositions are known by this name. Especially for the continuously travelling improvisers, those post-modern nomads, to return home to their families is something he/she is longing for during the continuous loop of aeroplane-hotel-stage-aeroplane (even if he/she is longing to be back on the road after a few days at home…). Home can mean many different things: for some it is being on stage, for others it is an imaginary place, only to be found in their dreams. However, you may also associate homecoming with Vince Mendoza’s return to his acknowledged first love, jazz. Or his reunion with the orchestra he feels deeply connected with for already more than two decades, the WDR Big Band. Maybe the word makes you think of the happy opportunity to once again write your own music. The word has all of these and many more meanings, all of them are coming together in this particular homecoming.
During Mexican Revolution, Rosalio Mendoza (Del Diestro) survives by making and winning favors from both factions, the governmental forces and Zapata's Army. His hacienda welcomes everybody, and Mendoza is considered a good friend of his guests. Eventually, the situation becomes unsustainable and he has to take sides. Betrayal and deception overcome and Mendoza's dark side surfaces.